Il ritorno di Black Stallion

A great family film, about a boy from the U.S.A. and a horse from Arabia. The boy meets and befriends Arabs and Muslims and rides the horse in a grueling Arab marathon horse race.

What is most important about this film is that it is that rare gem: a Hollywood film that shows Arabs and Muslims realistically: as human beings, instead of depicting them as terrorists or fanatics, which is what Hollywood usually does (see the documentary "Reel Bad Arabs" for more about that topic). After all, the reality is that most Muslims are not terrorists or fanatics.

This film helps people to appreciate ethnic diversity, instead of hating what is different... therefore, unlike many media portrayals of Arabs and Muslims, the film helps to increase peace and harmony in the world.

Is The Black Stallion Returns as good as the original? Not quite. The original is a masterpiece, that said this is a wonderful sequel and one of the better ones I've seen recently. The story while having a different focus than the original has some implausible and sluggish moments but many other parts are believable and touching. The script is well written, the direction is competent and the acting from Kelly Reno and Vincent Spano(and the horse) is pretty much superb. However, the best assets of The Black Stallion Returns are the sumptuous visuals and beautiful score. All in all, a wonderful sequel and movie. 9/10 Bethany Cox

I also do not understand how this film did not get better reviews. This is a movie I grew up with and one of the few films in that category that I do not just keep around for sentimental reasons; I love it just as much as an adult as I did the first time I saw it. The filming location is wonderful, Kelly Reno's acting is superb, and it has the most amazing score that always tugs on my heart and makes me want to close my eyes and throw my arms wide just to feel the wind on my face. As a result, it is one of the few sequels that is better than the original. In short, The Black Stallion Returns is a thoroughly interesting and enjoyable movie; a great watch for everyone.

(1983) The Black Stallion Returns ADVENTURE

After the critical success of "The Black Stallion", the makers thought they could do this again by returning cast and crew to do the follow-up adapted by the same author who wrote the first one called the Black Stallion! The plot has Alec Ramsey (Kelly Reno) who's now older and little taller than he was in the 1979 film, going into another adventure to retrieve his Arabian Stallion, after being taken from him from people claiming that they were the original owners, for the purpose of using him for a race somewhere in the deserts of Casablanca! Not as subtle as the first one, nor as adventurous as one would expect to see after the first one, since they're some far fetched things happening during this kind of an adventure which can sometimes drag, meaning that you'd have to stick it out until the final 20 minutes or so, to make it all worth your while because it avoids cliches! And the final race was just as thrilling as the first movie.

"The Black Stallion Returns" is shot in 1.85:1, and I saw it in 1.33:1 because of the TV-network cut it down as usual. "The Black Stallion Returns" is a cinema-movie, you should see this on the big screen but after all, this should be done in 2.35:1 instead. This doesn't mean that the movie is bad because of the wrong format, but it would be more powerful in a wider one, as long as the cinematographer would handle it together with the director (I think they would). One of the reasons why it is shot in 1.85:1 might be that the first film was in that format too.

The story is faster and the film is shorter than it could be. After a standard opening, all gets better. And soon Alec, the main character reaches the desert, which is the reason why I wanted to see this movie. This isn't "Lawrence of Arabia" by David Lean, I know that, but the desert scenes are beautiful. And it is because of this scenes I like this movie. Everything started with photos from this film that I saw as a kid. The impression was that the desert was beautiful, or could be shown as beautiful. I should have seen "Lawrence of Arabia" already when I was younger, maybe I would have liked it even more than. For me, "The Black Stallion Returns" could have more and also slower desert scenes than it has, without getting a bit boring.

"The Black Stallion Returns" is actually shot in Morocco, North Africa. The cinematography is not poor, far from. But some of the characters could be better done. The choice of Woody Strode as Meslar was perfect, but he isn't used as good as I hoped. Alan Garfield doesn't amuse as Kurr, a villain, I had hoped that Kurr would be cooler and more menacing. Kelly Reno is a bit weak but at least okay as Alec, but Vincent Spano is cool as the Arabian prince.

The music by Georges Delerue is a bit unequal but at times very good.

The best parts of this movie are without doubts the desert scenes, including the horse race in the end (even if I think it should have been even better).

If you hate horses (why should you?) you can't like this, but otherwise it isn't that hard to enjoy this movie, even if it gets very emotional and describe the relationship between Alec and Black as close as a relation can be, which is booth fascinating and perhaps irritating. Here the direction shows what it really wants to show: emotions, admiration, love, friendship and almost worship from Alec to the Black. In that chase, the director (Robert Dalva) has succeeded.

"The Black Stallion Returns" is first of all a movie for a younger audience than me. That is why I see so many ways how it could have been even better, a more "hard core" movie with a harder, more action-filled tune and an even stronger adventure-feeling in style with perhaps my favorite from this time; "Conan the Barbarian". This would be a movie that was perhaps fitting a wider audience, or at least another.

I saw "The Black Stallion Returns" before I saw 'The Black Stallion', I think that is the best way to enjoy this sequel (it is somehow rather independent from the first one).

(Goofs:) Couldn't Kurr's Uruk men have killed the stallion instead of letting it survive or did they want it to survive? This is not clearly explained.

Rating: 6 of 10.