Torna El Grinta

If you're expecting a highly original western with highly original characters who really stand out amidst the 1975 landscape, rent Bite the Bullet. You won't find those elements in Rooster Cogburn, but you will find two iconic legends of the silver screen, Katharine Hepburn and John Wayne, paired together in pretty much a remake of two movies. Obviously, Wayne is reprising his one-eyed Oscar role, and Hepburn is basically reprising Rose from The African Queen. She's a religious old maid who lives with a male missionary in her family, and when he's killed, she joins up with a rugged heathen-type to get revenge. This isn't a criticism, mind you; I'm just letting you know what to expect. This clean, sweet movie is for the older folks in the audience who grew older alongside the actors, those who don't like the way cinema and the rest of the world have deteriorated. If you long for the good old days and the good old movies, Rooster Cogburn will warm your heart.

Although, speaking of hearts, my one regret of this movie is that it wasn't as romantic as it could have been. The African Queen is one of the greatest love stories, but Wayne and Hepburn develop platonic feelings for each other. There's genuine affection and respect, but don't expect any, "Dear, what is your first name?" cutesy scenes. You will see a remarkable amount of action, given the two leads' age and health. Hepburn can still make it down the rapids and shoot at the bad guys, and even with one eye (and one lung in real life), Wayne can ride a horse and protect his woman.

The couple Wayne and Hepburn or Hepburn and Wayne are top notch , both of whom are wonderful . The film is a first-rate western , is the following-up to ¨True grit" in which Wayne won an Oscar , Academy Award , for his acting. The movie is a remake from "African Queen " in which Hepburn did couple with Bogart , here Wayne and Katharine hand similar roles , even there is one dangerous runaway by a river. The plot line centers the killing of the Hepburn's father. John Wayne and Hepburn set out in pursuit the evil people : Richard Jordan , Anthony Zerbe and Jack Colvin . Direction by Stuart Millar is good , cinematography by Harry Stradling is breathtaking , landscapes are spectacular and gorgeous , it has been shot in natural parks . Lively and rousing musical score by Laurence Rosenthal . Rating : 7/10 very good , well worth watching . However , the film received terrible reviews on release . Many critics felt that it was too obviously derived from ¨African Queen¨ , and that both John Wayne and Katharine Hepburn were too old for their parts . The motion picture will appeal to John Wayne and Katharine Hepburn fans .

Hepburn & the Duke made a fairly decent movie and that's enough reason to see it at least once. The fact that Hepburn has a Father in the movie is suspect, at best, especially since he's not played by Moses himself. But that's besides the point here - they have terrific chemistry and their star power alone could put most of the actors on the screen today to shame. It would have been really memorable if the movie were worthy of them, though.

That does seem to be the general consensus surrounding Rooster Cogburn and I agree. The best asset of the film is easily the performances and chemistry of John Wayne and Katherine Hepburn, who are wonderful individually and together, and I was also impressed with the handsome cinematography, beautiful scenery and rousing score. There are some moments of witty and fun dialogue too.

Conversely, the film is rather sluggishly directed and also the film does drag in spots. I wasn't taken with Richard Jordan, I thought he overacted to the point it was somewhat distracting. The weakest asset of Rooster Cogburn is the story, it feels very cobbled together and is clumsily told.

In conclusion, it is a decent movie that could have been more. That said, Wayne and Hepburn actually prevent it from being any less than it turned out to be. 6/10 Bethany Cox

Hired to track down a vicious gang, federal marshal Rooster Cogburn reluctantly lets a missionary and a Native American lad accompany him after their mission is ransacked by the gang in this belated sequel to 'True Grit'. John Wayne reprises the title role with just as much gusto despite noticeably looking older. Katharine Hepburn also puts in a strong turn as the missionary with the best scenes being the banter between the pair. The villains are not particularly interesting and the plot is no great shakes; in fact, 'Rooster Cogburn' feels more like a remake rather than sequel to 'True Grit' at times with Hepburn also seeking vengeance for a father killed. The plot is more complex than it first seems though. While most are quick to praise the chemistry between Wayne and Hepburn, it is the bond that slowly develops between Wayne and the young Amerindian, played by Richard Romancito, that is ultimately most touching. Romancito becomes a surrogate son of sorts to the once hardened old man who inadvertently finds himself with a 'family' for the first time as he pursues the gang. One wonders though just what messages (if any) the filmmakers had in mind with the project. Early on, Wayne is told "the west is changing and you aren't changing with it", and yet minutes later he hired because, again, he has "grit". Is the film meant to be a tribute to the virtues of old ways or a film about learning to change (unwillingly accepting companions)? Topped off with a memorable explosive climax, one thing for sure is that this is a more dynamic sequel than one might expect.