Un ragazzo chiamato Tex

This movie was not based in Broken Arrow it was based in Bixby Oklahoma it's a little ways aways from Broken Arrow. I grew up and went to school there and when they are eating in the cafeteria thats the art room this is a very good movie although I don't like the fact that all the Disney movies (with a few exceptions)one or more of the parents are gone. Why is this? Does anyone know? Tex is a good movie and the most of the landmarks that are in the movie are still there in Bixby and that little town is growing very quickly. If anyone has any questions I would love to answer them. I would recommend this movie to anyone living in the Bixby/Tulsa/Mounds area. Thank you

I first came across writer SE Hinton's work when the great Francis Ford Coppola adapted two of her books and made contrasting films. The Outsiders and Rumblefish. Both were released in 1983 having been shot back to back and both featured Matt Dillon.

A year earlier, Dillon starred as Tex, in this adaptation of a SE Hinton book made by Disney. It is not as memorable as the Coppola movies.

It is one of these coming of age dramas filled with teenage angst and Matt Dillon gives an early brat pack performance. Someone should had told him back then to do some comedy.

Tex is the younger of two brothers growing up on their own, the older brother cares for Tex. Their mother has died, their dad has walked out on them. Tex likes the sister of his best friend, their father does not like Tex hanging out with either of them.

Tex and his brother get to be heroes when they apprehend a villain on the run who initially holds them hostage. Later Tex gets involved with a drug dealing friend.

The film is a slice of life drama about young adults. It features some early brat packers, apart from Dillon it also has Emilio Estevez and Meg Tilly. It does feel a bit to contrived and cliched but also shows a direction that Disney were moving away from its family friendly roots.

From the same woman who wrote The Outsiders, S.E. Hinton comes this story Tex concerning a pair of brothers Jim Metzler and Matt Dillon. They have a widower father Bill McKinney who was a rodeo clown and still follows the rodeo circuit. The two kids are on their own a lot and Metzler becomes the designated adult . Metzler is a star basketball player who wants to go to that Mecca of basketball Indiana state. Dillon is immature and does a lot of foolish pranks with his rich friend Emilio Estevez.

S.E. Hinton has a few adult themes in her work and note that this is a Disney production. Looking at the novel synopsis I see quite a few more adult themed situations have been eliminated to give Tex a PG rating.

Dillon was good and Tex was a step up in his career. But I think you'll be most impressed with Metzler who I thought was best in the film.

Tex is a great coming of age film that is timeless.

I would rank "Tex" as the second best of the S.E. Hinton adaptations starring Matt Dillon (happy birthday, Matt!) behind "The Outsiders"; "Rumble Fish" was too weird to make any sense. This one casts him a young man trying to make his way in Oklahoma after his mother dies. Although its status as a Disney movie gives it kind of a strange feeling, it still comes out very well, with good performances by pretty much all the cast members. But I will say that he reached his apex with "The Outsiders". In all these movies, he was showing the sort of talent that eventually earned him an Oscar nomination for "Crash". Worth seeing. Also starring Meg Tilly, Frances Lee McCain (the "Gremlins" mom), Ben Johnson, Emilio Estevez and Zeljko Ivanek.

Not bad, but I can't honestly say I enjoyed 'Tex'.

It's too forced for my liking. I didn't feel a connection to the characters, nor did I really rate the performances of the cast. The premise isn't super watchable either. All just very meh, to be honest.

Matt Dillon is OK in the main role of Tex, though it is safe to say his acting - thankfully - improved as he got older; as seen in 'Wayward Pines'. I can't say any of the other cast members did anything to remember.

Not quite good enough, all in all.