L'uomo del fiume nevoso

This movie is both perfect and imperfect. Perfect because it has amazing horse riding scenes, beautiful cinematography and music, wonderful acting from Jack Thompson who captures the quintessential Clancy of the Overflow of Australian legend, and a great performance from Tom Burlinson, and showcases the skills of the 'real deal' cattlemen of the high country who acted as extras in the horse chase scenes, and finally because it can bring a tear to the eye the way Banjo Paterson's poem has for 120 years. This film was clearly a work of love and that is wonderfully conveyed.

However it's also imperfect because Kirk Douglas simply doesn't work in this context, and his two roles seem at times ridiculous. The storyline also meanders around at times, mostly in relation to one of Douglas's two characters, and it just seems a pity that an otherwise wonderful film has these flaws.

This is a movie to stir the heart, and well worth watching, and the horse chase scenes in the movie are now as much a part of Australia's culture as the original poem.

Clint Eastwood and Unforgiven be damned. This is by far the best western of the modern era. Its an Aussie tale, but that does not disqualify it in my books. Lonesome Dove has its group as does Unforgiven. But George Miller's The Man from Snowy River is downright majestic.

There are no stagecoaches, revenge killings, poker games or joking jail hands. There isn't even a climactic standoff in a dusty old town. But there is the hand of a maiden to win and inner demons to slay. The climax isn't a shoot out with a band of criminals, but with a stallion and a lonely ride down a rocky mountain.

Director George Miller draws clear characters and honest human situations. He understands what a camera can do. Scenes of great power play out not in a tired miasma of gunfire or hokey soliloquies, but in the striations of muscle from a horse powering through rock in slow motion. George Miler is a poet. And the Man from Snowy River is a story that will stand the test of time. See it.

The Man from Snowy River may not be the best acting, the best directing or the most exciting movie around, but it is one of the most magical. I loved it when I first saw it as a child and it is still one of my favourite movies at 31 years of age. I think the thing which makes it so special is that it doesn't have violence, nudity or profanity that so many movies have now in order to make them exciting. It is simply a nice old fashioned family movie that has a timelessness about it, like any of the classics. They simply don't make them like this anymore - unfortunately.

We often think of the Western as being a characteristically American film genre, although there have been occasional attempts to adapt its conventions to stories set in other parts of the world. "North-West Frontier", for example, is a British film set in British-ruled India, but the plot is essentially that of "Stagecoach". "Untamed" transfers the standard waggon-train plot from the American prairies to the South African veldt, and "The Sundowners", about Australian pioneer life, has similarities to many films set in the Old West. These two latter films, despite their ostensible setting, had an American leading man, Tyrone Power in "Untamed" and Robert Mitchum in "The Sundowners".

"The Man from Snowy River" is another Australian film with a plot which could be that of a Western. (One could call it a "Southern"). It also features a major American star, in this case Kirk Douglas, in a leading role. Or perhaps I should say that it features Kirk Douglas in two leading roles, the brothers Harrison, a wealthy cattle farmer, and Spur, a prospector. The action takes place in Victoria during the 1880s. Apart from the two brothers, the main character is Jim Craig, the "Man from Snowy River" himself. Jim is a young man orphaned by the death of his father in an accident, who goes to work on Harrison's station. The three main strands of the plot concern the relationship between the two brothers, who have been estranged for many years, the growing romance between Jim and Harrison's daughter Jessica, and the efforts to recapture a valuable stallion belonging to Harrison, which has escaped and is running with a herd of wild horses.

There are a number of differences in terminology; the wild horses are referred to as "brumbies" rather than "mustangs", Harrison's landholding is described as a "station" rather than a "ranch" and the reward for the recapture of the stallion is expressed in pounds rather than dollars. With those and a few other exceptions, however, the above synopsis could easily be that of a typical Western. And yet in some ways this is a very Australian film. The title and the story of the hunt for the escaped stallion derive from a narrative poem by the "bush poet" Banjo Paterson, although the other two strands of the plot are the inventions of the scriptwriters. Paterson himself appears as a character, as does Clancy of the Overflow, the hero of another of his poems. Paterson is something of a national icon in Australia, largely because his poetry helped to create the legend of the "Australian bushman", the tough, individualistic inhabitant of the Outback who plays a role in the Australian national imagination similar to that played by the cowboy in the American one. Clancy himself- a real individual, not a fictitious character- has come to be seen as the archetypal bushman.

"The Man from Snowy River" was made in 1982 during a decade when very few traditional Westerns were being made in America itself. (Perhaps the attraction of the film for Douglas was that it gave him a chance to star in one last "Western"). This was, however, a period when the Australian "New Wave" was starting to give that country its own cinematic identity with films about Australian history like "Picnic at Hanging Rock" and "Breaker Morant". This film, therefore, can be seen, not as an attempt to imitate Hollywood, but rather as an attempt to celebrate Australia's own history and culture in the way that the Western celebrated American history and culture. That other great celebration of the bushman, "Crocodile Dundee", a comedy with a contemporary setting, was to come shortly afterwards.

There are no really great acting performances, although Douglas copes well with the challenge of playing two very different characters, the autocratic, patrician Harrison and the more free-spirited Spur, even if his accent does not always hold up. The film is shot against some attractive mountain scenery, and the action sequences, especially the hunt for the missing stallion, are well done. This is a film which will appeal to anyone with an interest in Australia's past, as well to all horse-lovers. 7/10

The Man from Snowy River is a family favorite. The cinematography of this film was breath-taking. The love story was convincing and the acting was superb. Kirk Douglas plays both the father and the brother and although the plot is somewhat contrived, it is set up extremely well. All of the elements work to make a good movie and one that I watch over and over. The scenes of the Australian mountains and the horses along with the musical score make this a very picturesque, romantic, and warm film. A romance and an action-adventure movie rolled into one which can charm a woman and still be a manly film. The 2nd movie Return to Snowy River was a worthy sequel and Tom Burlinson as Jim Craig does an excellent job in both films. If you are a horse lover, I would definitely recommend this film.