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IMDbPro

I tre giorni del Condor

Titolo originale: Three Days of the Condor
  • 1975
  • T
  • 1h 57min
VALUTAZIONE IMDb
7,4/10
66.728
LA TUA VALUTAZIONE
POPOLARITÀ
4447
502
Robert Redford and Faye Dunaway in I tre giorni del Condor (1975)
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SpiaThriller politicoCrimineMisteroThriller

Un ricercatore della CIA amante dei libri trova tutti i suoi colleghi di lavoro morti e deve vincere in astuzia i responsabili fin quando non avrà scoperto di chi potersi fidare realmente.Un ricercatore della CIA amante dei libri trova tutti i suoi colleghi di lavoro morti e deve vincere in astuzia i responsabili fin quando non avrà scoperto di chi potersi fidare realmente.Un ricercatore della CIA amante dei libri trova tutti i suoi colleghi di lavoro morti e deve vincere in astuzia i responsabili fin quando non avrà scoperto di chi potersi fidare realmente.

  • Regia
    • Sydney Pollack
  • Sceneggiatura
    • James Grady
    • Lorenzo Semple Jr.
    • David Rayfiel
  • Star
    • Robert Redford
    • Faye Dunaway
    • Cliff Robertson
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,4/10
    66.728
    LA TUA VALUTAZIONE
    POPOLARITÀ
    4447
    502
    • Regia
      • Sydney Pollack
    • Sceneggiatura
      • James Grady
      • Lorenzo Semple Jr.
      • David Rayfiel
    • Star
      • Robert Redford
      • Faye Dunaway
      • Cliff Robertson
    • 265Recensioni degli utenti
    • 139Recensioni della critica
    • 63Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Candidato a 1 Oscar
      • 6 vittorie e 4 candidature totali

    Video2

    Official Trailer
    Trailer 3:00
    Official Trailer
    Robert Redford: The Con With Conviction & the End of a Legendary Screen Persona
    Clip 5:10
    Robert Redford: The Con With Conviction & the End of a Legendary Screen Persona
    Robert Redford: The Con With Conviction & the End of a Legendary Screen Persona
    Clip 5:10
    Robert Redford: The Con With Conviction & the End of a Legendary Screen Persona

    Foto161

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    + 155
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    Interpreti principali54

    Modifica
    Robert Redford
    Robert Redford
    • Turner
    Faye Dunaway
    Faye Dunaway
    • Kathy
    Cliff Robertson
    Cliff Robertson
    • Higgins
    Max von Sydow
    Max von Sydow
    • Joubert
    • (as Max Von Sydow)
    John Houseman
    John Houseman
    • Mr. Wabash
    Addison Powell
    Addison Powell
    • Atwood
    Walter McGinn
    Walter McGinn
    • Barber
    Tina Chen
    Tina Chen
    • Janice
    Michael Kane
    Michael Kane
    • Wicks
    Don McHenry
    • Dr. Lappe
    Michael Miller
    • Fowler
    Jess Osuna
    Jess Osuna
    • The Major
    Dino Narizzano
    • Harold
    Helen Stenborg
    Helen Stenborg
    • Mrs. Russell
    • (as Helen Stenbure)
    Patrick Gorman
    Patrick Gorman
    • Martin
    Hansford Rowe
    Hansford Rowe
    • Jennings
    • (as Hansford H. Rowe Jr., Hansford Rolle)
    Carlin Glynn
    Carlin Glynn
    • Mae Barber
    • (as Carlin Gylnn)
    Hank Garrett
    Hank Garrett
    • Mailman
    • Regia
      • Sydney Pollack
    • Sceneggiatura
      • James Grady
      • Lorenzo Semple Jr.
      • David Rayfiel
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti265

    7,466.7K
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    Recensioni in evidenza

    8allanmichael30

    Great story of espionage and corruption

    The movie is well executed and has a great cast apart from the dodgy kissing scene which was very funny. The plot has enough to keep you entertained throughout. Max von sydow excels as does Robert Redford. The twin towers being in this movie was unmissable and always makes me think of what a iconic symbol they were.
    7philip_vanderveken

    A classic spy thriller that still does the trick after so many years

    Sidney Pollack is a great admirer of Alfred Hitchcock, which he also proved with "The Interpreter". Apparently he loves suspenseful thrillers and I sure hope for him that his movies will age as well as those that Hitchcock made. And I guess they do. Even though it was made thirty years ago, "Three Days of the Condor" still hasn't lost any of its power. Sure, you could call it a typical product of the seventies, but even today this movie feels up-to-date and believable.

    Turner works for the American Literary Historical Society, or at least so it seems. In reality he is a CIA researcher, with the code name Condor, who gets paid to read books, in which he has to find possible scenarios that could be used in intelligence work. When he returns to his office after he went out to get lunch, he finds all his colleagues dead and he doesn't know who shot them. He immediately calls a superior who sends his section chief to get him out of there. But when the man arrives, he immediately opens fire on Turner. In an act of pure desperation - he no longer knows who he can trust - Turner kidnaps a woman he has never seen before and forces her to hide him. He will stay in her house until he can find out what exactly is going on. But even there he isn't save. He is discovered and attacked in the woman's house, but is able to kill the man. Now he knows one thing for sure: the man too had a connection to the CIA, which means that someone in the CIA must be behind all this...

    I guess the best thing about this movie is the fact that it doesn't give away all its information at once. At first Turner appears to be an ordinary guy who arrives late for work. Nothing special there. But because he gradually builds up tension by slightly releasing more information, the writer knows how to keep you focused and interested. I guess the best way to describe this movie is calling it a classic spy thriller without James Bond-like locations or bad guys and and no super hero who can beat all the bad guys with a blink of an eye. No, this is a normal man who was at the wrong place at the wrong time and who now has to face an unusual and life threatening situation. I guess that's where this movie gets its strength: you can easily identify with him, even though he is a spy.

    And yes, the whole concept of the movie is very seventies: the paranoia towards the government, the insecurity of not knowing who your enemies or your friends are... all give it that typical feeling. but even today this movie hasn't lost any of its power or relevance. All in all this is a very good and stylish thriller that offers plenty of tension and some very nice acting. Especially Robert Redford and Faye Dunaway were very nice to watch, but the other actors did a fine job too. Thanks to the combination of the acting, a good story and some nice camera-work, Pollack has created a movie Hitchcock might have been proud of if he had done it. That's why I give this movie a 7.5/10.
    7secondtake

    Simmer against the machine...at the beginnings of a new kind of CIA genre

    Three Days of the Condor (1975)

    This is looking more and more like a period piece, dated and curious like one of those great Cold War films looks today (Failsafe or Seven Days in May). And yet it also feels like the beginnings of spy/counterspy films that are going on today, way beyond the pizazz of the early Bond films of the 1960s, and presaging the dozens since, including recent ones like the Bourne films or Syriana. It plays straight up as a suspense film, one where an almost innocent man is caught up in something huge and perplexing and awful, and we all identify with the individual against the powers of evil. Robert Redford plays the role of Joe Turner well, with the usual Redford stiffness, but believably--he reads books, after all--and sympathetically.

    Putting yourself back to 1975 you have to remember that everyone was talking about, and reacting to, Watergate, and a U.S. president who had to resign from office because of it. Watergate, more than anything, started the current public roar (blossoming on the internet) about government conspiracy. Three Days of the Condor makes the government, and the CIA in particular, an almost unassailable and invisible force of spying and mistrust. Turner, by circumstance at first and then by admirable determination, fights back. He's clever as much as he is worried. He falls in love. He feels isolated but never gives up. He has close calls, and lucky escapes, and unlikely friends. He thinks of other people first.

    In other words, he's a hero against the machine, and if the movie is sometimes slow, it creates a nice pace for the end, which is beautifully thought out. Director Sydney Pollack is hampered by a screenplay that alternates between awkward (Faye Dunaway's scenes) and brilliant (Redford's anti-spy character has a conversation with a hit man played by Max Von Sydow that shines), but he patches it together with an editing job that was nominated for an Oscar. And the cinematography by Owen Roizman is really nice (he shot a dozen great films from the French Connection to the Exorcist to Network). Condor is not just an entertainment, which is a saving grace, but it does also, slowly and beautifully, entertain.
    8perfectbond

    Terrific tension

    This film was very effective in maintaining the tension not only of the Condor's life and death mission to discover the reasons for the massacre of his colleagues but also the relationship between him and Kathy. The cast is uniformly good though Redford obviously carries the film. Von Sydow is again great as the strictly professional assassin. The entire film had an aura of authenticity that had me entirely engrossed. Recommended, 8/10.
    8joemeeks-61629

    Worth seeing again

    Saw this movie in theaters way back when (yes I am old). It was so long ago that I had forgotten most of the movie. Thoroughly enjoyed watching it again during the virus lockdown. As much fun for first time viewers of today as it is for old timers like me.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Former CIA director Richard Helms acted as a personal consultant to Robert Redford for his role as the Condor.
    • Blooper
      Any ballistics analysis of the shootings in the alley would show that Sam was not shot by the "assailant" (Turner) who shot the CIA assassin.

      However, ballistics analysis is irrelevant because the event is covered up rather than investigated.
    • Citazioni

      Joe Turner: I'd like to go back to New York.

      Joubert: You have not much future there. It will happen this way. You may be walking. Maybe the first sunny day of the spring. And a car will slow beside you, and a door will open, and someone you know, maybe even trust, will get out of the car. And he will smile, a becoming smile. But he will leave open the door of the car and offer to give you a lift.

    • Connessioni
      Featured in Flicks: Episodio #1.17 (1975)
    • Colonne sonore
      I've Got You Where I Want You
      (uncredited)

      Music by Dave Grusin

      Lyrics by Tom Bähler

      Performed by James Gilstrap

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    Dettagli

    Modifica
    • Data di uscita
      • 11 dicembre 1975 (Italia)
    • Paese di origine
      • Stati Uniti
    • Lingue
      • Inglese
      • Francese
    • Celebre anche come
      • Los tres días del cóndor
    • Luoghi delle riprese
      • 55 East 77th Street, Manhattan, New York, New York, Stati Uniti(American Literary Historical Society)
    • Aziende produttrici
      • Wildwood Enterprises
      • Dino De Laurentiis Company
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 20.000.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 27.476.252 USD
    • Lordo in tutto il mondo
      • 27.476.837 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 1h 57min(117 min)
    • Mix di suoni
      • Mono
      • Dolby Digital
    • Proporzioni
      • 2.39 : 1

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