VALUTAZIONE IMDb
5,3/10
1585
LA TUA VALUTAZIONE
Un detective della polizia eterosessuale unisce le forze con un impiegato della polizia gay, per risolvere una serie di omicidi nella comunità gay.Un detective della polizia eterosessuale unisce le forze con un impiegato della polizia gay, per risolvere una serie di omicidi nella comunità gay.Un detective della polizia eterosessuale unisce le forze con un impiegato della polizia gay, per risolvere una serie di omicidi nella comunità gay.
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I would like to point out to all the people who felt it necessary to take offence at this movie: It was pretty groundbreaking for the time it was released. Speaking as a lone gay teenager in the Bible Belt, it was very informative to see people such as the "caftan clad landlord" and realize that there were places in the world where men could live together as couples. The landlords story of his relationship was very touching.This movie holds a special place in my heart because it was the FIRST movie that let me know I was not alone in the world. If you are not gay, you don't understand what I am pointing out.If you are gay, and you are that offended at the gay stereotyping in the movie, then you were born in California, New York or somewhere else progressive and should consider yourself fortunate you didn't have to rely on movies such as this one for acceptance.This movie was presented from the point of view of Ryan's character which is to be expected since he was the bigger star at the time.
Here's a gay-themed action-comedy that even the gay community has thankfully forgotten, an appalling, tangled mess involving two male Los Angeles police detectives (one straight, one gay) posing as lovers in order to track down a killer of homosexuals. You have to commend Ryan O'Neal, he gives this one-joke affair his best shot; but poor John Hurt (the most sullen gay character ever!) sluggishly performs as if against his will. The plot is promising--it might've been a sharp satire of "Cruising" had the handling been a bit more nimble. But "Partners" has the patched-together feel of too many different hands, and the laziness of the writing and directing sinks the idea almost completely. Sniggering jokes, embarrassing and half-hearted sentiment, and a plea for the understanding of the gay minority turns this tale into one swishy stew. *1/2 from ****
This 46-year-old, (now 47-year-old) lifelong gay native of Fort Worth saw this movie when I was 21 years old. I liked it and I didn't like it even then. Gay what? What is 'gay'? Anyway, I enjoyed many things about this movie just as much as I could complain about just as many more that I didn't like. I think that John Hurt and Ryan O'Neil deserved to be shown better than they were shown in "Partners."
WARNING: What follows is a big rambling digression from my "Partners" comments. (Updated by original poster on Dec. 30, 2008)
______
I had seen the movie "Ode To Billie Joe" with my gay parent and my straight sister when it first came out in 1976. We all had known gay people for many years. In those days, the idea of being 'gay' was still kept private and only spoken of in close circles. Times were evolving then, just as they are still evolving now.
In my experience back in those days, one's own "gayness" was not talked about openly unless they had a desire to tell their story on Television. In the early to mid 1970s a lot of different kinds of people wanted to be on TV or something like that. I do admire those early open pioneers.
Back in the day I remember that 'gayness' (whatever that means) was respected by those who matter. Nobody ever had to make an issue of it, just as I have never done.
Neither my gay parent nor I or anybody else cared to talk about our personal business, and it was good in a way and it still is.
I had always loved the Bobbie Gentry song that inspired the movie since it was released in 1968. I had to see this movie, of course.
I rather understood the idea of Billy Joe's situation and that of the other characters because the story was told from a 1950's rural Mississippi perspective. Later in my life, it was suggested that the end was the particularly offensive part because of a line that was spoken by one of the main characters, and I still agree with that observation. (Though, if the viewer takes into account the locale and time period of the story, the line is actually respectful of the person considering the place and time)
Over My 46 years I've seen a lot of movies with gay characters and the only one I ever respected for that effort is "Victor/Victoria" (1982).
I didn't care too much for "The Birdcage" (1996) in spite of the talented people that participated in the making of the movie. I despised Nathan Lane's character (though Lane later redeemed himself as a gay/?/ man in the cable series "Sex And The City"). To me, the only good thing about "The Birdcage" was Gene Hackman's stellar performance as the conservative U.S. Senator.
In 1973 a wise women said: "Everybody thinks and feels differently as the years go by, don't they"
John Martin, 46, Fort Worth, Texas
WARNING: What follows is a big rambling digression from my "Partners" comments. (Updated by original poster on Dec. 30, 2008)
______
I had seen the movie "Ode To Billie Joe" with my gay parent and my straight sister when it first came out in 1976. We all had known gay people for many years. In those days, the idea of being 'gay' was still kept private and only spoken of in close circles. Times were evolving then, just as they are still evolving now.
In my experience back in those days, one's own "gayness" was not talked about openly unless they had a desire to tell their story on Television. In the early to mid 1970s a lot of different kinds of people wanted to be on TV or something like that. I do admire those early open pioneers.
Back in the day I remember that 'gayness' (whatever that means) was respected by those who matter. Nobody ever had to make an issue of it, just as I have never done.
Neither my gay parent nor I or anybody else cared to talk about our personal business, and it was good in a way and it still is.
I had always loved the Bobbie Gentry song that inspired the movie since it was released in 1968. I had to see this movie, of course.
I rather understood the idea of Billy Joe's situation and that of the other characters because the story was told from a 1950's rural Mississippi perspective. Later in my life, it was suggested that the end was the particularly offensive part because of a line that was spoken by one of the main characters, and I still agree with that observation. (Though, if the viewer takes into account the locale and time period of the story, the line is actually respectful of the person considering the place and time)
Over My 46 years I've seen a lot of movies with gay characters and the only one I ever respected for that effort is "Victor/Victoria" (1982).
I didn't care too much for "The Birdcage" (1996) in spite of the talented people that participated in the making of the movie. I despised Nathan Lane's character (though Lane later redeemed himself as a gay/?/ man in the cable series "Sex And The City"). To me, the only good thing about "The Birdcage" was Gene Hackman's stellar performance as the conservative U.S. Senator.
In 1973 a wise women said: "Everybody thinks and feels differently as the years go by, don't they"
John Martin, 46, Fort Worth, Texas
I think "Partners" is an absolutely sweet movie, well balanced with a great John Hurt and the ending is really, really touching *tissues* ^_~ (and for the record, no I'm not a gay man, I'm a het gurl ^^)
5asyl
John Hurt and Ryan O'Neill as a very odd couple. Kerwin (Hurt) and Benson (O 'Neill) both cops are determined to solve a case together. So far nothing unusual... The problem is the victim is a homosexual living in a gay community and Benson and Kerwin have to investigate undercover. So all they have to do is pretend to be a happy gay couple. For Kerwin not too bad. He is gay. But for Benson... He is as straight as straight gets...
Actual the story of the movie is not the deepest. What made the movie funny for me was the problems Benson had pretending to be a gay man and the development of their "relationship" And really it has some nice gags.
Actual the story of the movie is not the deepest. What made the movie funny for me was the problems Benson had pretending to be a gay man and the development of their "relationship" And really it has some nice gags.
Lo sapevi?
- QuizThe movie was allegedly intended as a parody of Al Pacino's undercover cop movie Cruising (1980). The 'DVD Verdict' website states that this movie is "basically William Friedkin's Cruising (1980) turned in to a sitcom."
- BlooperDuring quick close-up of newspaper when female photographer reads story headlined MALE MODEL SLAIN, the article has nothing to do with murder and is just a jumble of meaningless sentences.
- Citazioni
Benson: Let me ask you something Sir. Why did you choose me for this job?
Chief Wilkins: Because you're a good cop, Benson, a real good cop. And because of your cute ass.
- ConnessioniFeatured in Sneak Previews: Changing Attitude Toward Homosexuality in Movies (1982)
- Colonne sonoreGet It Up For Love
Written by Ned Doheny (as N. Doheny)
Performed by Tata Vega
Courtesy of Motown Record Corporation
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Dettagli
Botteghino
- Budget
- 6.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 6.062.898 USD
- Fine settimana di apertura Stati Uniti e Canada
- 2.318.801 USD
- 2 mag 1982
- Lordo in tutto il mondo
- 6.062.898 USD
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