American Nightmare

The son of a powerful entrepreneur receives a post from his sister, pleading for him to rescue her from an unspecified danger. With only the letter's return address as a lead, he begins a dot-to-dot descent into the seedy urban underbelly, gathering bits of information from one sleazy miscreant after another.

Along the way, a good-natured stripper comes to his aid, and love blooms between the two. Meanwhile, hookers, exotic dancers, and various other reprobates are dropping dead, the victims of an unseen madman.

This is a better-than-expected film, one that joyfully wallows in the sleaze of its urban environs, but manages to rise slightly above the lowbrow caliber of gratuitous exploitation cinema. Fine performances and steady pacing catapult American NIGHTMARE above the average for films of its type, but the tawdriness of the subject matter at hand should keep the grindhouse crowd pleased, as well.

6/10...reccomended.

Wealthy pianist Eric Blade (Lawrence Day) tries to locate his missing runaway sister in an unnamed (and presumably US) metropolis. His journey takes him to seedy sex shops and strip joints. Of course, the police (include a detective played by one "Mike" Ironside) aren't really interested in a missing hooker until they find out she is the daughter of a wealthy businessman. Even then they spend their time following the "obvious he didn't do it" guy while the quick audience members have already correctly guessed the real culprit 10 minutes in. Despite being a tad predictable, this is still worth watching for the the sleaze factor. This ranks right up there with films like MANIAC and NEVER PICK UP A STRANGER in terms of on screen skank. I'm just saddened that my Northern neighbors think so lowly of us that they called this American NIGHTMARE. I guess Canadian NIGHTMARE didn't have that ring to it.

There is a serial killer on the loose murdering young women who all work at a downtown strip club. After the brother of one of the victims shows up to uncover the killer, a stripper joins forces with him to stop the American Nightmare.

American Nightmare is a hard to find gritty 80's slasher filmed in my hometown of Toronto in Canada. The film starts with a young prostitute being viciously murdered by an unknown assailant. We quickly meet her brother Eric who is trying to find out who killed her. Along his journey we meet a very likeable transvestite named Dolly and some of his friends who work at the nearby strip club, one of which is named Louise. Eric takes an instant liking to her and works with her to discover the identity of his sisters killer.

American Nightmare is so filthy of a slasher film, you'll need to take a shower afterwards. We get trashy nudity and a script which includes very homophobic dialogue at times. It definitely feels like the depths of low down Toronto in the 80's. The death scenes (mostly stabbings) are extremely realistic and not just because of the special effects and blood. There is a brutality to them which makes it feel very real. The identity of the killer was shocking to me and there was backstory told that felt a tad rushed and a little nonsensical. That was a weak point for me for sure.

The acting is nothing great in this one, mostly unknown Canadian actors. Most notably include scream queen Lenore Zann and well known actor Michael Ironside who have very small parts. For people who know Toronto, you'll see some very familiar filming locations such as the CN Tower, downtown Yonge Street, and some office buildings around the CNE/Exhibition Grounds.

I appreciate American Nightmare for what it is. A cheap Canadian slasher flick from the 1980's that has some extremely tense moments with the killer and their victims. It isn't a must see horror film, but I would watch it if you get the chance. It gets a 6/10 for me for it's chase scenes involving the killer and it's overall decaying/depressing atmosphere.

6/10

Despite what the title states, the movie actually takes place in Toronto. Though like most Canadian movies, it is hesitant to say where it's actually taking place - you have to look for clues, such as seeing part of the CN Tower in the background during the final sequence.

As for the movie itself, it's pretty poor overall. It's relentlessly padded, with only a few turns in the story itself. Much of the movie consists of people talking, or to showcase the abundant nudity. Though that latter element may sound like it makes the movie worth watching, it's actually drearily presented, without it being the least erotic.

In fact, every location in the movie comes across as degenerate and filthy - never have I seen Toronto bathed in such an unflattering light. Actually, it's a change of pace for a Canadian movie, and with the movie taking place in a sleazy part of society, it seems somewhat appropriate. Though I'm sure this wasn't intentional, because this was a really low budget movie (only a $200,000 budget - Canadian dollars!), and the production values certainly show it, most notably the lack of adequate lighting.

To be fair, the slasher sequences aren't that bad - the squalid locations and the dark lighting actually give them some atmosphere, and the direction of these sequences show a little imagination (unlike the hopeless direction elsewhere.) And the movie does give B movie fans a chance to see Michael Ironside in not just an early role, but one that gives him the rare opportunity to play a good guy. Aside from those things, the movie is probably only of interest to people interested in Canadian tax shelter movies of this era.

I agree with the earlier "user comment" that described this film as a "Canadian Giallo." Having recently watched a number of Italian Giallos from the 1970s and 1960s, I find many of the characteristics of this film match up neatly with those of traditional giallos. (In particular, I can think of a number of similarities between this film and the giallo classic "Seven Blood-Stained Orchids.") For example, this film presents us with a murder mystery which really can't be called a "Whodunnit." Like many giallos, this movie has a gloved killer whose motivation for murder is revealed at the end. And as with many giallos, the police are largely ineffectual, so it is ultimately up to the protagonists to deal with the killer.

The acting is also pretty good for a low budget feature. In particular, Lora Staley, the female lead, turns in a very good performance as does Larry Aubrey, who plays a transvestite named Dolly. The male lead, Lawrence Day, is generally good though somewhat wooden in some scenes. The rest of the cast is, at least, competent.

The main negatives regarding this movie are a result of its low budget. Because of budget constraints, this movie was filmed in 16 mm format rather than 35 mm. The result is rather dull and dark looking images and rather washed out colors. Other users have complained that while there is much nudity in this film, it is not very erotic. I found most of the women in this movie to be very attractive, but the poor film quality simply does not do them justice. Aside from film quality, you also the common slasher film flaw of characters seeming to go out of their way to get themselves killed. In the case of this film, after becoming aware that the killer is targeting people within their group, characters continue to travel by themselves to areas where the killer has appeared previously and where -- surprise, surprise -- the killer tracks them down and kills them!

All things considered, the positives outweigh the negatives with respect to this film. It is easily worth a rental. For those who like to collect slasher/giallo flicks, it is a must-have to such a collection. For all others, it is worth buying if you can find it at a decent price.