VALUTAZIONE IMDb
7,3/10
7030
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaPiel, a 7 or 8 year old boy, is alone on the desert planet Perdide, only survivor of an attack by giant hornets. Calling for help, Piel's father's friend Jaffar keeps contact with the kid an... Leggi tuttoPiel, a 7 or 8 year old boy, is alone on the desert planet Perdide, only survivor of an attack by giant hornets. Calling for help, Piel's father's friend Jaffar keeps contact with the kid and hurries across space toward Perdide.Piel, a 7 or 8 year old boy, is alone on the desert planet Perdide, only survivor of an attack by giant hornets. Calling for help, Piel's father's friend Jaffar keeps contact with the kid and hurries across space toward Perdide.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 1 candidatura in totale
Jean Valmont
- Jaffar
- (voce)
Michel Elias
- Silbad
- (voce)
Frédéric Legros
- Piel
- (voce)
Yves-Marie Maurin
- Matton
- (voce)
- (as Yves-Marie)
Monique Thierry
- Belle
- (voce)
Sady Rebbot
- Claude
- (voce)
Patrick Baujin
- Jad
- (voce)
Pierre Tourneur
- Yula
- (voce)
Alain Cuny
- Xul
- (voce)
Yves Brainville
- Général
- (voce)
Michel Barbey
- Igor
- (voce)
Jim Bauman
- Lowry
- (voce)
Michel Paulin
- Pixa
- (voce)
François Chaumette
- Robot
- (voce)
Henry Djanik
- Un soldat
- (voce)
Nick Storey
- L'anglais
- (voce)
Gabriel Cattand
- Pirate
- (voce)
Georges Atlas
- Iroquois
- (voce)
Recensioni in evidenza
I accidentally found this film, on YouTube to top it all, and was amazed how nice it was. The animation is in the French style of animation from the early 80's, so not fantastic, but the imagination and weirdness of it all more than compensate.
I think what I loved most about the film was the European feel of the plot. Characters are weird, each with their own quirks, not just bad or good, while the events are really imaginative. The planets, the creatures, the kind of interactions, all wonderful.
Bottom line: a gem that I had no idea existed, it will probably make me watch other Laloux movies, even if originally I just wanted to see the drawings of Moebius. At just 80 minutes, it would be a shame to not have seen it once.
I think what I loved most about the film was the European feel of the plot. Characters are weird, each with their own quirks, not just bad or good, while the events are really imaginative. The planets, the creatures, the kind of interactions, all wonderful.
Bottom line: a gem that I had no idea existed, it will probably make me watch other Laloux movies, even if originally I just wanted to see the drawings of Moebius. At just 80 minutes, it would be a shame to not have seen it once.
I can't speak to a novel I haven't read, but what quickly comes across in watching this film is that at least compared to other contemporary titles, and filmmaker René Laloux's other works, it's rather distinctly primed for a younger audience. By no means is this to say that it's inherently any less worthy, but in centering a preteen child as a major character, and including two non-human creatures who speak and behave with a childlike mentality, there's little mistaking the more family-friendly slant. More substantively, enjoyable and engrossing as the story is, it arguably feels a bit more simplified as one sometimes anticipates of features tailored to a younger audience - or at least, it seems that way as it's better about communicating big ideas in the narrative rather than all details that should theoretically round out that narrative and enrich it. To that end, the result feels marginally incomplete, as though we're seeing a jigsaw puzzle that's been assembled but with a scattered few pieces missing. Even so 'Les maîtres du temps' is much more enjoyable than not, and pretty good if one happens to come across it.
There's no rule that says every picture has to be a perfect, grabbing masterpiece; sometimes it's enough for one to suitably serve its purpose. I think that's rather the case here as I'm glad I took the time to watch, but I just don't feel like I'd ever been inclined to watch again. If a tad deficient the plot is nevertheless modestly compelling, with great ideas providing firm foundation like cairns on a snow-covered hiking trail. Meanwhile, though active animation elements (characters and creatures) may not be as richly detailed as we've seen elsewhere (including even in Laloux's later film 'Gandahar'), the designs thereof are nonetheless splendid. Above all, the painted backgrounds that fill our vision at any given time are a real joy, and surely the chief highlight of the movie overall. Structures and landscapes are a veritable dreamscape of far-out visuals that boast a level of texture and careful complexity that's otherwise not always present in the title, and no small amount of the value here stems just from the illustrators' work. Kudos all around!
I did have a good time watching, and whether one is specifically a fan of someone involved, the genre, animation at large, or just looking for something to fill eighty minutes, I think 'Les maîtres du temps' earns a fair recommendation. It's not necessarily something one needs to go out of their way to see, but despite its weaker points I think the feature is fine just as it is. If you have the opportunity to watch, this is worth checking out.
There's no rule that says every picture has to be a perfect, grabbing masterpiece; sometimes it's enough for one to suitably serve its purpose. I think that's rather the case here as I'm glad I took the time to watch, but I just don't feel like I'd ever been inclined to watch again. If a tad deficient the plot is nevertheless modestly compelling, with great ideas providing firm foundation like cairns on a snow-covered hiking trail. Meanwhile, though active animation elements (characters and creatures) may not be as richly detailed as we've seen elsewhere (including even in Laloux's later film 'Gandahar'), the designs thereof are nonetheless splendid. Above all, the painted backgrounds that fill our vision at any given time are a real joy, and surely the chief highlight of the movie overall. Structures and landscapes are a veritable dreamscape of far-out visuals that boast a level of texture and careful complexity that's otherwise not always present in the title, and no small amount of the value here stems just from the illustrators' work. Kudos all around!
I did have a good time watching, and whether one is specifically a fan of someone involved, the genre, animation at large, or just looking for something to fill eighty minutes, I think 'Les maîtres du temps' earns a fair recommendation. It's not necessarily something one needs to go out of their way to see, but despite its weaker points I think the feature is fine just as it is. If you have the opportunity to watch, this is worth checking out.
"Les maîtres du temps" is as good as french animation movies are rare. Designed by Moebius (Fifth Element...), inspired from a novel of Stephan Wul (french science fiction writer) "L'orphelin de Perdide", it remains one of the most powerful animation movie I have ever seen.
Evidently, It is pretty old and the animation cannot be compared to today's movies, but the rest is very impressive. Characters are mature and have interesting personnalities, the design of ETs and plants is original and the scenario is full of surprises. This movie is different from all others and it is a real victory to be better than the book it has been taken of.
Evidently, It is pretty old and the animation cannot be compared to today's movies, but the rest is very impressive. Characters are mature and have interesting personnalities, the design of ETs and plants is original and the scenario is full of surprises. This movie is different from all others and it is a real victory to be better than the book it has been taken of.
Animation is the perfect medium for sci-fi. Unfortunately, few animated sci-fi films have lived up to their potential. French animation master René Laloux is definitely one who let his imagination run amok in his medium. He is best known for his 1973 film Fantastic Planet. He must have had a difficult time getting funded for other projects, because he only ever made two more features. He died just a year ago. Time Masters is his second feature (he made another in 1988, called Light Years). The animation is very primitive, and not in the inventive primitiveness of Fantastic Planet. But, what it lacks in animation, it more than makes up for with its imagination. It's simply wonderful to behold. I especially love those two little telepathic creatures, referred to as "gnomes". The story is good, if not great. The ending is quite clever. I was wishing that it had gone on for at least a half an hour longer, but I won't complain, given the limited amount of material Laloux was able to produce in his lifetime.
As much as I did love Fantastic Planet, I think Time Masters is the better film. It is a spectacular sci-fi film and as an animated film too. While the incidental music is great and fits with each scene very well, the songs for me are nothing special and one or two don't do much to enhance the story.
That said, the story is wonderfully creative, imaginative and clever with a promising intense atmosphere and a convincing twist, and the characters are all likable with great personalities. The dialogue is simple without being too simplistic and mature without being too convoluted. The best asset about Time Masters asides from the story is the animation. The character designs are good enough, but considering when it was made the backgrounds and colours are quite stunning.
Overall, a spectacular film. 9/10 Bethany Cox
That said, the story is wonderfully creative, imaginative and clever with a promising intense atmosphere and a convincing twist, and the characters are all likable with great personalities. The dialogue is simple without being too simplistic and mature without being too convoluted. The best asset about Time Masters asides from the story is the animation. The character designs are good enough, but considering when it was made the backgrounds and colours are quite stunning.
Overall, a spectacular film. 9/10 Bethany Cox
Lo sapevi?
- QuizThe sounds of the giant insects were created via recording onions frying in a pan.
- Citazioni
Angel: The creature denies happiness!
- ConnessioniFeatured in Troldspejlet: Episodio #14.3 (1996)
- Colonne sonoreLe Chanteur Galactique
Music by Jean-Pierre Bourtayre
Lyrics by Jacques Lanzmann
Performed by Michel Elias
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 43.686 USD
- Fine settimana di apertura Stati Uniti e Canada
- 4368 USD
- 28 lug 2024
- Lordo in tutto il mondo
- 67.303 USD
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