Xian si jue

This movie has it all! Fast paced combat scenes, beautiful cinematography, compelling characters, and an epic plot of honor and betrayal. As I watched this movie, it was at once a really cool kung fu film and an intelligently written, acted, and directed film. Trust me on this one! If you're a fan of this genre at all, then check this film out.

Beautiful, confusing, chaotic. Motivations hard for us westerners to understand. (The great combat is fought not for riches or territory, but only for honor.) Gleefully bends the laws of physics, and plays with your reason in the finest HK (Hong Kong) tradition.

I have shared this film with folks who had not previously experienced HK film, and they were instantly captivated. Or should I say captured. By the Ninjas.

Because -- this film's certainly got the Ninjas! Surf Ninjas! Sand Ninjas! Exploding Ninjas! Tree Ninjas! Flying Ninjas! Roof Ninjas! Giant Ninjas! Kite Ninjas! Naked Girl Ninjas! (Oh, that long-haired Naked Fu...)

Just as with life, every time things quiet down in this film, you may be sure the Ninjas will pop up to keep things lively.

Watch this and be captured. You have been warned.

Duel to the Death (1982) is Ching Siu-tung at his best! Classic Kung-Fu at it's best. See wire work and kinetic martial arts at it's best. The plot is old hat (China vs. Japan) but the action is pure eye candy! Ching Siu-tung went on to become on of the elite action directors in the Hong Kong Cinema (check out A Better Tomorrow II, The Killer and The Heroic Trio films and see why!) The movie was re-released in the United States but it's the cut version. I advise you to seek out the uncut Hong Kong version, you wont be disappointed!

You can see that this movie is still very influential. Even to this day film makers such as "Q" love this film.

Highly recommended!

I'll start by saying I'm in no way an expert on martial arts movies. One night I was awake at 3:30 a.m. and happened to catch this movie, that's all. It was part of a martial arts marathon, or something. I was magnetized the entire time, and by the end I realized I had seen a film that was a direct predecessor of "Crouching Tiger, Hidden Dragon."

I must agree with the other reviewer here, who states so eloquently that this movie knows exactly what it wants to do and does it perfectly.

The cinematography is stunning. Almost every frame is beautiful.

It's utterly preposterous, of course, but even that makes it a wonderful fantasy film that actually has much in common with Peter Jackson's "Lord of the Rings" films. By that I mean it's utter fantasy beautifully and meticulously realized.

Put it this way, I'm watching it again right now - about 15 years after I first discovered it, and I'm enjoying it so much I came here to IMDb, just to put SOME kind of review out there in the world for this wonderful movie.

Wherever this movie isn't well executed, it's crazy fun, and vice verse. It's impossible to tell where the beauty ends and the craziness begins, too. Just one of my favorite movies ever - and I've watched a lot of movies.

Ching Siu Tung is among the most talented "wire fu" action and martial arts directors in the Hong Kong film industry. He has made such classics as A Chinese Ghost Story trilogy, Swordsman trilogy, Witch From Nepal and Heroic Trio 1 and 2 (with Johnnie To). Duel to the Death (1982) is among his very early directorial efforts (as far as I know, this was his FIRST film as a director), and this film shows his great talents and visual eye. The film tells about the traditional sword fight contest in which the best fighter of Japan and best fighter of China duel, and in most cases, to the death. In this film, these two sword masters become friends and soon they have other enemies to fight. The plot is not the most important thing in these movies. The great visuals and cinematic magic are the things which make these Orient films so unique compared to others.

The incredible color world is shown for the first time at the very beginning of the movie as the multi colored leaves and trees are in the peaceful countryside and temple. The colors are breathtakingly beautiful and captured very effectively on camera, which Ching is so talented to use. His angles and movements with the camera create a tension and intensity of its own, and just watch a film like Heroic Trio (1992) or Chinese Ghost Story (1987) and you know what I mean. He is equally brilliant as director as a cinematographer, and he works also as a stuntman in his/others' movies, too. There are couple of totally stunning images in this film, and they are as fantastic as in Ronny Yu's masterpiece Bride With White Hair (1993), starring Brigitte Lin. Bride's magic was created by shooting the whole film at night (exteriors) and adding artificial light to create the visuals, but Duel to the Death's magic was created by using natural lights and all the colors of peaceful and pure daytime nature.

The sword fight scenes are as great as can be expected by this director. They are very fast paced and use plenty of wires to add to the irrational atmosphere. There are also weird and flying ninjas who can turn into one big human and do things no one can do, so this film is full of elements from fairy tales which don't follow any rational rules. The editing is occasionally perhaps little too confusing and fast, and it is the negative point in these fight scenes. Then again, we must remember Ching was just so young in the directorial field so these little flaws are understandable especially when we remember how professional and great most of his subsequent films are. The impact of the striking fight scenes is heightened even further by the use of blood in the fight scenes little like in the Japanese Baby Cart (1972-1974) films. The fights in Duel to the Death are pretty gory and thus become more fierce and effective in their symbolism. Especially the fights near the end are totally over-the-top with those ultra fierce throwing stars which have to be seen to be believed. The film has great finale which lasts pretty long, but this film is still pretty calm as there are long segments involving something else than just fights, but that is of course allright, if these calm segments are handled with talent and care, like in this film. One Ching Siu Tung film which becomes sadly too slow moving and pointless at one point is his horror story Witch From Nepal (1985, starring Chow Yun Fat) which should not have been so slow and uninteresting in its middle part.

After all, Duel to the Death is about the motifs and reasons for these "duels" in which the fighters have to fight at the expense of their own lives. The main characters themselves question why this all has to be how it is, and isn't there any peaceful way to use martial arts and its philosophy. These are the things Bruce Lee knew the answers for. These philosophical elements make Duel to the Death of course more interesting and noteworthy piece of cinema, and thankfully Ching Siu Tung is always willing to discuss some interesting topics in his films alongside their visual and cinematic bravura.

I think the negative things in this film are only those in the editing department and that the plot turns don't occasionally make too much sense and some of the characters should have been written more carefully and with little more heart. The film has also perhaps little too striking attitude towards other countries, most notably Japan, but not as underlining as in Tsui Hark's epic Once Upon a Time in China (1991). Some of these historical fight films tend to be little too patriotic and naive, but fortunately Duel to the Death is not so bad, and the final image of the film is very unpatriotic, too. After all, this film has so many positive things and elements, I think this is among the greatest historical martial arts epics made in Hong Kong (of those I've seen) and thus I'm very glad for having the opportunity to see this early film by Ching Siu Tung.

Duel to the Death gets 8/10 from me.