Aggiungi una trama nella tua linguaAn effigy merchant's impotent brother has died and left a pregnant wife. Suspecting a scam and foul play, he schemes to inspect his brother's corpse before the burial, not knowing that his b... Leggi tuttoAn effigy merchant's impotent brother has died and left a pregnant wife. Suspecting a scam and foul play, he schemes to inspect his brother's corpse before the burial, not knowing that his brother is actually alive and in on the scam.An effigy merchant's impotent brother has died and left a pregnant wife. Suspecting a scam and foul play, he schemes to inspect his brother's corpse before the burial, not knowing that his brother is actually alive and in on the scam.
- Regia
- Sceneggiatura
- Star
- Premi
- 5 candidature totali
Yeong-moon Kwon
- Priest's Men
- (as Yeong-Mun Kwon)
Recensioni in evidenza
What the hell is this all about? Here's a choice cut of dialogue "you have to catch him, then wrap him in, turn around, (whispers) a sanitary towel!" What? I think that they make these things up as they go along!
A man( Wu Ma) fakes his death in order to steal his family's funeral treasure. When the treasure is instead bequeathed to Ma's unborn son, his co-conspirators kill him (for real this time). His vengeful spirit seeks out the help of his friend (played by Sammo Hung) and together they seek revenge on his murderers.
Sammo Hung stars in this rather unusual but colourful tale that is in vein of Mr Vampire et al, but there's no hopping vampires in sight. Only a vengeful ghost in the form of Wu Ma and a trio of gremlin like creatures. The production is really good, the cinematography is top notch and the Chinese culture and its ritual is brilliantly done. Performances is great from all, especially Wu Ma. The fights are rather good, though few and far behind. Only sore spot is that it gets tedious towards the end. But it's still a good film.
Sammo Hung stars in this rather unusual but colourful tale that is in vein of Mr Vampire et al, but there's no hopping vampires in sight. Only a vengeful ghost in the form of Wu Ma and a trio of gremlin like creatures. The production is really good, the cinematography is top notch and the Chinese culture and its ritual is brilliantly done. Performances is great from all, especially Wu Ma. The fights are rather good, though few and far behind. Only sore spot is that it gets tedious towards the end. But it's still a good film.
"Ren xia ren" (1982), directed by Wu Ma, is a delightfully zany martial arts ghost comedy that seamlessly blends action, horror, and slapstick humor into a wildly entertaining package. While the film's plot can be convoluted at times, its strengths lie in its imaginative set pieces, standout performances, and a willingness to embrace the absurd.
The standout performance undoubtedly belongs to Sammo Hung, who shines as the effigy merchant caught up in a web of deception and supernatural hijinks. Hung's physical comedy chops are on full display, particularly in the unforgettable scene where he dons a doll costume and engages in a hilarious fight sequence. His chemistry with co-star Yuen Biao adds an extra layer of comedic brilliance to their interactions.
Another standout is Ching-Ying Lam, whose portrayal of the mischievous Uncle is a scene-stealer. His ghostly antics, including a memorable sequence where he is carried through the town by invisible spirits, are both creepy and hilarious, perfectly capturing the film's tonal balance.
Wu Ma's direction excels in creating a vibrant and imaginative world where the supernatural and the mundane collide. The film's special effects, while dated, are executed with a charming practical ingenuity that adds to the overall campy appeal. The fight choreography, a staple of Hong Kong cinema, is top-notch, with Sammo Hung and his team delivering thrilling and inventive action sequences.
However, the film's narrative can be a bit meandering at times, with subplots and character motivations occasionally getting lost in the chaos. Additionally, some of the humor may not resonate with modern audiences, as it leans heavily into slapstick and broad comedy tropes.
Despite these minor flaws, "Ren xia ren" remains a delightfully entertaining romp that showcases the best of Hong Kong's unique blend of martial arts, horror, and comedy. With its standout performances, imaginative set pieces, and a willingness to embrace the absurd, cementing its status as a cult classic in the genre.
The standout performance undoubtedly belongs to Sammo Hung, who shines as the effigy merchant caught up in a web of deception and supernatural hijinks. Hung's physical comedy chops are on full display, particularly in the unforgettable scene where he dons a doll costume and engages in a hilarious fight sequence. His chemistry with co-star Yuen Biao adds an extra layer of comedic brilliance to their interactions.
Another standout is Ching-Ying Lam, whose portrayal of the mischievous Uncle is a scene-stealer. His ghostly antics, including a memorable sequence where he is carried through the town by invisible spirits, are both creepy and hilarious, perfectly capturing the film's tonal balance.
Wu Ma's direction excels in creating a vibrant and imaginative world where the supernatural and the mundane collide. The film's special effects, while dated, are executed with a charming practical ingenuity that adds to the overall campy appeal. The fight choreography, a staple of Hong Kong cinema, is top-notch, with Sammo Hung and his team delivering thrilling and inventive action sequences.
However, the film's narrative can be a bit meandering at times, with subplots and character motivations occasionally getting lost in the chaos. Additionally, some of the humor may not resonate with modern audiences, as it leans heavily into slapstick and broad comedy tropes.
Despite these minor flaws, "Ren xia ren" remains a delightfully entertaining romp that showcases the best of Hong Kong's unique blend of martial arts, horror, and comedy. With its standout performances, imaginative set pieces, and a willingness to embrace the absurd, cementing its status as a cult classic in the genre.
Bonkers chop-socky that is part satire of ludicrous Hong Kong supernatural martial arts films, and part brilliant example of how it should be done. A rare wheeze that actually does have something for everyone:
Excellent slapstick comedy - the hero is pompous and fat, not lithe and Jackie Chan-like; getting into daft, self-generated scrapes, he is kicked about by every one, and guards a dead friend who isn't really dead in an hilarious scene that has him fending off curious gold thieves. He is repeatedly buffeted by otherworldly menaces, first his mischievous friend, then Satan's minions, who turn him into a lime-covered bug.
Action - Choreographed with great skill, played mostly for laughs, but there is one sequence - the friend's murder - that is filmed with rare beauty.
Horror - Again, mostly comic, with a remarkable use of somewhat cheap special effects.
Historical costume drama - not very precise, but the costumes and set-design are an immense, guilty, Orientalist pleasure.
Satire - under all the laughs is a serious study of repressive social and gender codes, and the last scene is spectacularly subversive in its implications.
Excellent slapstick comedy - the hero is pompous and fat, not lithe and Jackie Chan-like; getting into daft, self-generated scrapes, he is kicked about by every one, and guards a dead friend who isn't really dead in an hilarious scene that has him fending off curious gold thieves. He is repeatedly buffeted by otherworldly menaces, first his mischievous friend, then Satan's minions, who turn him into a lime-covered bug.
Action - Choreographed with great skill, played mostly for laughs, but there is one sequence - the friend's murder - that is filmed with rare beauty.
Horror - Again, mostly comic, with a remarkable use of somewhat cheap special effects.
Historical costume drama - not very precise, but the costumes and set-design are an immense, guilty, Orientalist pleasure.
Satire - under all the laughs is a serious study of repressive social and gender codes, and the last scene is spectacularly subversive in its implications.
This is a rough one. I've sometimes described Hong Kong action movies as "a sequence of things that happen." That problem is among the worst in this movie. It takes a solid half of The Dead and the Deadly to finally have anything even remotely resembling a real plotline (a life insurance scam).
The whole entire first half is just a collection of scenes featuring Sammo Hung as he pals around town doing random things. He pretends to be a mannequin, he gobbles down aphrodisiac, he rebukes a clingy would-be wife, and he gets into trouble at the funeral home. None of it ever really feels like its in service of any kind of over-arching story or even much character development, it's just 45 minutes of a guy kind of doing whatever. It wasn't particularly funny and there's not a whole lot of fighting to be had.
Even once the actual life insurance story finishes out, the movie still keeps going for at least another ten minutes. The whole thing is just a total pacing disaster. At best, it leans on a very small handful of pretty decent special effects, but it's all limited to a handful of shots in the last act. The same goes for fight scenes -- there's maybe three action set pieces in this whole movie, and all of them are brief and come very late.
I think you've gotta be a big fan of Sammo Hung to get much out of this one.
The whole entire first half is just a collection of scenes featuring Sammo Hung as he pals around town doing random things. He pretends to be a mannequin, he gobbles down aphrodisiac, he rebukes a clingy would-be wife, and he gets into trouble at the funeral home. None of it ever really feels like its in service of any kind of over-arching story or even much character development, it's just 45 minutes of a guy kind of doing whatever. It wasn't particularly funny and there's not a whole lot of fighting to be had.
Even once the actual life insurance story finishes out, the movie still keeps going for at least another ten minutes. The whole thing is just a total pacing disaster. At best, it leans on a very small handful of pretty decent special effects, but it's all limited to a handful of shots in the last act. The same goes for fight scenes -- there's maybe three action set pieces in this whole movie, and all of them are brief and come very late.
I think you've gotta be a big fan of Sammo Hung to get much out of this one.
Lo sapevi?
- QuizMakes use of the barn set from Jackie Chan's "Dragon Lord" (1982).
- ConnessioniReferenced in Geung see ga zuk (1986)
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By what name was Ren xia ren (1982) officially released in India in English?
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