VALUTAZIONE IMDb
5,8/10
15.190
LA TUA VALUTAZIONE
Un ragazzo ricco assume un reporter disoccupato per essere il suo giocattolo vivente per una settimana.Un ragazzo ricco assume un reporter disoccupato per essere il suo giocattolo vivente per una settimana.Un ragazzo ricco assume un reporter disoccupato per essere il suo giocattolo vivente per una settimana.
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- 1 vittoria in totale
Recensioni in evidenza
This is simply put, a fun, charming movie about a boy (Scott Schwartz) who decides to make Richard Pryor his toy for a week while he visits his powerful father Jackie Gleason. Simple gags, jokes and life lessons are what this movie is all about. It should be noted that Schwartz, who also played "Flick" in A Christmas Story went on to co-star in non-sexual roles in hardcore XXX films, then did a XXX scene himself, virtually destroying any chance for a comeback as an adult actor.
Underneath all the "controversy" about the rich whitey "buying" the po' black man as a toy for his son, there's actually a very touching story about a kid and his dad who don't know how to communicate their feelings.
All this "slave" stuff seems a bit silly - in the early '80s, Richard Pryor was probably the most popular (and funniest) comedian out there, so who better to play the role of Jack Brown? They needed someone with great comic timing, who is fantastic delivering funny lines and doing slapstick, and who can emote as good as anyone then when a dramatic scene called for it. Who would have been a better choice than Pryor? No one.
The bratty kid and his "toy" Pryor raise heck in every scenario, from a dinner party, to a democrat KKK fundraiser, to a printing press room, and just about everywhere in the dad's mansion. Along the way, Eric the kid learns more and more about how to be a decent person from Jack, who is trying to get a job from the kid's dad (the amazing Jackie Gleason) who owns the local newspaper, among everything else.
Ned Beatty shines as always as one of Gleason's flunkies, showing that he was one of those guys who could play just about every kind of role.
Pryor of course is absolutely hilarious as Jack, paid to befriend the kid, and take the brunt of the kid's jokes and pranks, always with hilarious results.
Sure this isn't the funniest film ever made, but this is a very likable film for anyone that puts the prejudices against it aside and just chills and enjoys it.
All this "slave" stuff seems a bit silly - in the early '80s, Richard Pryor was probably the most popular (and funniest) comedian out there, so who better to play the role of Jack Brown? They needed someone with great comic timing, who is fantastic delivering funny lines and doing slapstick, and who can emote as good as anyone then when a dramatic scene called for it. Who would have been a better choice than Pryor? No one.
The bratty kid and his "toy" Pryor raise heck in every scenario, from a dinner party, to a democrat KKK fundraiser, to a printing press room, and just about everywhere in the dad's mansion. Along the way, Eric the kid learns more and more about how to be a decent person from Jack, who is trying to get a job from the kid's dad (the amazing Jackie Gleason) who owns the local newspaper, among everything else.
Ned Beatty shines as always as one of Gleason's flunkies, showing that he was one of those guys who could play just about every kind of role.
Pryor of course is absolutely hilarious as Jack, paid to befriend the kid, and take the brunt of the kid's jokes and pranks, always with hilarious results.
Sure this isn't the funniest film ever made, but this is a very likable film for anyone that puts the prejudices against it aside and just chills and enjoys it.
Me and my sister used to watch this when we were children and we loved it. In fact, the last time I saw it I was only 8 years old, but I remember why I enjoyed the movie. I was too young to understand the adult politics but trust me this is a wonderful film for kids to watch. If I was to watch it now it will not be as powerful, and I may not even enjoy it. The point is this was a film made for children, and as this is the case only a child, or an adult who watched it and remembers it as a child are able to accurately review and justify it. Pryor's performance was superb and it shows how diverse he was being able to star in a children's film and manage to be so convincing and never patronises the film by under-performing.
When I was a kid I actually loved this movie, but now that I'm a man, I'm kinda horrified by "The Toy." A rich white man buys a black man for his spoiled son? Or at least rents a black man for his son. And they take baths together? Yikes! I love Pryor, but I have to assume he took this gig for the money to feed his notorious crack habit. Moral of this movie? If you're a rich white man you can buy a black man for your son. Can you imagine the firestorm of protest if this movie came out today? And oh yeah, the kid became a real life porn star!!!
This film can be enjoyed by children due to it's obvious subject matter. But it also has a subtheme about racial and class divisions. Depending on the scene, the film's racial connotations range from depicting the use of blacks in subservient positions, to blatantly expressing that people can still sell themselves or be bought out of desperation.
Lo sapevi?
- QuizRichard Pryor wrote favorably of his working relationship with Jackie Gleason in his autobiography. He said that the stories Gleason told on set were funnier than anything in the film.
- BlooperWhen Jack is rolling in the inflatable wheel, during a closeup a crew member's hand appears from the right side of the screen to help balance the wheel.
- Citazioni
Jack Brown: Angela! Jesus H. Christ!
Eric Bates: Is that her full name?
- Curiosità sui creditiThe closing credits are shown aside four toy darts.
- ConnessioniFeatured in At the Movies: Pryor to Murphy (1983)
- Colonne sonoreI Just Want To Be Your Friend
Performed by Jeffrey Osborne
Music and Lyrics by Trevor Lawrence and Frank Musker
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- Su juguete preferido
- Luoghi delle riprese
- 19050 Perkins Rd E, Baton Rouge, Louisiana, Stati Uniti(Bates estate)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 17.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 47.118.057 USD
- Fine settimana di apertura Stati Uniti e Canada
- 6.322.804 USD
- 12 dic 1982
- Lordo in tutto il mondo
- 47.118.057 USD
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