VALUTAZIONE IMDb
4,9/10
3200
LA TUA VALUTAZIONE
Nel periodo vittoriano, due adolescenti, David e Sarah, viaggiano con una roulotte da Baghdad a Damasco.Nel periodo vittoriano, due adolescenti, David e Sarah, viaggiano con una roulotte da Baghdad a Damasco.Nel periodo vittoriano, due adolescenti, David e Sarah, viaggiano con una roulotte da Baghdad a Damasco.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 candidatura in totale
Recensioni in evidenza
At the end of the19. Century, two youngsters - an attractive heiress and a good-looking son of a missionary couple - are the only survivors of a massacre in Baghdad by a bloodthirsty sheik, who wants the girl for himself. Then they cross the desert to reach Damascus, but the sheik is after them.
Has-been, limply acted, dramatically empty and totally unconvincing period piece derived from "Blue Lagoon"; a curiously halting succession of Asian adventure and adolescent sex in breathtaking locations. Only for lovers of antique teenage romance and beautifully photographed pictures of tropical nature.
Has-been, limply acted, dramatically empty and totally unconvincing period piece derived from "Blue Lagoon"; a curiously halting succession of Asian adventure and adolescent sex in breathtaking locations. Only for lovers of antique teenage romance and beautifully photographed pictures of tropical nature.
Phoebe Cates made her screen debut with TV teen heartthrob Willie Aames in Paradise, a landlocked Blue Lagoon with unfriendly Arabs lurking on the borders of Paradise. It's definitely got some nice nude shots of both young performers to gratify the prurient.
The two young people are in Bagdad of 1823 then part of the Ottoman Empire and governed rather loosely from Istanbul. Cates is with her guardian who is your proper British official and Aames is the son of a bible thumping reverend and his wife. All of these people haven't a clue about where they're at, just an exaggerated sense of western superiority.
But the beautiful and nubile Cates has caught the attention of a sheik who's in the slave trade. He could get some good bucks for her or keep her as private stock. He and his people ambush the caravan, but the kids escape and come to a hidden oasis where they set up and play house.
The similarities to the Blue Lagoon are rather obvious even in the looks of the protagonists. But whereas those kids had been shipwrecked on their island since they were still in single digits in The Blue Lagoon, in Paradise these two young people already know the facts of life, it's just that they have that Protestant Christian upbringing.
The film was shot in Israel and the scenery is magnificent with and without Aames and Cates. Given that Aames is now a born again Christian he probably wants those male nude shots off the market, so hang on to your DVDs and VHSs.
The two young people are in Bagdad of 1823 then part of the Ottoman Empire and governed rather loosely from Istanbul. Cates is with her guardian who is your proper British official and Aames is the son of a bible thumping reverend and his wife. All of these people haven't a clue about where they're at, just an exaggerated sense of western superiority.
But the beautiful and nubile Cates has caught the attention of a sheik who's in the slave trade. He could get some good bucks for her or keep her as private stock. He and his people ambush the caravan, but the kids escape and come to a hidden oasis where they set up and play house.
The similarities to the Blue Lagoon are rather obvious even in the looks of the protagonists. But whereas those kids had been shipwrecked on their island since they were still in single digits in The Blue Lagoon, in Paradise these two young people already know the facts of life, it's just that they have that Protestant Christian upbringing.
The film was shot in Israel and the scenery is magnificent with and without Aames and Cates. Given that Aames is now a born again Christian he probably wants those male nude shots off the market, so hang on to your DVDs and VHSs.
Like most of the others, I found a lot of this movie rather trite. I don't blame Aames or Cates for this; I thought they were good actors who did their best with terrible material. The plot is something straight out of a trashy romance novel, which could have worked with better writing but the script is a mess. However, lost in this mediocre feature film is a great 30 minute soft-core porn. The sex scenes are highly erotic, and the nude scenes are done with much better camera work and production than you would typically have in a skin flick. I'm particularly fond of the cave shower scene, where Phoebe Cates positively scorches the camera with her hotness.
After reading the comments here, I hesitated on this one but glad I went ahead and saw it. Yes, the story has problems, far-fetched and cheesy, but the cinematography, costuming, and settings were fantastic. I don't consider myself too generous giving the film a 7 despite certain shortcomings. The locations - desert, oases, Arabic architecture were well chosen, costuming very stylish, camels, ocean, underwater photography were well done. The actors/actresses did a decent job despite the script. And since when was any paradise on this planet anything but far-fetched? Blue Lagoon does not own youthful awakening. Dream a little and enjoy the visuals.
I saw this film in 1982 when I was 14 years old (purpose: to see the much publicized full frontal nudity of the aptly named co-star Willie Aames.) The short scene (pun intended) did not impress me, nor did Aames' acting. However, Phoebe was such a strong confident actress she became my favorite actress. She followed with a terrific list of credits, most notably Fast Times at Ridgemont High, Private School (so-so movie but she was great in it), Lace I and II (excellent TV pictures), Gremlins I and II, Date With An Angel, Bright Lights Big City, Heart of Dixie, Shag, Drop Dead Fred, and Bodies Rest and Motion. Paradise is a Blue Lagoon rip-off but there are not too many films in that specific genre (Blue Lagoon 2, Castaway, Paradise 2) so I am glad they made the film. Besides, despite it's lack of originality, it is a good film. I think women young and old will enjoy the film (14 years and up due to tasteful appropriate nude scenes) because of it's romantic fantasy and strong female role, and I think guys will as long as they like a beautiful woman cavorting nude on a lost isle.
Lo sapevi?
- QuizStar Phoebe Cates has said of this film: "I was only 17 when I did my nude scenes in 'Paradise'. They were serious and more difficult because they were not easily justified. But the topless scene in Fuori di testa (1982) was funny, which made it easy".
- BlooperDespite playing a British character, Phoebe Cates has no trace of British accent.
- Citazioni
Sarah: [Sarah is looking through a medical textbook and comes across an illustration of a nude adult male, noticing his penis]
[giggles]
Sarah: You look funny!
David: So do you.
David: [He notices what Sarah is looking at] We shouldn't be looking at this.
Sarah: Why not?
David: It could be sin.
Sarah: [Regarding the male penis] But they're beautiful! How can looking at something so beautiful be a sin?
- Versioni alternativeThe Japanese DVD blurs over the scene of Willie Aames' full frontal nudity.
- ConnessioniFeatured in 'Paradise' on Fox Commercial (1989)
- Colonne sonoreParadise Theme
Sung by Phoebe Cates
Written and Produced by Joel Diamond and L. Russell Brown
Available on Columbia Records
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Paraíso
- Luoghi delle riprese
- Tel Aviv, Israele(environs, turkish mosque)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 3.500.000 CA$ (previsto)
- Lordo Stati Uniti e Canada
- 5.588.800 USD
- Fine settimana di apertura Stati Uniti e Canada
- 2.815.503 USD
- 9 mag 1982
- Lordo in tutto il mondo
- 5.588.800 USD
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