Aggiungi una trama nella tua linguaTwo girls come to Amsterdam in search of interesting sex.Two girls come to Amsterdam in search of interesting sex.Two girls come to Amsterdam in search of interesting sex.
Véronique Monod
- Veronique
- (as Véronique Monet)
Helga Trixi
- Trixie
- (as Trixie Heinen)
Dawn Cummings
- Julie
- (as Shirley Cox)
Nico Wolferstetter
- Paco
- (as Walter Wolf)
Patrick J. Andersen
- Patrick
- (as Patrick Anderson)
Tania Busselier
- Tania Soarez
- (as Tania Bussel)
Recensioni in evidenza
10floyd-14
"Sensations" is one heck of an adult picture. It basically revolves around an American girl that seems disgusted with the sexual revolution of the early seventies. Nevertheless on her trip to Europe, she meets all kinds of sex- crazed people and is virtually sucked into the abyss of their desire. the final scene is rather strange... this is director Lasse Braun at his best!
I only saw this movie because I read excellent reports of it, and they were right. This movie is *very* artistic, and that is clear from the beginning where you realize it is first of all a "film production", not just a porno one.
The plot is very simple, it shows what happens in one girl's day, when she meet by accident a bunch of somehow lusty people, whom bring her to a new level of unashamed sex.
This movie was years ahead of his time. A controversial art gallery of atmospheric sex situations.
Why not a better qualification? It was because it could be too hardcore in some shoots. Insinuating things are better than show them raw, sometimes.
The plot is very simple, it shows what happens in one girl's day, when she meet by accident a bunch of somehow lusty people, whom bring her to a new level of unashamed sex.
This movie was years ahead of his time. A controversial art gallery of atmospheric sex situations.
Why not a better qualification? It was because it could be too hardcore in some shoots. Insinuating things are better than show them raw, sometimes.
I agree with the other reviewers that this movie could have set a high bar for adult movies. That didn't happen, but it is remarkable because it is both artistic and extremely exciting. I am not into the kinky stuff, but that's why god created fast forward (satire). Brigitte Maier has so much of the "girl next door" quality that she burns bright in the sex scenes. She reminds me of a woman I knew in the 1970s with long hair, pretty face, extraordinary body, etc. I thought the ending was bizarre when I first watched it, but maybe it is saying that the old Brigitte is gone and the woman in her is set free. I could be wrong. Anyway...enjoy!
Forget "Deep Throat". Forget "Behind The Green Door". Forget "Debbie Does Dallas". Forget "The Devil In Miss Jones".
This is the singular film that changed the entire sociological and political dynamic of hardcore pornography into a legitimate historical and cultural object by which to forever measure and study a forgotten and sexually revolutionary epoch.
The year was 1975.
The spirit, along with all the freely undulating flesh, was contained within this startling speech: "Don't be so stupid. Don't believe what they tell you. Our teachers, the priests, the television, the newspapers. It's all a trick. So they can make atomic bombs. They are the 'authorities'. And they will always have the authority to be criminals".
This is the singular film that changed the entire sociological and political dynamic of hardcore pornography into a legitimate historical and cultural object by which to forever measure and study a forgotten and sexually revolutionary epoch.
The year was 1975.
The spirit, along with all the freely undulating flesh, was contained within this startling speech: "Don't be so stupid. Don't believe what they tell you. Our teachers, the priests, the television, the newspapers. It's all a trick. So they can make atomic bombs. They are the 'authorities'. And they will always have the authority to be criminals".
The film fails largely because of the acting and poor filming. The sex scenes are quite graphic but poorly edited. The film itself attempts to view an American girl's discovery of European sexual morals and has a quite interesting ending if you can take it seriously. It is saved only by the presence of Brigitte Maier who was one of the truly beautiful porn stars of the 1970s.
Lo sapevi?
- QuizShown at the Cannes Film Festival, it became the first European porn film to become a hit in America and had full-page ads in the New York City papers. The production money for the film was provided by pioneering porn producer Reuben Sturman, who was largely convinced to go through with it by a brief affair with the leading lady, Brigitte Maier.
- ConnessioniEdited into Il caldo letto della vergine (1980)
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Dettagli
Botteghino
- Budget
- 250.000 USD (previsto)
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