A-Team

After the Vietnam war a ream of commandos are framed for a crime they didn't commit. While on the run from the military police they act as hired hands to help put right wrongs where the police etc have proved powerless.

Many TV shows from the 80's are looked fondly upon by those of us who were in our childhood at the time, even if they were really pretty poor – e.g. Manimal, Street Hawk etc. However many deserve their place in our hearts and I think the A Team is one such show. The basic plot is always the same – the group get involved in a mission and it always ends in some sort of gunfight and the group construct a machine out of odds and sods they find in a shed!

It contains the same elements every week, whether it be Hannibal's disguises, Murdock's bickering or the usual trickery to get BA to get on a plane. However it's all delivered with a certain amount of tongue in cheek. Why – even the title music is tongue in cheek, witness `Face" (Benedict) pause when a Cylon from Battlestar Galactica walks past him! How many other shows put the in-jokes so far to the front (Benedict having starred in that show!). This gave it a bit more freedom to be silly as it wasn't even taking itself too seriously.

Add to this a bunch of great catchphrases, running themes and of course a great title theme and you've got a hit my friends. It's hard to imagine anyone else playing their roles. Peppard will always be Hannibal to me ,no matter how many times I see earlier films. Likewise with Benedict and Schultz. Mr T is famous in his own right but I'll always mistakenly call him BA – to me that's who he is! The basic 4 always had good interaction and worked very well together. The support cast throws up the odd name – LQ Jones, Tia Carrera, Divoff, Hulk hogan, David McCallum, Boy George – but really the supporting cast didn't matter when the leads were on form.

Overall this may have been silly but it was great fun. All these years later and I'm approaching my thirties and I still enjoy it when I find it on a rerun somewhere. Somethings are just fun no matter what!

Some '80s shows that were hits at the time really don't hold up well today, but some very definitely do. "Moonlighting" was one of them, and so was this creation of Frank Lupo and Stephen J. Cannell. (Lupo later came to a parting of the ways with Cannell and inflicted "Werewolf" and "Something Is Out There" on the world. Blub.)

Like most of the people commenting on "The A-Team," I used to watch it as a kid (well, a teenager really). It had likeable heroes, comedy, action, top music (unlike most TV producers, Cannell billed Mike Post and Pete Carpenter in the main titles with the stars) ... the lot. The plots weren't exactly loaded with endless twists, but that was part of the fun - who else looked forward to the week's DIY montage where the quartet built that week's weapons? (As Hannibal pointed out in one of the novelisations, it's amazing how the bad guys always locked them up with precisely what they needed to escape.)

And contrary to popular belief, our heroes did get hurt from time to time (the clip show episode "Curtain Call" used Murdock being shot as an excuse for his comrades to hold a remembrance of episodes past; in "The Battle Of Bel Air" the helicopter containing the A-Team crashed at the end of the climax, injuring everyone EXCEPT B.A. Baracus); occasionally episodes started with someone actually getting murdered (the man in the exploding car in "Skins," one of the battling convicts in "Pros & Cons"). The show didn't dwell on it, true, but it was there.

This remains Cannell's most successful show as an independent producer, and demonstrates how he's more adaptable than the more critically acceptable Steven Bochco (this is not to put down Bochco, but can you imagine the man with the would-be violinist for a dad coming up with shows as wildly different as "The Greatest American Hero," "Top of the Hill" and "Wiseguy"?). It was fun in the 1980s, and it's fun now. Which is a lot more than can be said for "The Professionals."

Nothing defined the eighties so much as the television we watched. Dallas. The Young and the Restless. The Dukes of Hazzard. He-Man. The Greatest American Hero. Airwolf. Knight Rider.

In 1972, a crack commando unit was sent to prison by a military court for a crime they did not commit. They promptly escaped a maximum security stockade into the Los Angeles Underground. Today, still wanted by the government, they exist as soldiers of fortune. If you have a problem, if no one else can help, and if you can find them, maybe you can hire...

The A-Team.

With a script any eight year old would love, the four members of the A-Team went off every week to somewhere in America to help someone who couldn't find help anywhere else. They battled impossible odds (with impossible storylines) and managed to stay one step ahead of the law. They were always predictable, heroic, and fun. God bless the eighties, and long live TV Land.

What constitutes a really really good TV show? I think it has to have good characters, good stories,action, car chases, villains and it has to be totally crazy and unafraid to show the impossible.

The A-Team had it all. It is the type of show one can watch over and over again and still enjoy it. I have very fond memories of The A-Team from the 1980's. I get all nostalgic when watching it. Why is it that the TV writers and producers from the 1980's produced such good stuff? Why can nobody write a good show nowadays.

The storyline for the A-Team hardly ever changed. Some underdog such as a farmer or small business owner would be getting hassle from some rich guy who wanted to put them out of business. The underdog would call in the A-Team. The A-Team would thrash the bad guys. The bad guys would get hold of as much weaponry as they could. The A-Team would then get hold of even better weaponry. There would be a good scrap at the end and plenty of gunfire (although neither the good guys or bad guys could hit anyone). The A-Team would beat the baddies and leave them for the police. That was the story for most the episodes. There were deviations from the normal formula (particularly in the last season)at times. In one episode a mercenary called Kyle tries to put the A-Team out of commission. In another episode Howlin' Mad Murdock was wounded whilst the US Army were on the Team's trail.

The really good thing about the A-Team was that it was totally crazy and didn't take itself seriously. There were so many odd things about this series.

For example, the A-Team never seemed to have a permanent house. I guess they lived in that van but I never saw any suitcases or personal belongings in their van.

There were other crazy things. The Team used to bust Murdock out of a psychiatric hospital when they needed him. Perhaps the hospital chiefs should have put a 24 hour guard on his door. The other funny thing was the way the Team always used to put B.A. Baracus to sleep when they needed to fly. They never failed in doing that. In short, the Team could do anything. They could evade the US Army constantly and they could build anything from scrap. The only thing they couldn't do was shoot anyone-they always missed. It was all these crazy things that made the A-Team great.

The characters were brilliant. The late George Peppard was Hannibal who always had a plan and only enjoyed himself when there were bullets flying past him and things getting blown up. Mr T played the grumpy B.A. Baracus whose heart was in the wrong place. He was tough but scared of flying. Dirk Benedict played Faceman who was the ultimate conman. He could play any part and get anything for the team. Dwight Schultz played the mad howlin'Murdock who may have been mad but he could certainly be counted on. Throughout the series the Team were joined by the likes of the beautiful Amy Allen and the slick Frankie Santana. The last season deviated from the normal formula but it was still good.

All in all, it was a great show which brings back great memories whenever I watch it. It was just one of the many shows which made the 80's great. A big pat on the back must go to everyone involved in this wonderful show. I hope the big budget film is good but nothing could ever be better than this show.

The A-Team was one of three shows - the others being The Cosby Show and Miami Vice - that rescued NBC in the 1980s, and this mixture of action and comedy still holds up as an entertaining concoction.

The show succeeds primarily on the personalities of the cast. George Peppard's career was drying up and looked half past dead when he was cast as flamboyant Colonel John H. "Hannibal" Smith; his performances gave his career the boost it otherwise would not have gotten as in the manner of Leslie Nielsen he found his niche in comedic flamboyance after nearly two decades as a straight lead or in a character role.

Dirk Benedict brings Starbuck to Earth (best shown in the show's most overt and best in-joke, the shot of a Cylon centurion guide at Universal Studios walking past Templeton Peck with the intimidating hum of its eye scanner added to the soundtrack) and scores again as the slightly decedent but ultimately sympathetic rogue who is the team's primary scam expert. Peck is something of the dry-witted observor of the crazy happenings to the team during its adventures.

Mr. T had become a household name in Rocky III but it was The A-Team that cemented his persona with his trademark "Shut up, fool!" and general attitude with a heart of gold. Bosco Arnold Baracus was always feuding with the team's pilot, Hector M. Murdoch, committed to a VA psycho ward due to insanity concocted in the Vietnam war - insanity that is just a ruse for Murdoch to better help the team.

It may seem odd to think of Dwight Schultz as a qualified Broadway performer, but his career has been in that vein, and his role of Murdoch made him a true TV star; Schultz gave Murdoch his personality but he also tempered him with believeable torment, best shown in the show's warmest episode "Bounty," co-starring Schultz' reallife wife Wendy Fulton. Murdoch can be funny, but as Wendy helps bring out in this episode, Schultz is also a qualified dramatic performer.

Ultimately fleshing out the show was the Gerard-esque pursuer of the team, Colonel Roderick Decker. Lance LeGault portrayed Decker and made one of TV's best recurring villians. Decker gained sympathy from his determination and it showed in one of the show's weaker episodes, "Incident At Crystal Lake" where he and his executive officer Captain Crane are attacked by four criminals and brutally beaten; no pleasure is derived from seeing Decker and Crane brutalized; if anything the viewer despises this scene precisely because the two Army officers are so humiliated. This sympathy angle is best shown in the show's flashback episode "Curtain Call" where Decker has the team cornered and they offer no resistance to arrest and also in a later episode where Hannibal needs to protect the family of his client from mobsters, and the only way he can is to draw Decker into the fray.

As Crane, future director Carl Franklin displays superb chemistry with LeGault throughout the run of the show, and it was a mystery when, after two episodes of the show's 1985-6 season, Crane was curiously dropped.

This is a show where everything revolves around personality. The plots and production values are deliberately on a budget; it is the personality of the characters that drives the show and makes it work. Hannibal always loves it when a plan comes together, B.A. is always cantankerous and terrified of flying (except, curiously, in one 1986 episode where Peck is rescued and they fly out in a helicopter), Templeton Peck always has a scam running, and Murdoch is always engagingly nuts.

And it all works, each episode, of a pivotal action comedy series of the 1980s.