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Pink Floyd: The Wall

  • 1982
  • VM14
  • 1h 35min
VALUTAZIONE IMDb
8,0/10
88.153
LA TUA VALUTAZIONE
Pink Floyd in Pink Floyd: The Wall (1982)
Home Video Trailer from MGM Home Entertainment
Riproduci trailer1: 47
2 video
99+ foto
Psychological DramaDramaFantasyMusic

Una rock star turbata scende nella follia in mezzo al suo isolamento fisico e sociale.Una rock star turbata scende nella follia in mezzo al suo isolamento fisico e sociale.Una rock star turbata scende nella follia in mezzo al suo isolamento fisico e sociale.

  • Regia
    • Alan Parker
  • Sceneggiatura
    • Roger Waters
  • Star
    • Bob Geldof
    • Christine Hargreaves
    • James Laurenson
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    8,0/10
    88.153
    LA TUA VALUTAZIONE
    • Regia
      • Alan Parker
    • Sceneggiatura
      • Roger Waters
    • Star
      • Bob Geldof
      • Christine Hargreaves
      • James Laurenson
    • 337Recensioni degli utenti
    • 56Recensioni della critica
    • 47Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Ha vinto 2 BAFTA Award
      • 3 vittorie e 2 candidature totali

    Video2

    Pink Floyd: The Wall
    Trailer 1:47
    Pink Floyd: The Wall
    Pink Floyd: The Wall
    Trailer 1:47
    Pink Floyd: The Wall
    Pink Floyd: The Wall
    Trailer 1:47
    Pink Floyd: The Wall

    Foto116

    Visualizza poster
    Visualizza poster
    Visualizza poster
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    + 110
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    Interpreti principali53

    Modifica
    Bob Geldof
    Bob Geldof
    • Pink
    Christine Hargreaves
    • Pink's Mother
    James Laurenson
    James Laurenson
    • J.A. Pinkerton (Pink's Father)
    Eleanor David
    Eleanor David
    • Pink's Wife
    Kevin McKeon
    Kevin McKeon
    • Young Pink
    Bob Hoskins
    Bob Hoskins
    • Rock and Roll Manager
    David Bingham
    • Little Pink
    Jenny Wright
    Jenny Wright
    • American Groupie
    Alex McAvoy
    Alex McAvoy
    • Teacher
    Ellis Dale
    • English Doctor
    James Hazeldine
    James Hazeldine
    • Lover
    Ray Mort
    Ray Mort
    • Playground Father
    Margery Mason
    • Teacher's Wife
    • (as Marjorie Mason)
    Robert Bridges
    • American Doctor
    Michael Ensign
    Michael Ensign
    • Hotel Manager
    Marie Passarelli
    • Spanish Maid
    Winston Rose
    • Security Guard
    Joanne Whalley
    Joanne Whalley
    • Groupie
    • Regia
      • Alan Parker
    • Sceneggiatura
      • Roger Waters
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti337

    8,088.1K
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    Recensioni in evidenza

    9Theo Robertson

    The Human Condition

    If for whatever reason you should find yourself in the company of aliens from the planet Nietsche , a planet whose inhabitants have gone beyond what can be described as human nature so much so that they have no knowledge of what being human is , then show them this film that explains everything

    The story starts with the Anzio landings that sees the death of Pink's father . As Plato said " Only the dead have seen the end of war " and that is bitterly true , man will always be man and man will always kill man until the end of time

    Pink goes to school and education is a double edged sword . It has the potential to educate young humans but as often happens these young humans find themselves being used as victims of whatever mood the teacher is in . Someone must pay for authorities inaquequacies

    Pink leaves school and falls in love , but love is the sharpest and most double edged sword in all of creation . It inspires but it also destroys us . Despite hundreds of millions of human beings being killed in wars , genocide and purges there is nothing so personally painful or as cruel as the betrayal by a lover . The darkest pits of Hell can not be as hellish or as sadistic as infidelity

    As Pink descends further into his personal madness we see him take his revenge . Humans are sexual beings and perhaps this is what makes us both demons and avenging angels . Irony is to the fore as he stops becoming a victim and turns into unfeeling fascist dictator . Someone must pay for all the wrongs Pink has endured and it's the innocent that must suffer

    You could go to the planet Nietsche with all the written works of every human philosopher who ever lived and that still wouldn't be enough to explain what it's like to be human . As it stands Alan Parker and Roger Waters have made a cogent film explaining why humans are the way they are and how they react to the surrounding universe . It's a film whose soundtrack is every bit as powerful as the human condition
    10Zambelli

    Why is The Wall so often misunderstood ?

    I have seen the movie several times now and every time I watch it I see something new, something I haven't seen or heard before. Some unsung line, some lost message... Every time I watch the movie I seem to dig deeper into this complex work of art.

    However, I cannot tell you how disappointed I am that this movie is so underestimated, and, above all, misunderstood. How many times have you heard someone say something like: "You can't watch 'The Wall' unless you're really drunk or really high" ? I have heard this line probably from every single person that has seen the movie and it hurts me so much that nobody really tries to understand the movie.

    The key to understanding the movie is in the lyrics. The movie is not just a long series of video clips that accompany the album. The images are just a final piece of the puzzle, the final touch on a magnificent piece of art.

    The first time I saw this movie I felt very embarassed. Yes, embarassed, because I felt like a fool for hearing the album so many times and not realizing what it was about. The movie made me appreciate the lyrics of a rock song for the first time in my life.

    The week after seeing "The Wall" for the first time I bought Pink Floyd's "The Final Cut". Do you know what was the first thing I did when I opened the CD case? I read the lyrics, from the first to the last word. And I actually tried to understand what the album was about.

    "The Wall" is so much more than you think it is. The only solution to not understaning the movie is watching it again and paying more attention. Once you get it, you will never forget it.
    sero

    The Wall is one of the best albums/movies ever done

    What can you possibly say except that this movie is amazing?

    "The Wall" is one of the few movies out there that has a powerful effect on the people are receptive to its message. Told with practically no dialogue, the only guide to the bizarre, frightening, and strange images is the incredible music by Pink Floyd, from their equally good double album. A considerable number of the songs were re-recorded for this movie, and one song (the heart-wrenching "When the Tigers Broke Free") was added. The new versions of the songs are sometimes worse than the album (Waiting for the Worms), and sometimes better (Mother, In the Flesh).

    "The Wall" isn't a pleasant movie, nor is it a simplistic or banal movie. It is brutal, cynical, and disturbing, but it has moments of flesh-tingling beauty and an uplifting message in the end, if you persevere. I recommend both it and the album to anyone who enjoys a powerful movie. In my opinion, "The Wall," along with a few other albums, represents the pinnacle of rock music.
    8stills-6

    A fascinating story about fascism - WARNING! Psychoanalytic content

    The opening tracking shot of a hotel hallway that resembles a prison should clue you in as to what awaits. There are so many things to like and be fascinated by in this movie. And for all of its avant-garde leanings, this is actually a very classically designed story. An iconoclastic music star, Pink Floyd, tries/tries not to think about his past and how he got to where he is, which is borderline psychotic. And because he's so disturbed, he can't even think in a linear way, so the journey we take into his mind is necessarily whacked-out.

    We also get to see how fascism is born from misdirected hate and idolatry. As a rock star, Floyd has seen the adulation of his audiences, so he's familiar with the phenomenon. But at the same time, he detests them for buying into his act. It's like the old Groucho Marx joke about refusing membership to any group who would let you in. He knows he's a fake (his teachers and people like his wife have told him so), so everyone else who thinks he's real must be fakes also. It's a big cyclic game. So he can't let any of them in, behind his wall, because they are, by definition, phony.

    It's interesting, also, to think about how he has turned full circle into fascism. It's just part of his dream and how he deals with his anger, but it's also an interesting reaction to the absent father. Had there been no homosexuals or Jews etc., there would have been no need for a Hitler, and therefore there would have been no need for his father to die. But instead of hating Nazis, he hates the people that "provoked" the Nazis. (I could go on for days with stuff like this, but I'll stop here.)

    Just watch the movie and be impressed with the way it works on so many levels.
    andy-227

    An assault on the senses, and a really great film!

    "Pink Floyd The Wall" is a great film, based on the already great album by Pink Floyd! I was stunned by the use of imagery, combined with the great soundtrack of the album, which gave us a strange, drugged up vision of what a burnt out rock star would see. It's really crazy! Yet it shows how these famous rock stars are bombarded with fame and applause, and how insane it can drive an already disturbed person. "The Wall" itself, is the isolation and separation from society and saneness, which is a place that can easily be avoided if only people gave us a fair chance to. The depressing part about the film is that none of this is the rock star's fault. He was driven to it by loneliness in his growing up years(since he lost his father to the war), along with psychological torment by his teachers, parents, and above all, his sexually controlling wife. The movie is twisted because this is how the lead character sees the world. Worse yet, after he has already been driven to the edge of his own sanity, in his mind, the people who drove him to that edge, come back to testify against him. It's weird the first time you watch it, and looks a lot like a crazy music video that was pulled out of MTV. The only difference is that this one is telling a story, and has been transferred to the big wide screen. Alan Parker has directed the film, but Roger Waters seems to be in charge here, because it's his album, his story, and his conception. All that's really been done here is transforming the album to celluloid. I in some ways, like this better than the album, because now we have images to reinforce the songs and the story. I wish I could have seen this on the big screen, because the variety of images and the loud music seem compressed and compacted on a small TV set. You might not understand this the first time, especially if you haven't heard the album yet. But it really is a great film, and it actually has a story and a point that most music videos today unfortunately lack! I think that this film will teach people the reasons why these talented individuals suffer and lose their minds. The people that have guided and taken care of them while they grew up, often take away their ability to happily and normally function on their own. And the album and film's lesson is for not only the people who drove him to his wall to back off, but for him to pull himself out.

    Altri elementi simili

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    Fuga di mezzanotte
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    Pink Floyd: The Wall

    Trama

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    Lo sapevi?

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    • Quiz
      In his autobiography "Is That It?", Bob Geldof says that his agent first told him about the project while he was riding in a taxi, and that he said that he didn't want to do it because he didn't like the music of Pink Floyd. Roger Waters knows this story, not because he read it in Geldof's book, but because the taxi driver was actually Waters' brother.
    • Blooper
      When Pink throws the television out the window before he cuts his hand, he mouths "Take that, fuckers!", but what is heard is "Next time, fuckers!" (This is corrected in the DVD release of "The Wall".)
    • Citazioni

      Teacher: If ya don't eat yer meat, you can't have any pudding! How can ya have any pudding if ya don't eat ya meat?

    • Versioni alternative
      The final shot in the "Another Brick In The Wall, part 2" sequence, showing Young Pink and the Islington Green School class of 1951 throwing the Teacher into the bonfire, was deleted from the UK theatrical and Canadian VHS versions of the film, out of concern that actual children would try the stunt at home.
    • Connessioni
      Edited into Pink Floyd: Hey You (1982)
    • Colonne sonore
      When the Tigers Broke Free
      (separated into two sections)

      Written by Roger Waters

      Performed by Pink Floyd

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    Domande frequenti25

    • How long is Pink Floyd: The Wall?Powered by Alexa
    • Is the movie based on a book?
    • How does Pink magically transform into a Neo-Nazi leader and garner hundreds of supporters?
    • Is the crossed-hammer insignia a real neo-Nazi symbol?

    Dettagli

    Modifica
    • Data di uscita
      • 19 novembre 1982 (Italia)
    • Paese di origine
      • Regno Unito
    • Lingua
      • Inglese
    • Celebre anche come
      • Pink Floyd: Devor
    • Luoghi delle riprese
      • Saunton Sands, Devon, Inghilterra, Regno Unito(bunker scenes)
    • Aziende produttrici
      • Metro-Goldwyn-Mayer (MGM)
      • Metro-Goldwyn-Mayer (MGM)
      • Alan Parker
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Budget
      • 12.000.000 £ (previsto)
    • Lordo Stati Uniti e Canada
      • 22.244.207 USD
    • Lordo in tutto il mondo
      • 22.274.148 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 35 minuti
    • Colore
      • Color
    • Proporzioni
      • 2.39 : 1

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