Police Station - Turno di notte

I remember this movie very well as one of the most suspenseful movies of the 80's. Definitely Wing's best performance. Very menacing as the pimp "Ramrod". You really feel for his victims and want to see him get his.

Don't watch "Terror in the Isles" before you see this movie. The clips they show give the ending away.

Watch for a small part by Re-Run (What's Happening).

Where's the DVD?!?!

Nine out of ten stars.

In theory, "Vice Squad" is nothing more than good guy versus bad guy. However, it is done with such raw energy and flawless execution it remains one of the most intelligent and dramatic police films of the past two decades.

The story is about a hooker with a heart of gold named "Princess," who ends up on the run from her pimp named "Ramrod," (played brilliantly by the underrated Wings Hauser). After she agrees to bait him for the cops after he violently murders a fellow prostitute, he escapes police custedy and is hell-bent on one thing: finding Princess, torturing her, and killing her. It's that simple. A cop named "Walsh" (also played wonderfully by Gary Swanson) has the responsibility of finding either her or him, before Ramrod succeeds in his mission.

The film takes place in one night throughout the streets of Hollywood, and never lets up for a second. The plot is thick with suspense, the characters are three dimensionally layered, and the action is non stop. It's influence can be seen in many of todays films such as "Training Day," and even "Seven" just to name a few. However, its greatest testament may be from a better known movie tough guy named "Dirty Harry." At one point, when Walsh catches up with Ramrod he sticks his gun in his mouth and mutters "Make a move, and make my day!" Sound familiar? It should, because the famous line was uttered some five years later, even though the phrase was coined here, and in much better fashion I might add.

To sum it up, "Vice Squad" is a hard hitting, no nonsense, throw back to when quality films could be made on shoe-string budgets, and without millions in special effects. It walks the walk, and talks the talk without making excuses for its realistic subject matter. Unfortunately, the film is hard to find, so if you get the opportunity to see it, do not pass it up. For it will no doubt become one of your favorite "Vices," I garantee it.

I didn't see this movie until 1984 when it was an added feature to "Angel" at the Parkway Drive-In here in Toronto. After reading all of the comments of this movie, it's nice to see that other people appreciate fine 'B' movies as myself. I have this movie on VHS, but like the other reviewers have stated, it would be nice to see this movie released on DVD someday. It has a riveting storyline, and great performances by all the actors involved. It even features ex-MTV VJ Nina Blackwood as a desperate hooker trying to get away from the clutches of a psycho pimp named Ramrod, played by Wings Hauser. This movie has a gritty atmosphere to it which makes the story believable. Season Hubley plays Princess, a streetwise hooker with call girl attributes. She works with the police to try and rid the streets of Ramrod. This movie has been largely forgotten by most people, but for me it will always be a prized addition to my video library!

Gary Sherman's "Vice Squad" is all show, but powerfully biting and sordid exploitation of the seedy strip of Hollywood and Sunset Boulevard when the sun finally goes down. For such luridly unpleasant context, the film manages to amuses with rousing suspense, sharply-witted (if foul) script and its authentically raw atmosphere. Even the performances figure prominently. Wing Hauser deservedly dominates the limelight as the frighteningly, aggressive pimp Ramrod. His turn is that of pure spontaneous and nightmarish intensity. Truly hard to forget. Gary Swanson's courageously humane performance as Detective Walsh, the leader of the 'Vice squad' is downright solid, and there's a confidently brassy and strong-willed go-it-alone portrayal by Season Hubley as the prostitute Princess that Ramrod is after for setting him up. The support cast racks up recognizable bit players (Pepa Serna, Beverly Todd, Maurice Emanuel, Nina Blackwood, Michael Ensign, Cheryl Smith, Fred Berry and the list goes on) of rich characterisations. Sherman's sensationally gripping direction doesn't let up or beat around the bush, as he cranks up the energy and brutality. Still there's a slickly professional manner about it, and cinematographer John Alcott shots it with great ticker, and stylish verve. The screeching rock title track "Neon Slime" sung by Hauser sets the tone, and the saucy score has a feverish pitch that enhances the downbeat atmosphere and daring intensity.

Let me start out by saying you just GOTTA love any movie sporting a theme song called "Neon Slime." One of the best B-Movies of the 80s. This is a great guilty pleasure type of movie, well acted, solidly directed, and very handsomely photographed for such trash, with occasional unintentionally funny dialogue. There are plenty of cliches in the "life is Hell on the streets of L.A." storyline, but director Gary Sherman keeps the pace fast, tough and violent and gets colorful performances from even the minor supporting characters. Wings Hauser makes the chief baddie, a sadistic, psychotic pimp by the name of Ramrod a real piece of work. He's right up there with other classic movie villains such as Scorpio in "Dirty Harry" and Bruce Dern's Longhair in "The Cowboys." He's truly a scumbag you'll LOVE to HATE!

Note of trivia: Incidentally, Gary Swanson (as the lead cop hot on Ramrod's trail) beat Clint Eastwood to the punch by nearly two years when he uttered the line "Go ahead...make my day" to the pimp on an initial capture in one scene.