La parola di un fuorilegge... è legge!

A western, shot in Spain, with a twist: Jim Brown and Fred Williamson, folks not normally associated with Euro-made westerns, take it upon themselves to deliver a large payroll to a ranch in Sonora, Mexico, after the ranch owner (Dana Andrews) dies while on the road. Everybody who hears of this -- and I mean everybody -- goes after them. This includes the local sheriff (Barry Sullivan), an army of drifters and gunhands, and bounty hunter Lee Van Cleef, who recognizes Brown as a wanted man from years before. Brown is given minimal dialog, which is a good thing as he is not exactly an actor. Williamson fares better as a breezy card sharp in fancy duds, who carries most of the dialog for the two of them. Not bad. The music, clearly derived from THE MAGNIFICENT SEVEN, is better than the movie.

Coming near the end of the spaghetti western cycle, this one should have worked out better. While some of the action scenes are good, others fail with a thud, and none of the solid stars are given any material to distinguish themselves.

Overall, Jim Brown fared a bit better in westerns than Williamson, who made a few more; this was Kelly's sole venture into the genre. And with Van Cleef around, one wishes that one of the better directors (Leone, Sollima) who guided his top efforts was on hand to spark this one. A disappointment; couldn't be a total loss with that cast, but they deserve better.

This predictable and formulaic Western will not blow you away with its brilliance, but it IS fun, carried along almost entirely by the strong presences of its top stars. Only Jim Kelly and his karate moves feel out of place. And it also must be mentioned that the big moment that you all (?) have been waiting for, a fight between Jim Brown and Fred Williamson, does arrive in this film....but the scene is terribly unrealistic-looking. (**1/2)

One of the last spaghetti westerns (though really, there was a good amount of American talent in front of and behind the camera), it does definitely have some novelty value - the cast, some good Canary Island scenery, a quick pace, and some good action sequences (best being the gunfight in the canyon). Still, there was clearly a bunch of potential wasted.

Brown is good, Williamson does okay, but the rest of the cast isn't actually given that much to do. Kelly's character could easily be written out, and Van Cleef's bad guy character isn't fully developed (for one thing, the movie doesn't seem to know what to do with him at the end.) And the script really isn't that much - it more or less consists of either the protagonists riding through the desert, or engaged in action.

Die-hard western fans (especially those who like spaghetti westerns) will probably find enough to enjoy about it, but this certainly won't convert anyone who normally avoids this genre.

The stars of "Three the Hard Way" reunite for this enjoyable if not classic Western. Jim Brown plays Pike, a tough, honourable trail boss who gives his word to his dying boss (Dana Andrews) that he will take $86,000 in payroll money to a ranch in Sonora, Mexico. Naturally, when people get wind of this large cash windfall, greed completely takes over, and various groups form to try to get that money. One such interested individual is smooth gambler Tyree (Fred Williamson, in a delicious performance), who is the first to accompany Pike on the journey. Along the way they also hook up with a hard-luck prostitute, Catherine (Catherine Spaak) and her half-breed / martial artist companion Kashtok (Jim Kelly). Among the money hungry antagonists in this story is sly, sleazy bounty hunter Kiefer (Lee Van Cleef), who realizes Pike was at one time a wanted man.

The cast, under the guidance of Italian director Antonio Margheriti, look like they're having a fine time, and that feeling is infectious. The reliable Brown has a relaxing low key presence, and he and Williamson continue to have good chemistry. Kelly really is quite good in the role of the mute Kashtok. Van Cleef, who's given his own harmonica-based "theme", is fantastic, as could be expected. You're never quite sure what to expect next from Kiefer. Spaak is touching, Harry Carey Jr., Robert Donner, Charles McGregor, and Leonard Smith offer some amusing comedy relief, and Barry Sullivan is an entertaining villain as crooked lawman Kane. Hal Needham, the films' stunt coordinator and second unit director, appears uncredited as Garmes.

Excellent location shooting in the Canary Islands and a zesty music score by Jerry Goldsmith add to the fun. The action scenes are first rate and exciting, and Brown and Williamson have a pretty intense fight near the end, which is soon followed by a truly impressive set piece.

In summary, "Take a Hard Ride" is a solid, well done Western that should satisfy fans of the genre.

Seven out of 10.