VALUTAZIONE IMDb
6,5/10
4562
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaThe leader of an inner-city girl gang is challenged when a new girl moves into the neighborhood.The leader of an inner-city girl gang is challenged when a new girl moves into the neighborhood.The leader of an inner-city girl gang is challenged when a new girl moves into the neighborhood.
Frances E. Williams
- Haiti
- (as Frances Williams)
Recensioni in evidenza
Sure this is a really, really stupid movie, but you've got to see it to believe it. The story of the toughest girls ever, The Jezebels, will leave you on the floor in a fit of laughter. Performed totally straight, this is like a really bad comic book brought to lurid life, complete with ear-wiltingly stupid dialogue. The action is so improbable that it may as well be taking place on another planet! Don't miss it, and look for Don Stark (Bob Pinciotti on "That '70's Show") in an early role as gang member "Hook"(so called because a unique anatomical feature). Drink a six pack of tall-boys and get ready to crack up; you won't be disappointed!
Switchblade Sisters, apart of the more or less dozen films in Tarantino's Rolling Thunder pictures collection (re-released exploitation flicks and foreign films), was worth the watch for a past midnight time of viewing. It might even be Jack Hill's most entertaining movie (though I haven't seen Coffy in a while). There are really a few things that he gets really right, amid the obvious camp that comes with a movie like this. He uses some tough, interesting B-actresses for the parts of the Debs-turned-Jezebelles, with Robbie Lee and Joanne Nail and Monica Gayle as the main three ladies of the bunch all turning in cool, un-restrained performances (one thing they don't lack, aside from some sex appeal, is spunk).
Another thing that makes the film really work is that, more often than not (which was also the case with Hill's Pam Grier pictures) is that it's very, very funny. Sometimes it was just by some unexpected stuff (the guy in the elevator early in the film, or stuff during the climactic battle in the streets), or just by some of the creative dialog. But really what helped make the film work for me was that it had a great marriage of 'exploitation' ideals (just look at the prison scenes) with spots of realism, or at least things that seem realistic in the Roger Corman school of writing.
These may be larger-than-life character, but that's part of the fun in it, that it's an action fantasy where we can root for the rough, take-no-prisoners gals of action, who also aren't completely in-human. Hill, who has mentioned in interviews how part of his film-making comes from being a musician, knows the rhythms of scenes and dialog (as stupid as it can get at times), and even has a little style to show off amid the patently 70's times. That, in the end, it's really a lot of fun helps out during some of the more 'dramatic' parts. And what an awesome last line!
Another thing that makes the film really work is that, more often than not (which was also the case with Hill's Pam Grier pictures) is that it's very, very funny. Sometimes it was just by some unexpected stuff (the guy in the elevator early in the film, or stuff during the climactic battle in the streets), or just by some of the creative dialog. But really what helped make the film work for me was that it had a great marriage of 'exploitation' ideals (just look at the prison scenes) with spots of realism, or at least things that seem realistic in the Roger Corman school of writing.
These may be larger-than-life character, but that's part of the fun in it, that it's an action fantasy where we can root for the rough, take-no-prisoners gals of action, who also aren't completely in-human. Hill, who has mentioned in interviews how part of his film-making comes from being a musician, knows the rhythms of scenes and dialog (as stupid as it can get at times), and even has a little style to show off amid the patently 70's times. That, in the end, it's really a lot of fun helps out during some of the more 'dramatic' parts. And what an awesome last line!
Jack Hill's 'Switchblade Sisters' is a wild ride that will have you hooked from the get go! It's everything I hoped Ted V. Mikels disappointing 'The Doll Squad' was going to be - a trashy, campy slice of 1970s exploitation that manages to be self-parodic AND take its subject matter seriously simultaneously. Happily, 'Switchblade Sisters' is so good you'd think you'd dreamed it yourself.
Robbie Lee plays Lace the Debs' leader, and fulfills all the promise she showed in Roger Corman's 'Big Bad Mama' the previous year. She's cute but deadly, and why she never became a major star is hard to fathom. Most of the other girls, particularly gang newcomer Maggie (Joanne Nail), and Lace's former second in command Patch (Monica Gayle), are also sexy and dangerous, but none show the sheer charisma of Lee's Lace, surely up there with Tura Satana, Pam Grier or Raven de la Croix as a proto-feminist icon of the drive-in era.
'Switchblade Sister' is trash par excellence. You will both laugh at and laugh with the Dagger Debs and their rival gang, the disco-dudded Crabs, who could easily walk off this movie and straight into 'The Warriors', another surreal gang movie, directed by another Hill, Walter. Both Hill's deserve their place in psychotronic history!
Robbie Lee plays Lace the Debs' leader, and fulfills all the promise she showed in Roger Corman's 'Big Bad Mama' the previous year. She's cute but deadly, and why she never became a major star is hard to fathom. Most of the other girls, particularly gang newcomer Maggie (Joanne Nail), and Lace's former second in command Patch (Monica Gayle), are also sexy and dangerous, but none show the sheer charisma of Lee's Lace, surely up there with Tura Satana, Pam Grier or Raven de la Croix as a proto-feminist icon of the drive-in era.
'Switchblade Sister' is trash par excellence. You will both laugh at and laugh with the Dagger Debs and their rival gang, the disco-dudded Crabs, who could easily walk off this movie and straight into 'The Warriors', another surreal gang movie, directed by another Hill, Walter. Both Hill's deserve their place in psychotronic history!
A persons impression of a movie sometimes depends on what they're expecting before they see it. You gotta go into this one expecting a low budget poorly acted 70's action film. If you do, you'll be quite impressed! The acting isn't all that bad. Lace can get a little annoying, talking through clenched teeth like she does, but she acts pretty well during her softer parts. And the movie is funny! I was not expecting to actually laugh out loud during it, but I did in several spots. This movie is kind of like The Warriors meets Fast Times at Ridgemont High meets L7. :')
And there were even a couple touching moments to the film that I wasn't expecting. The characters are interesting too. I can see why Quentin Tarantino likes this film. If you are a fan of his, and don't mind B movies, I think you'll like this.
And there were even a couple touching moments to the film that I wasn't expecting. The characters are interesting too. I can see why Quentin Tarantino likes this film. If you are a fan of his, and don't mind B movies, I think you'll like this.
This film is pretty much a second-rate Russ Meyer film (in fact, it was written by a F.X. Maier...coincidence??;) The dialogue isn't as clever, nor as tongue-in-cheek, and the acting is definitely second best. but on the other hand, Quentin Tarantino (who re-released it in '97 through Rolling Thunder Pictures) was right when he said in USA Today `There's more action is Sisters than in Twister
' The film is fast-paced, full of thrills (gotta love those low-budget, campy 70s films where everyone loses their shirt eventually...) and most of all, fun! Aside from the few scenes that just seem utterly pointless, and aside from Robbie Lee's incessant whining, it's a great film to watch; full of giggles and smiles.
As long as one doesn't take this film seriously, or compare it too closely to Faster Pussycat of Ultra-Vixens, it will be enjoyable to anyone looking for a cheezy laugh or three. And the prison scene is *priceless*.If I were to take it seriously it wouldn't rate higher than a five, but all things considered, 7/10.
As long as one doesn't take this film seriously, or compare it too closely to Faster Pussycat of Ultra-Vixens, it will be enjoyable to anyone looking for a cheezy laugh or three. And the prison scene is *priceless*.If I were to take it seriously it wouldn't rate higher than a five, but all things considered, 7/10.
Lo sapevi?
- QuizQuentin Tarantino, a longtime fan of Jack Hill's work, bought the rights to the film and re-released it in 1996 through his film company Rolling Thunder Pictures. He held a huge premiere and a celebration at a theater in Los Angeles which the film's original cast attended. Co-star Marlene Clark remembered the event in an interview many years later and laughed about it. "My commercial agency called me and said "We have an invitation to a screening of SWITCHBLADE SISTERS!" Clark laughed. "[Rolling Thunder] actually sent a car to bring me to the screening! All the way over I thought, "This is a flashback. I'm having a breakdown." Nope! I got to the theater, and it was for real! All the other women from the movie were there, and there was a nice little party afterwards at a place called the Red Room. It was amazing."
- BlooperLace cuts off the necktie that the man in the elevator is wearing, leaving about six inches of it behind. However, when he later identifies the gang members to the police his necktie is much longer.
- ConnessioniFeatured in Exploitation Classics (1985)
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Las siete malditas
- Luoghi delle riprese
- Moonlight Rollerway - 5110 San Fernando Road, Glendale, California, Stati Uniti(Roller skating scenes.)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 320.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 51.264 USD
- Fine settimana di apertura Stati Uniti e Canada
- 14.532 USD
- 16 giu 1996
- Lordo in tutto il mondo
- 51.264 USD
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