Aggiungi una trama nella tua linguaA journalist interviews an old woman who was forced into prostitution, just like many other Japanese women working in Asia outside of Japan during the first half of the 20th century. She wor... Leggi tuttoA journalist interviews an old woman who was forced into prostitution, just like many other Japanese women working in Asia outside of Japan during the first half of the 20th century. She worked in a Malaysian brothel called Sandakan 8.A journalist interviews an old woman who was forced into prostitution, just like many other Japanese women working in Asia outside of Japan during the first half of the 20th century. She worked in a Malaysian brothel called Sandakan 8.
- Regia
- Sceneggiatura
- Star
- Candidato a 1 Oscar
- 7 vittorie e 2 candidature totali
Recensioni in evidenza
"Sandakan 8" is a very important film about a (mostly forgotten) shared history between Japan and Malaysia which is based on Tomoko Yamazaki's novel. Kei Kumai will remain an immortal filmmaker through the work he put into this film to portray the patriarchal exploitation. It makes you feel ashamed to be a human. From the beginning it is such a powerful and moving film, yet it is still a compulsive, involving, and utterly heart-wrenching. The screenplay is one of the best ever written: it captures the stories of the Sandakan brothels, the plight of the girls with so much amount of detail, and thus ensures that we don't easily forget what they were put through without distracting from the main story at hand. The film is graceful, breath-taking, and powerful and the parallels are enhanced by details.
One of the most powerful stories ever put on celluloid, mainly because it's based on fact. Needless to say, the end is bittersweet and rather perfect. And the whole troubling two hours getting there will leave you moved in the graveyard scene, for sure, but also enlightened. All in all, I applaud Kei Kumai for not exploiting the script for emotional reasons and cash in on the festival audience.
One of the most powerful stories ever put on celluloid, mainly because it's based on fact. Needless to say, the end is bittersweet and rather perfect. And the whole troubling two hours getting there will leave you moved in the graveyard scene, for sure, but also enlightened. All in all, I applaud Kei Kumai for not exploiting the script for emotional reasons and cash in on the festival audience.
10goster
Never overacted, yet powerfully moving. I've watched it many times, and it never loses its impact. No one I've watched it with have left unshaken. It's impact is in the same class as "Sophie's Choice"; can there be higher praise? If this movie can leave you unmoved, you have a heart of stone.
A female journalist researches the forced prostitution of Japanese women in the 1920s. She interviews Osaki, an old lady living with several cats in a shack at the edge of town. She tells the story in flashbacks, beginning with her trying to help her poor family by getting a job as a maid at a hotel. She works cleaning the rooms for two years and is then is coerced by the owner into becoming a hooker against her will.
Sandakan number eight turns out to be one the many brothels in Malaysia which used slave labor for years, including World War II, as a popular resting point for soldiers from around the world. The movie is based on a non fiction book of the same name which was controversial in Japan, as the women involved were shunned by society.
Osaki's tale is a sad and common one that needs to told. Sandakan 8 is compelling and well made.
Sandakan number eight turns out to be one the many brothels in Malaysia which used slave labor for years, including World War II, as a popular resting point for soldiers from around the world. The movie is based on a non fiction book of the same name which was controversial in Japan, as the women involved were shunned by society.
Osaki's tale is a sad and common one that needs to told. Sandakan 8 is compelling and well made.
Despite the subject matter, this is one of the most physically beautiful films I've ever seen. A difficult story to watch at times and some of the symbolism was a little overdone, but a well crafted movie with great attention to camera angle, set dressing, and - above all - the cinematography. A really stunning work...
This was the movie I saw on my first adult date. I was so encompassed by the story and cinematography that I soon forgot I was reading subtitles.
While the story may seem slow at first once the depiction of another society so far removed in time and place from our own gives the viewer a new look on the what shaped the lifestyle of the Japanese culture
You cannot help but be swept up in the crisis of the time depicted.
We tend to forget the world was not always as it is today, especially for us jaded Americans.
Elwin
While the story may seem slow at first once the depiction of another society so far removed in time and place from our own gives the viewer a new look on the what shaped the lifestyle of the Japanese culture
You cannot help but be swept up in the crisis of the time depicted.
We tend to forget the world was not always as it is today, especially for us jaded Americans.
Elwin
Lo sapevi?
- QuizOfficial submission of Japan for the 'Best Foreign Language Film' category of the 48th Academy Awards in 1976.
- BlooperOsaki was born and raised in Kumamoto. But she speaks the dialect of Oita, the neighbouring prefecture.
- ConnessioniReferenced in Sneak Previews: The Top Ten Films of 1976 (1977)
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
- How long is Sandakan No. 8?Powered by Alexa
Dettagli
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti