A-Team

Some '80s shows that were hits at the time really don't hold up well today, but some very definitely do. "Moonlighting" was one of them, and so was this creation of Frank Lupo and Stephen J. Cannell. (Lupo later came to a parting of the ways with Cannell and inflicted "Werewolf" and "Something Is Out There" on the world. Blub.)

Like most of the people commenting on "The A-Team," I used to watch it as a kid (well, a teenager really). It had likeable heroes, comedy, action, top music (unlike most TV producers, Cannell billed Mike Post and Pete Carpenter in the main titles with the stars) ... the lot. The plots weren't exactly loaded with endless twists, but that was part of the fun - who else looked forward to the week's DIY montage where the quartet built that week's weapons? (As Hannibal pointed out in one of the novelisations, it's amazing how the bad guys always locked them up with precisely what they needed to escape.)

And contrary to popular belief, our heroes did get hurt from time to time (the clip show episode "Curtain Call" used Murdock being shot as an excuse for his comrades to hold a remembrance of episodes past; in "The Battle Of Bel Air" the helicopter containing the A-Team crashed at the end of the climax, injuring everyone EXCEPT B.A. Baracus); occasionally episodes started with someone actually getting murdered (the man in the exploding car in "Skins," one of the battling convicts in "Pros & Cons"). The show didn't dwell on it, true, but it was there.

This remains Cannell's most successful show as an independent producer, and demonstrates how he's more adaptable than the more critically acceptable Steven Bochco (this is not to put down Bochco, but can you imagine the man with the would-be violinist for a dad coming up with shows as wildly different as "The Greatest American Hero," "Top of the Hill" and "Wiseguy"?). It was fun in the 1980s, and it's fun now. Which is a lot more than can be said for "The Professionals."

This is one of those shows where I can truly say that I have seen every single episode. Thanks to the reruns, off course, which made me watch it over and over again when I was just a young, little boy. Not seeing (or perhaps not wanting to see) how bad the action, how boring and slow the story was. And how every episode was almost the same as the previous one. The fact that people only shot at other peoples legs (not in the head or chest) didn't bother me either in those days. Now it does bother me and I'm always wondering why I was such a fan in my youth. Luckily I found out after some thinking.

When I was a fan of Hannibal, Murdoch, Face and B.A. (and Amy) I saw a group of friends, very good friends helping out good people who were oppressed by the bad people. They always won, every episode ended as a feel-good-one, there were a lot of laughs, justice was served and my friends Hannibal, Murdoch, Face and B.A. (and Amy) took me home where I was waiting for them to pick me up for another adventure. And I thank them for that joy and adventure they gave me.

The A-Team was one of three shows - the others being The Cosby Show and Miami Vice - that rescued NBC in the 1980s, and this mixture of action and comedy still holds up as an entertaining concoction.

The show succeeds primarily on the personalities of the cast. George Peppard's career was drying up and looked half past dead when he was cast as flamboyant Colonel John H. "Hannibal" Smith; his performances gave his career the boost it otherwise would not have gotten as in the manner of Leslie Nielsen he found his niche in comedic flamboyance after nearly two decades as a straight lead or in a character role.

Dirk Benedict brings Starbuck to Earth (best shown in the show's most overt and best in-joke, the shot of a Cylon centurion guide at Universal Studios walking past Templeton Peck with the intimidating hum of its eye scanner added to the soundtrack) and scores again as the slightly decedent but ultimately sympathetic rogue who is the team's primary scam expert. Peck is something of the dry-witted observor of the crazy happenings to the team during its adventures.

Mr. T had become a household name in Rocky III but it was The A-Team that cemented his persona with his trademark "Shut up, fool!" and general attitude with a heart of gold. Bosco Arnold Baracus was always feuding with the team's pilot, Hector M. Murdoch, committed to a VA psycho ward due to insanity concocted in the Vietnam war - insanity that is just a ruse for Murdoch to better help the team.

It may seem odd to think of Dwight Schultz as a qualified Broadway performer, but his career has been in that vein, and his role of Murdoch made him a true TV star; Schultz gave Murdoch his personality but he also tempered him with believeable torment, best shown in the show's warmest episode "Bounty," co-starring Schultz' reallife wife Wendy Fulton. Murdoch can be funny, but as Wendy helps bring out in this episode, Schultz is also a qualified dramatic performer.

Ultimately fleshing out the show was the Gerard-esque pursuer of the team, Colonel Roderick Decker. Lance LeGault portrayed Decker and made one of TV's best recurring villians. Decker gained sympathy from his determination and it showed in one of the show's weaker episodes, "Incident At Crystal Lake" where he and his executive officer Captain Crane are attacked by four criminals and brutally beaten; no pleasure is derived from seeing Decker and Crane brutalized; if anything the viewer despises this scene precisely because the two Army officers are so humiliated. This sympathy angle is best shown in the show's flashback episode "Curtain Call" where Decker has the team cornered and they offer no resistance to arrest and also in a later episode where Hannibal needs to protect the family of his client from mobsters, and the only way he can is to draw Decker into the fray.

As Crane, future director Carl Franklin displays superb chemistry with LeGault throughout the run of the show, and it was a mystery when, after two episodes of the show's 1985-6 season, Crane was curiously dropped.

This is a show where everything revolves around personality. The plots and production values are deliberately on a budget; it is the personality of the characters that drives the show and makes it work. Hannibal always loves it when a plan comes together, B.A. is always cantankerous and terrified of flying (except, curiously, in one 1986 episode where Peck is rescued and they fly out in a helicopter), Templeton Peck always has a scam running, and Murdoch is always engagingly nuts.

And it all works, each episode, of a pivotal action comedy series of the 1980s.

Weren't 80's shows the greatest? There are some great shows out there today but nothing like The Dukes of Hazard, The Incredible Hulk and The A-Team. What an absolutely fantastic idea to have four Vietnam Vets on the run from the law and along the way solving crimes and puzzles for people that can afford them. How many of us can remember the bickering of B.A and Murdock? Remember how funny it was to watch Hannibal and Murdock trick B.A into drinking his milk? All of this was done to knock him out so they could fly somewhere (B.A. was afraid of flying). Hannibal smoking his cigars and then spewing out cool lines like " I love it when a plan comes together. " Faceman could infiltrate any establishment, not through brute force but with his wit and ability to disguise himself. And Murdock was just plain crazy, or was he? Many people have alluded to the fact no one ever got hurt either. How many times did Hannibal shoot out someone's tires and the car would flip over 500 times and then the occupants would get out of the car just rubbing their neck and grimacing a bit? Classic stuff. I also think the A-Team was a distant cousin of MacGyver because they could build anything out of anything. They would be locked in a warehouse by the bad guys and that warehouse would just happen to have a blow-torch and a bunch of steel in it. Low and behold, they would build themselves a tank. Sure this is all incredibly silly but so entertaining.

Some 90's shows are great. Friends and Cheers and Frasier and I'm sure a bunch of others are awesome, but they can not match the sheer innocence and brilliance of shows like the A-Team. Maybe I am biased because I grew up in the 80's but I truly feel that way. The A-Team is one show that I wish would show up in syndication here in Toronto. It was fun, imaginative and damn entertaining. Just like most other entertainment that was born in the 80's.

A true staple of the 80's

10 out of 10

What constitutes a really really good TV show? I think it has to have good characters, good stories,action, car chases, villains and it has to be totally crazy and unafraid to show the impossible.

The A-Team had it all. It is the type of show one can watch over and over again and still enjoy it. I have very fond memories of The A-Team from the 1980's. I get all nostalgic when watching it. Why is it that the TV writers and producers from the 1980's produced such good stuff? Why can nobody write a good show nowadays.

The storyline for the A-Team hardly ever changed. Some underdog such as a farmer or small business owner would be getting hassle from some rich guy who wanted to put them out of business. The underdog would call in the A-Team. The A-Team would thrash the bad guys. The bad guys would get hold of as much weaponry as they could. The A-Team would then get hold of even better weaponry. There would be a good scrap at the end and plenty of gunfire (although neither the good guys or bad guys could hit anyone). The A-Team would beat the baddies and leave them for the police. That was the story for most the episodes. There were deviations from the normal formula (particularly in the last season)at times. In one episode a mercenary called Kyle tries to put the A-Team out of commission. In another episode Howlin' Mad Murdock was wounded whilst the US Army were on the Team's trail.

The really good thing about the A-Team was that it was totally crazy and didn't take itself seriously. There were so many odd things about this series.

For example, the A-Team never seemed to have a permanent house. I guess they lived in that van but I never saw any suitcases or personal belongings in their van.

There were other crazy things. The Team used to bust Murdock out of a psychiatric hospital when they needed him. Perhaps the hospital chiefs should have put a 24 hour guard on his door. The other funny thing was the way the Team always used to put B.A. Baracus to sleep when they needed to fly. They never failed in doing that. In short, the Team could do anything. They could evade the US Army constantly and they could build anything from scrap. The only thing they couldn't do was shoot anyone-they always missed. It was all these crazy things that made the A-Team great.

The characters were brilliant. The late George Peppard was Hannibal who always had a plan and only enjoyed himself when there were bullets flying past him and things getting blown up. Mr T played the grumpy B.A. Baracus whose heart was in the wrong place. He was tough but scared of flying. Dirk Benedict played Faceman who was the ultimate conman. He could play any part and get anything for the team. Dwight Schultz played the mad howlin'Murdock who may have been mad but he could certainly be counted on. Throughout the series the Team were joined by the likes of the beautiful Amy Allen and the slick Frankie Santana. The last season deviated from the normal formula but it was still good.

All in all, it was a great show which brings back great memories whenever I watch it. It was just one of the many shows which made the 80's great. A big pat on the back must go to everyone involved in this wonderful show. I hope the big budget film is good but nothing could ever be better than this show.