Rudolph's Shiny New Year

Just finished this, the sequel to Rankin/Bass' "Rudolph the Red-Nosed Reindeer". With Red Skelton as narrator Father Time as well as the Baby Bear, Frank Gorshin as the knight Sir Ten-To-Three, Morey Amsterdam as the caveman-O.M. (One Million), Hal "Great Gildersleeve" Peary as the whale Big Ben, Paul Frees as various voices, Don Messick as Papa Bear, Iris Rainer as Mama Bear, and, returning as Rudolph, Billie Mae Richards. Written once again by Romeo Muller, "Rudolph's Shiny New Year" is a wonderful Tall Tale about how the reindeer with the shiny nose managed to make sure that it didn't become December 31st forever. Even as an adult, I was enthralled by the way Muller kept making things up as the story went along and didn't care a lick about logic or stuff like that as long as it was still believable. Although when Red said this story took place just after the events in the previous special, I did question why Rudolph's antlers had shrunk to when he was a kid. Other than that, I still highly enjoyed "Rudolph's Shiny New Year". P.S. I just found out Frees and Amsterdam were born in the same city as I, Chicago, Ill.

Rudolph's Shiny New Year can be striking, and entertaining, if you're watching it when you're little - little enough that by the time you're my age you have no clear memory of the first time you watched it, just that you did over and over. As a kid you get introduced to claymation someway or another (even those of today who don't have Gumby get Wallace and Gromit), and this plays for a fine hour for the little ones, but can perhaps be of worth for the parents here and there. The story of Rudolph saving the "baby new-year" from the clutches of Eon, a vulture looking to keep December 31st on a loop, is pretty simple, with conflicts and characters that are typical and funny enough to take. But what can be memorable for a child is how some of this special is dark (with Eon) when it's not cute (most scenes with the baby). It's also interesting as a kind of sequel-cum-remake of the original Rudolph story, as the baby has to contend with having big ears- something that a child might find more relatable than a shiny nose. The songs are also a bit of a treat, if dated, and Red Skeleton does a fine double-job with the voicing of Father time and the little Bear on the island. Basically, it's the kind of special that is worth checking out with the kids for a few minutes, and if they get into it, it may prove a treat, and if not, there's still Nickelodeon.

This was included on the same DVD as "The Year Without a Santa Claus," and I must say that I don't remember this one at all from my childhood. It picks up where the original "Rudolph" left off. Rudolph has successfully saved Christmas, so he's charged with saving the New Year as well, sent off into the night by Santa Claus (who's really good at delegating, by the way), to find the New Year's baby, a bizarre little tyke with enormous ears who looks like Harpo Marx and wears a giant top hat. He's run away because everyone laughs at his ears; who better to find him and teach him the value of not taking life so seriously than Rudolph, he of the drunkard's nose?

I liked this one, though it features the least memorable music yet of this kind of animated film. Rudolph is joined by a soldier who's part clock and speaks in rhymed couplets, and a knight whose face we never see and who could be a character out of Monty Python. There's also a gloomy camel and my favorite character, a great whale who gives the group rides around the ocean and helps them chase down the scary monster bird (that's really its name) who wants to kidnap baby New Year so he can stop time and prevent himself from turning into ice (don't ask). Last but not least, Red Skelton fills narration duties as Father Time.

Like all of these films, even if they're not that great, they provide a certain nostalgic satisfaction to those of us who remember a time before computer animation.

Grade: B+

Happy the Baby New Year had runaway due to teasing about his big ears. The weather is frightful. After saving Christmas, Rudolph is the only one who can save New Year. He is joined by General Ticker. They cross the Sands of Time to find Father Time guided by The Great Quarter Past Five. Aeon The Terrible is after Baby New Year to stop time. Rudolph searches for Happy in the Archipelago of Last Years.

It was over a decade since the first Rudolph first aired. There is a nostalgic charm to the stop-motion animation. While it's great to have new characters, I don't understand why so many of them seem to drop off. Where did General Ticker go? Why introduce great side characters, only to drop them immediately? I also don't understand how the 3 bears fit into the Archipelago. They're not historical figures. There are some new songs but it's always the classic that is truly great. Despite a few questionable turns, it's still a fun journey.

This is the one with the villainous Vulture, and where Rudolph gets trapped inside a big snowball. And the kid with the huge ears too...Well, it's not bad-Santa mixed with New Years and whatever-it doesn't quite hold up as well's 'Heat Mizer' or the first Frosty, but it's a fun watch for the family.

*** outta ****