Il mondo secondo Garp

Adapted from John Irving's best seller, "The World According to Garp" is one of the strangest movie I've ever had to see, I guess I mean it as a compliment although I didn't put my expectations very high. The film starts with Jenny Fields, Glenn Close as the central character, she's the caring and loving mother of Garp, but it's only until we hear the context of his conception that we realize the child was promised to a very peculiar destiny.

Should I describe how Garp was born? This is one of the film's many surprises that pop up between two or three 'normal' scenes. But the intriguing parts are indeed so intriguing that we tend to believe this Garp is exceptional, a sort of autistic child floating within his own reverie. The film starts with a memorable animated sequence featuring Garp with his unknown father, a jet-pilot during WWII who died before he was born. While both father and son are fighting in the air a monster-like death, the surrealistic sequence brings some poetry to the movie, illustrating the capacity of a child to conceal hidden wounds through imagination. This is one of the inspirational messages I could relate to : inspiration and imagination do exorcise inner demons, especially during childhood.

Then, when the young Garp turns out to be a wannabe writer, I'm not surprised, but the fact that he is a normal kind of disappoints me. I didn't know what to expect either, with this misleading shot of Robin Williams smiling at the sky. Finally, I'm glad he was a rather nice and serious guy, I don't think I could have endured the typical Robin Williams for two hours. Maybe it's the title that misled me, referring to the world rather than "Garp", it's not even the world from his perspective, but simply the world that revolves around him. Garp is not a passive person although he has one characteristic that undermines his freedom of acts, the mother's influence. Glenn Close plays a strong-willed, independent nurse, with an ambiguous relationship with her son, angry when he lusts toward his future wife, played by Mary Beth Hurt, and eager to follow him to discover the world. She's supportive and caring but maybe a bit too much.

And when Garp decides to become a writer, his turning point strangely coincides with his mother's. Since nothing special happened to him so far, he writes about his mother, what she totally disapproves stating that only she has the right to write about herself. Then Garp becomes a fictional writer, specializing on short stories, and Jenny writes a feminist manifesto based on her own experience and titled "Sexual Suspects". Inspired from her own experience and many encounters in the big city, Jenny became a political phenomenon, a cult idol, while Garp, less successful but more critically praised can only resign to the satisfaction of being a writer, and at least, being as successful as a family man. After all, who can complain about accomplishing a personal dream and being able to live through it?

And it's at that point that no matter how disjointed and peculiar some scenes were, I was immersed in the story of Garp following the little world of so many memorable characters. Those who stick to mind are Roberta, an ex-football athlete who became a woman: John Lithgow is absolutely remarkable, beyond believability, what starts as a gag turns out to be a poignant and sweet performance, Roberta is immediately accepted by the family, by Garp, and Lithgow has such a way to play it, we never feel it unrealistic. There is also 'Poo', the sister of Garp's childhood love-life, a jealous mute girl characterized by big horn-rimmed glasses and an incapability to smile, to life and in general , the closest figure to an antagonist, her appearances suggest a misfortune to happen, but the film is so full of them that we're never really off-guard and always expect a disaster to happen.

There is also a very interesting sub-story involving a group of feminist who called themselves, the Ellen Jamesians in homage to Ellen James, a young girl who was not only raped, but had her tongue cut-off by her rapists so she wouldn't give her names. To Garp's big shock, the feminist voluntarily cut their tongue, An act of desperate unison rather than self-mutilation, but the way Garp perceives it, these women are dangerous. Never judgmental, the film allows us to make up our own opinions: ,adultery is also a recurrent theme, and the victims are not innocent. The film is a chronicle of things happening, and connecting to each other, for the best and sometimes for the worse, and for a worse that can be devastating or hilarious. George Roy Hill's direction, either deliberately or not, use a lot of suspense without forcing.

And oddly enough, it's because we feel bad omens and sad events that were grabbed to the story and enjoy the little moments of joy and tenderness. The movie teases our emotions but never forcing them, it also never patronizes us, but it's full of some insights. It kind of reminded me of "Forrest Gump" without the Pop-culture thing, a sort of picaresque journey within one's own world, indeed "The World according to Garp". Robin Williams delivers one of his best performances, in all nuance and sobriety, while it's Glenn Close and John Lithgow who steal the show.

And still, I feel I have to watch it again … the film is one strange adventure into life that deserves probably more than one viewing, I'm not sure I will find more answers, but there are some characters' motives that are still mysterious to me, and "The World According to Garp" is definitely worthy for more recognition.

The World According to Garp is an unconventional film, to say the least. Not so much in the sense of how it looks, or how it is acted. More than anything the film stands out because it is a human drama that doesn't take a stance or one particular point of view. T. S. Garp is simply a man trying to live his life amongst all manner of eccentric characters and unlikely situations. And like life, things happen. People grow old. There are moments of joy. There are moments of tragedy. And people die.

Robin Williams plays the title character known by most as simply "Garp". His mother, played with dignified enthusiasm by Glenn Close, has brought him up all by herself. She is a nurse and during WWII, she used the sperm of a dying tail gunner who she happened to be caring for in his final moments. To call this woman a feminist would be a magnificent understatement. Her sexuality is never made that clear to the viewer but is is inferred by some around her that she is in fact a lesbian. Her only relationship with a man that we learn of is the encounter that produced her son, and she spends much of the film condemning the lusty ways of men and boys. As the film goes on, she becomes a famous writer and feminist leader. Garp spends much of his life trying to be a successful writer himself and raising a family, but he never seems to escape his mother's shadow.

The plot simply follows the life of Garp and his family members. A great many things happen to these people over the span of many years. Careers are made, children are born, affairs are had, and the joys of life are often shattered by terrible tragedies. Williams is decent enough as Garp. He maybe acts a bit too zany in the light-hearted scenes, but he nails the more dramatic ones pretty well. That's the amazing thing about Robin Williams. The guy is an absolute nut most of the time he's in front of a camera, but when he bears down and plays something serious, it's stunning to see how great his range can be. He is an undervalued actor. Glenn Close steals this film though in terms of acting. She owns every scene she's in much like how her domineering character towers over that of her son's. The supporting cast is more than adequate with John Lithgow getting major props for his daring turn as a transsexual with a heart of gold. The film seems to take its share of jabs at radical feminism as it depicts a sect of women knows as the Ellen Jamsians. These women cut out their own tongues to protest the similar fate of a rape victim. And boy do these ladies HATE men. An act of violence in one of the final scenes shows how fanatical they can be. (as if cutting out their tongues wasn't bad enough!) Each person who views this film will probably see something different in it, and those are my favorite kinds of films. There are moments of definite humor, surprise, hope, and tragedy. You will not be bored. The film is based on a popular novel by John Irving and is worth 9 of 10 stars.

The Hound.

Based on the best-selling novel by John Irving, here is the big screen equivalent of a good read. Robin Williams almost plays it down, but thoroughly shines in the title role as T.S.Garp in this, his first proper feature film(well you can hardly include 'Popeye' in that category!).

This is an amazingly rare look at a story that evolves around happiness, sadness, heartbreak, love, and all the other natural emotions that this young,up and coming novelist experiences throughout his far from normal existence that culminates in a dark satire on many comical situations.

Some great moments to be had including a great performance from John Lithgow as the transsexual ex-football player who befriends Garp and his Worldly renowned Women's lib Mother played brilliantly by Glenn Close in her film debut.

You'll laugh... especially at the way Garp was conceived and to find out what his initials T.S. actually stand for. You'll rejoice... at the moment when Garp finds out he is to become a father for the first time. You'll cry...many times...

This movie has got to be one of the most underrated masterpieces of the 1980's, and in many ways sustains a cult following as being one of Robin Williams' first major movie projects.

Don't let this one get away-it doesn't deserve to be missed!

I saw this movie again on cable the other night after many years, and forgotten how enjoyable it is. This remains one of Robins Williams' best performances, but the show is stolen by Glen Close's debut performance as his mother, a neurotic feminist nurse who overshadows his writing career with her own. John Lithgow is in his most unusual role (including Buckaroo Banzai) as a transexual friend of Close's. If you are a fan hers and haven't seen this, run out and rent a copy; it's the best investment at BB you'll make in a long time.

This book is one of my favorites, so I had to see eventually how the movie stacked up. Not bad, but not perfect either. The movie takes so long to get going that the end seems rushed. If I hadn't read the book, I would have had a hard time really understanding the feud with the Ellen Jamesians or Pooh's hatred of Garp.

Still, this is one of Robin Williams's less annoying performances and a talented cast that at the time not many people had probably heard of. In the end, the movie is complex, at times funny and others sad, and maintains the spirit of the novel.

The book is better, IMO, but this is close enough. "The Cider House Rules" is an even better adaptation--if you like this, you'll love that.