VALUTAZIONE IMDb
6,1/10
2457
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaIn 1970s Arizona, a young married man becomes an independent long-haul driver and he risks his life fighting the corruption in the local long-haul trucking industry.In 1970s Arizona, a young married man becomes an independent long-haul driver and he risks his life fighting the corruption in the local long-haul trucking industry.In 1970s Arizona, a young married man becomes an independent long-haul driver and he risks his life fighting the corruption in the local long-haul trucking industry.
- Regia
- Sceneggiatura
- Star
David Garfield
- Witness Miller
- (as John David Garfield)
Marvin 'Swede' Johnson
- Hy
- (as Swede Johnson)
Recensioni in evidenza
This came out with the CB fad and is really a vintage film now. Is it a classic? Well, the truck driving scenes are classic. The other stuff like the plot and ending are apparently fabricated just so we could have a place for the great action. Where else can you see someone climb from the cab of a moving truck onto the van trailer's roof? Where else can you see a semi hit a bobtail truck tractor in the tandems and spin it off the road? Where else can you see a diesel truck burn? Where else can you see a truck tractor jump through the air? Jan-Michael Vincent shows us he can actually back a semi to a loading dock, too. White Line Fever gets the point across that truck driving is a great way of life. Then why was it so hard for him to make a living at it? Couldn't he just sign up with Mayflower Van Lines or something?
So I said "It better not end like this" and it did, a very disappointing end but towards the finish of the movie you could see the directors panic as he struggled to find an ending so I was aware that a 'bail out' was on the cards. To be fair even I half way through the movie I thought how on Earth are they going to end this.
A unique trucker movie inasmuch as Trucker movies are usually a lot lighter this has some very dark and heavy moments which in turn keeps the viewer unsettled which is only a good thing in an action drama.
But the Director needs to look up the word 'Revenge' in a dictionary or at least ask Charles Bronson (Once upon a time in the west) how it's done.
The entire cast put in a good performance and the script and pacey direction keep things moving. JMV was great.
Plus some nice old seventies American Trucks.
A unique trucker movie inasmuch as Trucker movies are usually a lot lighter this has some very dark and heavy moments which in turn keeps the viewer unsettled which is only a good thing in an action drama.
But the Director needs to look up the word 'Revenge' in a dictionary or at least ask Charles Bronson (Once upon a time in the west) how it's done.
The entire cast put in a good performance and the script and pacey direction keep things moving. JMV was great.
Plus some nice old seventies American Trucks.
This movie gave a slightly glamorized (and dirty) view into the world of the American trucking industry circa 1973-75. Without crossing over into making a film only truckers and their kin would enjoy, they kept the story and the action fast-paced yet clear as to what is happening unseen. It's not a "CB Fad" movie. A very "Americana" type film which gives a terrific look at the middle American fighting for himself and his ideals. Even though it is a semi-cheesy "B" movie by any standard, the characters are easily related to and the storyline is easy to get involved with, and the action is fun without getting too excessive (gee- a trucker who isn't a gravity defying martial artist!).
Jan-Michael Vincent is at perhaps his best, with Kay Lenz as the perfect naggy whiny trucker's old lady- just cute enough to want to come home to. The musical score is cliché' by today's standards, but dead-on for that time. Some of the old country tunes actually sound pretty good even today (though the twang twang stuff, and the musically reproduced truck horns grew old after while).
Jan-Michael Vincent is at perhaps his best, with Kay Lenz as the perfect naggy whiny trucker's old lady- just cute enough to want to come home to. The musical score is cliché' by today's standards, but dead-on for that time. Some of the old country tunes actually sound pretty good even today (though the twang twang stuff, and the musically reproduced truck horns grew old after while).
Carrol Jo Hummer (Jan-Michael Vincent) returns home from the Air Force to marry Jerri (Kay Lenz). He borrows money to buy an used truck to be an independent trucker. He seeks work from his late father's partner Duane Haller (Slim Pickens) but he finds the business corrupt. Carrol Jo is unwilling to haul contrabands and gets beaten up by thugs. He is blackballed and decides to fight back.
It's a little ridiculous that he gets a load from Buck. It would be easy for them to call the corrupt cop and plant something on him. This gets geared up quickly. The danger starts high and has trouble going higher. They can't start with violence, corrupt cop, and a powerful cabal, then scheme a setup. The setup could have been great but they let him off too easily. Carrol Jo is not particularly smart. Once the killings start, it's time to go Rambo. There is a potential for this to be Rambo but the movie can't let him kill. It's a little infuriating. This should be about a lone driver being driven to take revenge on his tormentors. Instead, this insists on a man of the people movie. There is an obvious edit decision. When he's the lone Rambo at the end, Pops is riding shotgun in one of the action scenes. That's obviously from the earlier ride. His final rampage is not nearly enough and again he's not allowed to kill. This story is begging for revenge but it insists on justice.
It's a little ridiculous that he gets a load from Buck. It would be easy for them to call the corrupt cop and plant something on him. This gets geared up quickly. The danger starts high and has trouble going higher. They can't start with violence, corrupt cop, and a powerful cabal, then scheme a setup. The setup could have been great but they let him off too easily. Carrol Jo is not particularly smart. Once the killings start, it's time to go Rambo. There is a potential for this to be Rambo but the movie can't let him kill. It's a little infuriating. This should be about a lone driver being driven to take revenge on his tormentors. Instead, this insists on a man of the people movie. There is an obvious edit decision. When he's the lone Rambo at the end, Pops is riding shotgun in one of the action scenes. That's obviously from the earlier ride. His final rampage is not nearly enough and again he's not allowed to kill. This story is begging for revenge but it insists on justice.
The director Jonathan Kaplan also signs this hideous screenplay aimed for suckers and less enlightened concerning the harder life of truck drivers, I coming from a long generation of these tough road workers, I know how it works, this picture tries by all means establish a clash between the powerful ones against the poorest truck drivers, what world they living anyway? There are not any matter between them that the movie tried hard implied, as not mentioned regarding the low pricing of shipment should be the main matter, whereof never was allowed to argue on the far-fetched plot.
I saw the glorious and classic Blue Mule in great shape, another fabulous trucks appears on the picture, what brute ones, a breathtaking and might Arizona landscape portraits on movie including rarely seen a snowy monument valley, worthwhile see for it plenty, however the plot looks like a three dollar bill as cited in my title review, what a wasting of gift actors as the Slim Pickens well portraits as true Arizona's boss, the womanizer L. Q. Jones, the skinny Kay Lens, the amusing joke teller Sam Laws and the forthcoming star Jan Michael Vincent, a bit naïve guy who bursts the GH's sign on glass tower headquarter, aside Convoy that is really is emblematic trucks movie, White Line Fever is among the best as action picture only, forget the contrived and phony storyline.
Thanks for reading.
Resume:
First watch: 1984 / How many: 3 / Source: TV-Youtube / Rating: 6.
I saw the glorious and classic Blue Mule in great shape, another fabulous trucks appears on the picture, what brute ones, a breathtaking and might Arizona landscape portraits on movie including rarely seen a snowy monument valley, worthwhile see for it plenty, however the plot looks like a three dollar bill as cited in my title review, what a wasting of gift actors as the Slim Pickens well portraits as true Arizona's boss, the womanizer L. Q. Jones, the skinny Kay Lens, the amusing joke teller Sam Laws and the forthcoming star Jan Michael Vincent, a bit naïve guy who bursts the GH's sign on glass tower headquarter, aside Convoy that is really is emblematic trucks movie, White Line Fever is among the best as action picture only, forget the contrived and phony storyline.
Thanks for reading.
Resume:
First watch: 1984 / How many: 3 / Source: TV-Youtube / Rating: 6.
Lo sapevi?
- QuizIn a telephone conversation, one character says, "Go get Joe Dante". Director Joe Dante is an old friend of the film's director, Jonathan Kaplan, and, like Kaplan, is one of the legion of directors given his start by producer Roger Corman.
- BlooperThe scene where Carrol Jo is charging toward the Glass House they used 2 different Ford W 9000 tractors. Throughout the movie Carrol Jo's truck had polished 10 hole aluminum wheels and in this scene, the truck had 5 hole steel wheels
- Citazioni
Duane Haller: [answering the knock on his closed office door] This ain't the ladies room. Come on in.
- ConnessioniFeatured in Reflections of Evil (2002)
- Colonne sonoreDrifting and Dreaming of You
Written by David Nichtern (uncredited)
Sung by Valerie Carter
[Played during opening title and credits]
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- Infierno sobre ruedas
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 1.400.000 CA$ (previsto)
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