Prem Rog
- 1982
- 3h 3min
VALUTAZIONE IMDb
7,1/10
1152
LA TUA VALUTAZIONE
Uno sguardo al controverso argomento delle vedove che si risposano attraverso una sfortunata sposa che alla fine scopre il vero significato dell'amore.Uno sguardo al controverso argomento delle vedove che si risposano attraverso una sfortunata sposa che alla fine scopre il vero significato dell'amore.Uno sguardo al controverso argomento delle vedove che si risposano attraverso una sfortunata sposa che alla fine scopre il vero significato dell'amore.
- Regia
- Sceneggiatura
- Star
- Premi
- 4 vittorie e 1 candidatura in totale
Nanda Karnataki
- Virendra's wife
- (as Nanda)
Tanuja Samarth
- Raj Rani
- (as Tanuja)
Vijayendra Ghatge
- Kunwar Narendra Pratap Singh
- (as Vijayendra Ghadge)
Bindu Desai
- Chamiya
- (as Bindu)
Rajendranath Malhotra
- Radha's husband
- (as Rajendra Nath)
Monty Nath
- Chote Thakur Vikram Singh
- (as Monty)
Praveen Paul
- Manorama's Servant
- (as Parvin Paul)
Recensioni in evidenza
A very interesting film about some of the not so nice traditional customs relating to caste and culture practised in parts of India. This film features some of the most beautiful song picturisation I have ever seen. The song in the tulip farms is a must to see. It brings alive the the passion and the love. The ending may have been a bit over the top, but this movie has an important social message. All in all a very good film...
The writing on the wall is clear - "Prem Rog" qualifies to be the weakest link under the baton of the "Showman". Raj Kapoor fans will be disappointed with this outing.
The plot attempts to work on two levels namely realise true love and societal reforms, sadly it fails on both fronts. As I followed the narrative I felt that even Raj Kapoor realised that its not working and the nonchalant factor in the proceedings is apparent. The plot is preachy and clearly outdated for the time it was made.
Rishi Kapoor attempts to give his best shot to portray a idealist/ reformist but maybe some other actor without baggage would have been better. Padmini was a bad choice, again a fresh face could have given depth to the character who exuberates innocence and pain. The rest of the star-cast was adequate.
Music and lyrics are the only strong points of "Prem Rog". Raj Kapoor got Suresh Wadkar into the fold of RK banner. Lata as usual was at her melodious best.
The plot attempts to work on two levels namely realise true love and societal reforms, sadly it fails on both fronts. As I followed the narrative I felt that even Raj Kapoor realised that its not working and the nonchalant factor in the proceedings is apparent. The plot is preachy and clearly outdated for the time it was made.
Rishi Kapoor attempts to give his best shot to portray a idealist/ reformist but maybe some other actor without baggage would have been better. Padmini was a bad choice, again a fresh face could have given depth to the character who exuberates innocence and pain. The rest of the star-cast was adequate.
Music and lyrics are the only strong points of "Prem Rog". Raj Kapoor got Suresh Wadkar into the fold of RK banner. Lata as usual was at her melodious best.
This was one of Raj Kapoor's successful attempts at combining entertainment with social themes. The film is long but generally earns its length by dealing in some detail with the issue of widow remarriage. The film is basically a star vehicle for Padmini Kolhapure who is equal to the task. She is innocence personified in the first half and successfully shows a mature side later in the film. Rishi Kapoor is decent as usual while Shammi Kapoor is fine in a supporting role. The villains are mostly caricatures and the romantic scenes tend to drag on a bit. Some of the songs could have been cut. Still it's a good watch and one of Raj Kapoor's best films late in his career.
Overall 7/10
Overall 7/10
Two things that stand out are Cinematography by Radhu Karmarkar, this is probably the most astounding Cinematography I have seen in an Indian movie other than "Sangam". Then there are the most gorgeous sets ever seen in an Indian Film (Rangaraj). This was one of the last movie's by the venerable Raj Kapoor, who wanted to paint a love story on a rich Canvas. His let down is the Cast, Rishi Kapoor was probably a better actor in his later years, here is a flop with no Screen presence, where as Padmini Kholapure is mediocre with very mechanical motion in her dance numbers. There are too many characters with too many lines and very few to make any impact. This is the only Raj Kapoor movie that I had to fast-wind ever. Other mainstay of his movies was the music by the Maestro's of melody, Shankar-Jaikishan, which is obviously lacking by their absence. The Raj Kapoor magic for some reason was lost in this otherwise a Cinematographical masterpiece and a Visual treat.
Lo sapevi?
- QuizRaj Kapoor traveling to Amsterdam to shoot the song and also to procure ideas for his upcoming films . Only four or five people travelled to Amsterdam including rishi Kapoor and padmini...Raj Kapoor would love to visit the red light district each day after the shoot
- ConnessioniFeatured in Bollywood Bound (2002)
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