Monsignore

The tag-line for this film begins "Forgive me, Father, for I have sinned".

And that's not so much being said by the protagonist of "Monsignor" but by the director, actors, writers, best boys, gaffers, caterers and the guys who swept the floor afterwards on this disaster.

As the "Monsignor" of the title, Christopher Reeve plays a man who moves his way up through the Catholic church through dubious means - murder, theft, the Black Market during WWII... you know, the usual stuff. And there's even enough time for him to seduce a nun (Bujold)!

I know next to nothing about Catholicism, so I cannot say what if any of this kind of activity holds any validity. But what does this mean: that those involved in the Vatican's business affairs are only bookkeepers who work under the guise of religion for otherwise nefarious means? I'd hope not, but this movie seems to think otherwise.

Reeve is a good actor, always will be. What he saw in this kind of film is beyond me. Maybe he thought (like Faye Dunaway did in "Mommie Dearest") that something so broad and unimaginably coarse could only be played as a comedy, so why not just go with the flow?

And if he thought that, he was right! "Monsignor" has scenes that play as out-and-out comedy; never have you seen so many (unintentional?) sight gags in your life, and the stony faces that permeate this film might make you believe that Buster Keaton must have been a busy man at one time or another.

So, "Monsignor" is a bad film, but it's also good for one of those nights when you have a few friends over, a few beers, lots of popcorn and nothing better to do than have a few laughs at someone else's expense.

Those involved in organized religion, say.

Two stars. Eight if you're an agnostic.

Now, I didn't rent this thinking it would be a good movie. I had heard this was an uproarious unintentional comedy, so that's what I was expecting. There are a few laughs to be found, but I found this movie to be a mostly dull and murky drama. Reeve is totally miscast and out of his league here, even if the screenplay was better.

It's inconceivable that a director like Frank Perry could have been associated with "Monsignor". Mr. Perry was a man responsible for some good movies in the sixties and seventies. Who knows what might have attracted him to direct this high camp picture that should be better forgotten.

The plot of the movie is preposterous, at best. The point the movie is trying to make is how the Catholic Church makes a perfect partner with the Mafia, something that could only make sense to the author of the novel. The second theme deals with the way Flaherty falls in love with the novice Clara, and how he keeps from her the secret of his identity, which is obvious, as the pair move in the same circles, so it would be inevitable for the young woman to find out who her lover really is.

"Monsignor" wastes two hours in trying to make sense without success. The cast does what it can trying to give life to these one dimensional characters they were asked to bring to life for the movie. Not even the musical score by John Williams does anything to help the movie.

Future viewers are warned as to what to expect.

This movie is a smart, absorbing and different take on the Vatican, exposing the high stakes politicking and personal vanities that impact the actions of the Church. There are no saints in this movie, only real people played with empathy and unusual perspective. A very young Christopher Reeves takes on a challenging role and pulls off the complexity and credibility the movie calls for. The supporting cast is excellent, a joy to watch. The movie keeps you guessing and praying. This is not a movie for dullards, if you appreciate an intelligent and compelling movie, try this one. It will surprise you, pleasantly. It tackles a subject matter that is very timely now with the various Church conspiracy books fad, such as "The Da Vinci Code." I am trying to find more information on the subject of the movie, presumably Archbishop Paul Marcinkus.

Someone on a game show once named this as his favorite bad movie, citing that hilarious scene in the church when Genevieve Bujold, playing a tramp postulant, realizes that her boyfriend is a priest.

There's nothing good to be said about this film except that it has glorious scenery. It's sad today to see Christopher Reeve healthy and walking - and wasting what little time he was going to have in rotgut like this. As someone raised in the Catholic church, I loved hearing the Latin again. Also with the recent scandals in the church that have come to light, I don't really put much past the Catholic church or the high mucky-mucks. But this movie is really ridiculous.

The performances were okay, given what these poor people had to deal with. The Genevieve Bujold character is a riot; the role is a career-killer. I mean, bare breasts exposed, the woman is asking the Reeve character, "Do you think I'll make a good nun?" The Christopher Reeve character - that of a mafioso priest - is preposterous. I used to love Jason Miller. Not in this. I'm old enough to remember the old pope - were they kidding with that characterization of him?

Alas, today, you really wouldn't watch this with friends for a few laughs (as one of the older posts suggests) because it's just too awful to see young, handsome Christopher Reeve. So probably the best thing some higher-up can do is take this baby out of circulation. If I'm going to watch Christopher Reeve, I'll watch him fly and remember him when he was just starting out, vital, handsome, with it all in front of him.