Metropolitan Police

The Bill was compulsory viewing for its first decade or so, but its relatively-new executive producer and his team of gossip-writers have conspired to reduce it almost to farce, presumably driven by a desire to attract those who habitually switch off after the serial soaps.

That is sad enough, but even sadder is the fact that even its degraded form, The Bill remains one of the better current offerings on television, purely for the two or three minutes per episode now devoted to the original concept.

Perhaps we should be grateful for those few minutes, which those attracted to the programme for other reasons may ignore while making or taking bets on which of the Sun Hill staff will soon have a child kidnapped, or prove to be corrupt, have a serious problem with alcohol or drug abuse, turn out to be either adopted or the parent of a long-lost illegitimate child, become unfaithful or a bigamist, go mad or murder several colleagues.

If only we'd known.

I wrote a review a couple of years ago regretting the direction the programme had taken. I note that several other readers have also commented on The Bill's headlong descent into pantomime soap-opera. I cannot believe that many of the show's long-time fans (which included the eminent historian Andrew Roberts) now bother to watch. Very occasionally I steel myself to tune in for part of an episode but end up watching through my fingers. My most recent visits coincided with the police station being blown up for the second time in five years, the exposure of yet another psychopathic deranged serial-killer police officer, Superintentent Okaro's entire family being wiped out and the poor man going doolally and a regular character being held hostage for the umpteenth time. Not to mention yet another series regular being involved in a relationship with a criminal and struggling with divided loyalties. Enough already! Let Sun Hill join Dock Green and Newtown in that great police beat in the sky.

I can honestly say that I have never missed an episode bar one, the episode with Honey in the casino about four years ago. During this time I have seen the highs and lows and yes some very 'soapy' episodes. I agree wholeheartedly with people who say it has been at a definite low from about 2002, maybe even a little before that, but even in it's more trashy period it retained my interest. I have cringed at many of the story lines from around 2002 onwards, but while a lot of silly stories were going on there were still some good characters. Gabriel Kent and Cathy Bradshaw were not one of these! I have to say that within the last half a year to a year the show has gone through a dramatic about turn and now more concentration on the very real pressures that the British police have to endure has ensured that an air of quality has returned. if you have stayed away for a few years then now is definitely a good period to return to it. There are characters that stand along side the best of the past, such as Gina Gold, Sam Nixon (gorgeous as she is!), DI Manson, plus there's still a crop of the old stalwarts such as the wonderfully flawed Reg Hollis. I hope the show's producers can keep this current good period going, and if they have to raise the ratings in future, to find a good solid talking point of a storyline, rather than resort to Tabloid style cheap ratings grabbers. These attempts to tempt people in may initially bring in a lot of people who like that kind of thing but they will lose many more of the more discerning audience. May this show go on and on...please!

I have followed this series from its earliest episodes and have rarely found it hard going until recently. Although it still delivers good entertainment, the show has lost much of its grittiness (although in many ways it is probably more realistic).Up until the recent dramatic changes (the bombing of Sun Hill and resultant death of many of the main characters)there was little shown of the violence, blood etc that is part and parcel of real police work. The show has suffered considerably for those of us who remember the good old days of Burnside, Tosh Lines et al. Serialising the episodes is not in itself a bad thing, for that makes it more believable than the old concept that each case was tied up in the half hour - or one hour episode, it does however mean that much of the crispness of the show is lost in the process. For the undedicated, the focus on private lives (and romances in the station)turns it very much into a "soap" and less of a serious show. I am still recovering from the first time Jim kissed June - it was a bit like watching someone kiss his sister! I suppose that the Old Bill is gone for good, but it still is good entertainment - and I suppose this is what we watch TV for.

I am now 25 and religiously watched 'The Bill' since I was about 8 years old. I loved the show. It probably was a bit biased in showing cops as virtual angels but it was tightly scripted with good solid acting and was not too soapy.

But ever since the changes made in the late 1990s I have not been able to watch this pile of drivel. The pathetic unbelievable plots are a joke. The characters are a bunch of sissies and it is more like an episode of 'Home and Away' than 'The Bill'. I cannot believe my mum still loves this show; but I know even she struggles to enjoy it.

So thanks to the morons who changed a great show into a pile of crap. If I ever get cable TV it will be to watch the old episodes, not the rubbish on today.