VALUTAZIONE IMDb
6,8/10
1972
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA band of killers from an ailing kung fu and magic society are sent on a manhunt for a former member of the society, whose bad mouthing threatens its existence.A band of killers from an ailing kung fu and magic society are sent on a manhunt for a former member of the society, whose bad mouthing threatens its existence.A band of killers from an ailing kung fu and magic society are sent on a manhunt for a former member of the society, whose bad mouthing threatens its existence.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 candidatura in totale
Liu Chia-Yung
- Lei Ying
- (as Chia-Yung Liu)
Kara Ying Hung Wai
- Fang Shao-Ching
- (as Kara Hui)
Recensioni in evidenza
The earlier comments give an unfair slating to what is an enjoyable film.The gaffes are obvious , (in such films as this the 1st class director Liu Chia Liang, was redefining the kung fu film , after the earlier swordplay flicks, and bruce lee's seminal movies, this film is set in late Ching dynasty China.) This is a film of rare quality , combining humour , a reasonable plot and some displays of great martial artistry, such as are no longer found in but a handful of films. The choreography is excellent, (only Sammo Hung at his best approaches Liu 's ability to film a fight with loving care for displaying technique)This film also benefits from the presence of the charismatic Fu Sheng and the Multi talented Hui Ying Hung. The special effects are cheap , but cheerful.(the previous reviewer seems to have missed that the purpose of all the bladed cloaks etc. was to show that tricks are no substitute for skill, skill no defence against bullets ... A classic of Kung Fu cinema
This is a great kung fu movie once you get the opening done with. The storyline is fairly confusing in the beginning, but that passes with time. The fight scenes are neat to watch, but they get exponentially better as time goes on. The fight with Gordon Liu (36th Chamber) is good and the final fight WAS FANTASTIC! This isn't a movie to sit down and watch for the stimulation. The character development isn't as good as FIVE VENOMS, or SWORDSMAN II, but it's fair. The weapons fighting is just unbelievable in the last fight scene. All in all, if you are a fan of kung-fu movies, get around to checking this one out. The three-section-staff work is even better than in 36th Chamber.
The last reviewer of this film missed the point. This film is excellent and the last 30 minutes contains some of the best martial arts action committed to film. Yes, the plot is ridiculous and the dubbing makes everyone sound like a porn star but you don't watch kung fu films for the acting skill and production values. You watch them for escapism and entertainment.
The story itself is about the rise of the gun in china and the director, who also stars, attempting to show how pointless it was to fight the evil of the gun.
Lei Kung is a martial arts master whose speciality is 'pugilism'(i suppose it was easier to dub that word than what the real skill is called), which is basically invulnerability to conventional weapons (swords, knives, blades etc). He decided to dissolve his sect within the school he taught in to protect his students. He was forced to do this as his superiors were ordering other sect to practice 'pugilism' with the proviso of ultimately being able to withstand bullets.
So now it is several years later, Lei Kung is hiding out as a woodcutter, and the bad guys send some martial arts experts to seek him out and kill him. At first we know of three: Ti Hau, the best student of a master who teaches partial invulnerability and techniques to confuse the enemy. Chao Ching, who is a woman, but who dresses as a man to mingle with the populace. She can see how attempting to overcome the gun with 'pugilism' is pointless and wants to join Lei Kung. Finally there is Ti Tan, another master 'pugilist'.
While they are searching another man whose name is not revealed is searching for Lei Kung. His skill seems to be based on hypnotism, and dolls. He hypnotises a person, then uses a doll to control their movements, thus having someone fight for him.
Ti Hau ends up getting ill whilst searching, but is saved be Lei Kung who nurses him back to help with Chau Ching's help. She convinces Lei Kung that she wants to help, but doubts if they can convince Ti Hau when he gets better. It does not matter ultimately, because the other mysterious fighter tracks Lei Kung down. They fight, but Lei kung is well out of practice and is defeated easily. But the mysterious bad guy is Lei Kung's brother, Lei Yung who explains that he was also given the order to kill but can't kill his own brother. He suggests that Lei Kung begins to proactive again to recover his strength and power. That way he can defend himself against other killers who are after him.
Hi trains hard, and starts to get his power back. But Ti Tan turns up and starts to kick off. Ti Hau tries to explain that Lei Kung is a woodcutter who only knows basic kung fu taught to him by Chau Ching. Ti Tan is not convinced and begins his attack. Chau ching defends but is no match, neither is Ti Hau. So it is time for Lei Kung o flex hi muscles. He fights and in doing so speeds up his strength recovery. He defeats Ti Tan, but in doing so let's it slip that he really is Lei kung. Ti Hau runs off, not knowing what to do, he has witnessed Lei Kungs far superior martial skill and is unsure of how to proceed. Ti Hau returns that night, using his skills he tries to convince Lei Kung and Chau Ching that he has gathered many men, but they are dummies and Lei Kung sees through the deception. But it is not Ti Hau but his master who is attacking. Another great fight scene follows with Ti Hau turning up half way through and his own teacher turning on him when he realises he cannot kill Lei Kung. In trying to kill his student, he shows Ti Hau that there is more to life than killing and his own life is worth something. This is the reason Lei Kung disbanded his school, to protect his students who he knew would die if they tried to withstand the gun. Lei Kung defeats Ti Haus' master who then tries to kill himself. Ti Hau stops him, and his teacher also sees that perhaps his way of life is wrong, and his pupil's lives are not expendable. He leaves suggesting Ti Hau remain to carry on training and learning with Lei Kung and Chau Ching. Lei Kung walks off and dusts off his 'holy robes' explaining that he has to go to the city temple to see his brother. He explains that his brother is not really going to let him walk away, but wanted him to train up and face him in a duel to the death. He takes his 2 new students with him, and then fights his brother using weapons combat in some of the most amazing choreography i have seen in a kung fu film. He defeats his brother who he then tells to go back and report that he killed him. His brother is left broken, finally realising that personal glory is no substitute for having a rich and meaningful life.
The story itself is about the rise of the gun in china and the director, who also stars, attempting to show how pointless it was to fight the evil of the gun.
Lei Kung is a martial arts master whose speciality is 'pugilism'(i suppose it was easier to dub that word than what the real skill is called), which is basically invulnerability to conventional weapons (swords, knives, blades etc). He decided to dissolve his sect within the school he taught in to protect his students. He was forced to do this as his superiors were ordering other sect to practice 'pugilism' with the proviso of ultimately being able to withstand bullets.
So now it is several years later, Lei Kung is hiding out as a woodcutter, and the bad guys send some martial arts experts to seek him out and kill him. At first we know of three: Ti Hau, the best student of a master who teaches partial invulnerability and techniques to confuse the enemy. Chao Ching, who is a woman, but who dresses as a man to mingle with the populace. She can see how attempting to overcome the gun with 'pugilism' is pointless and wants to join Lei Kung. Finally there is Ti Tan, another master 'pugilist'.
While they are searching another man whose name is not revealed is searching for Lei Kung. His skill seems to be based on hypnotism, and dolls. He hypnotises a person, then uses a doll to control their movements, thus having someone fight for him.
Ti Hau ends up getting ill whilst searching, but is saved be Lei Kung who nurses him back to help with Chau Ching's help. She convinces Lei Kung that she wants to help, but doubts if they can convince Ti Hau when he gets better. It does not matter ultimately, because the other mysterious fighter tracks Lei Kung down. They fight, but Lei kung is well out of practice and is defeated easily. But the mysterious bad guy is Lei Kung's brother, Lei Yung who explains that he was also given the order to kill but can't kill his own brother. He suggests that Lei Kung begins to proactive again to recover his strength and power. That way he can defend himself against other killers who are after him.
Hi trains hard, and starts to get his power back. But Ti Tan turns up and starts to kick off. Ti Hau tries to explain that Lei Kung is a woodcutter who only knows basic kung fu taught to him by Chau Ching. Ti Tan is not convinced and begins his attack. Chau ching defends but is no match, neither is Ti Hau. So it is time for Lei Kung o flex hi muscles. He fights and in doing so speeds up his strength recovery. He defeats Ti Tan, but in doing so let's it slip that he really is Lei kung. Ti Hau runs off, not knowing what to do, he has witnessed Lei Kungs far superior martial skill and is unsure of how to proceed. Ti Hau returns that night, using his skills he tries to convince Lei Kung and Chau Ching that he has gathered many men, but they are dummies and Lei Kung sees through the deception. But it is not Ti Hau but his master who is attacking. Another great fight scene follows with Ti Hau turning up half way through and his own teacher turning on him when he realises he cannot kill Lei Kung. In trying to kill his student, he shows Ti Hau that there is more to life than killing and his own life is worth something. This is the reason Lei Kung disbanded his school, to protect his students who he knew would die if they tried to withstand the gun. Lei Kung defeats Ti Haus' master who then tries to kill himself. Ti Hau stops him, and his teacher also sees that perhaps his way of life is wrong, and his pupil's lives are not expendable. He leaves suggesting Ti Hau remain to carry on training and learning with Lei Kung and Chau Ching. Lei Kung walks off and dusts off his 'holy robes' explaining that he has to go to the city temple to see his brother. He explains that his brother is not really going to let him walk away, but wanted him to train up and face him in a duel to the death. He takes his 2 new students with him, and then fights his brother using weapons combat in some of the most amazing choreography i have seen in a kung fu film. He defeats his brother who he then tells to go back and report that he killed him. His brother is left broken, finally realising that personal glory is no substitute for having a rich and meaningful life.
The Yi Ho Society wrongly think that their magic and pugilism skills will protect them from any weapon, including the guns used by the West. Lei Kung (Chia-Liang Liu) realises that this belief will only result in senseless bloodshed and attempts to dissolve the society to save lives. In doing so, he is branded a traitor and is hunted by several of Yi Ho's best fighters.
I love weapons work in kung fu films and Legendary Weapons of China naturally features lots of it, mostly in the second half; unfortunately, the movie also has rather a lot of comedy (in the first half), something that I always struggle with in kung fu films, making the film as a whole something of a mixed bag for me: desperately unfunny nonsense for the best part of an hour, but ending on a high with plenty of crazy fight action employing the eighteen main weapons of Chinese martial arts: rope dart, double tiger hook swords, double hammers, battle axe, snake halberd, kwan dao, twin broadswords, double-edged sword, Chinese spear, three-section chain whip, double daggers, double crutches, monk's spade, staff, tiger fork, rattan shield, single butterfly sword and three-section staff.
Also adding to the fun are the film's sillier weapons, including booby trapped capes and explosive darts, and some really daft moments, best bits being a bonkers fight in the rain and the unforgettable sight of two warriors mutilating themselves, the first poking his own eyes out and the other ripping his goolies off!
5.5 out of 10, rounded up to 6 for IMDb-not the classic of the genre that I had expected, but entertaining enough.
I love weapons work in kung fu films and Legendary Weapons of China naturally features lots of it, mostly in the second half; unfortunately, the movie also has rather a lot of comedy (in the first half), something that I always struggle with in kung fu films, making the film as a whole something of a mixed bag for me: desperately unfunny nonsense for the best part of an hour, but ending on a high with plenty of crazy fight action employing the eighteen main weapons of Chinese martial arts: rope dart, double tiger hook swords, double hammers, battle axe, snake halberd, kwan dao, twin broadswords, double-edged sword, Chinese spear, three-section chain whip, double daggers, double crutches, monk's spade, staff, tiger fork, rattan shield, single butterfly sword and three-section staff.
Also adding to the fun are the film's sillier weapons, including booby trapped capes and explosive darts, and some really daft moments, best bits being a bonkers fight in the rain and the unforgettable sight of two warriors mutilating themselves, the first poking his own eyes out and the other ripping his goolies off!
5.5 out of 10, rounded up to 6 for IMDb-not the classic of the genre that I had expected, but entertaining enough.
This movie has one of the best introductions of any film I have ever seen. The introduction shows a woman demonstrating several weapons of Kung Fu while sinister music plays. By demonstrating, I mean killing several men with these deadly weapons of Kung Fu! This movie has great style and creativity throughout. The story line is actually good, but might take several viewings to really understand what is going on.
Like others have said, it is not really a serious martial arts film, but it is one of my favorites nonetheless. You cannot beat the sinister music/introduction sequence in the beginning of the movie. That is worth watching alone. If you are a fan of Chinese Super Ninja, you will also like this movie.
Like others have said, it is not really a serious martial arts film, but it is one of my favorites nonetheless. You cannot beat the sinister music/introduction sequence in the beginning of the movie. That is worth watching alone. If you are a fan of Chinese Super Ninja, you will also like this movie.
Lo sapevi?
- QuizChia-Liang Liu: [martial arts demonstration] Opening credits show a demonstration of martial arts against an empty backdrop.
- Versioni alternativeThe 1987 UK video suffered extensive cuts of over 5 minutes and lost all footage of Japanese throwing stars and nunchaku used in the fight scenes.
- ConnessioniFeatured in Compagnie pericolose (2001)
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- How long is Legendary Weapons of China?Powered by Alexa
Dettagli
- Tempo di esecuzione1 ora 49 minuti
- Mix di suoni
- Proporzioni
- 2.35 : 1
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By what name was Legendary Weapons of China (1982) officially released in India in English?
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