Una coppia di fidanzati rimasti appiedati durante un viaggio in auto trova rifugio nel castello del bizzarro Dottor Frank-N-Furter.Una coppia di fidanzati rimasti appiedati durante un viaggio in auto trova rifugio nel castello del bizzarro Dottor Frank-N-Furter.Una coppia di fidanzati rimasti appiedati durante un viaggio in auto trova rifugio nel castello del bizzarro Dottor Frank-N-Furter.
- Premi
- 3 vittorie e 4 candidature totali
Nell Campbell
- Columbia - A Groupie
- (as Little Nell)
Meat Loaf
- Eddie - Ex Delivery Boy
- (as Meatloaf)
Hilary Farr
- Betty Munroe
- (as Hilary Labow)
Pierre Bedenes
- A Transylvanian
- (as Perry Bedden)
Riepilogo
Reviewers say 'The Rocky Horror Picture Show' is celebrated for its unique blend of horror, comedy, and musical elements, creating a cult classic. Key themes include sexual liberation, rebellion, and individuality. Tim Curry's Dr. Frank-N-Furter is iconic, and the film's campy humor and memorable songs contribute to its popularity. Audience participation enhances the experience, solidifying its midnight movie status. Despite criticisms of plot coherence and production quality, energetic performances and subversive spirit make it influential pop culture.
Recensioni in evidenza
Moving on from the riotous cult stage show which was born in a small studio theatre in the early 70s, this movie version is a well-cast, outrageous romp showcasing the absurdity and sci-fi obsession of Richard O'Brien's inventive musical.
The small cast - the wonderful Tim Curry as Frank 'n Furter (the sweet transvestite from transsexual Transylvania'); Barry Bostwick and Susan Sarandon as the odd science students Brad and Janet; Patricia Quinn as Magenta ('a domestic'); Little Nell as Columbia ('a groupie'), Jonathan Adams as Dr Scott; Meat Loaf as Eddie; Richard O'Brien himself as the handyman Riff Raff; Peter Hinwood as the muscle man Rocky, created by Frank in a spoof on Frankenstein; and Charles Gray having a great time as the Criminologist - are all really good, and the songs are terrific, from the madness of 'The Timewarp' and 'Sweet Transvestite', to the ethereal 'There's a Light' and 'I'm Going Home', by way of the rocky 'Whatever Happened To Saturday Night?' and the film-reference heavy 'Science Fiction Double Feature'.
Great, great fun and the floor show sequence in particular, showcasing Frank's obsession with Fay Wray and the RKO cheapies, is exceptional, with its statues in basques and its huge swimming pool. Trash, yes, but classy trash, and most enjoyable.
The small cast - the wonderful Tim Curry as Frank 'n Furter (the sweet transvestite from transsexual Transylvania'); Barry Bostwick and Susan Sarandon as the odd science students Brad and Janet; Patricia Quinn as Magenta ('a domestic'); Little Nell as Columbia ('a groupie'), Jonathan Adams as Dr Scott; Meat Loaf as Eddie; Richard O'Brien himself as the handyman Riff Raff; Peter Hinwood as the muscle man Rocky, created by Frank in a spoof on Frankenstein; and Charles Gray having a great time as the Criminologist - are all really good, and the songs are terrific, from the madness of 'The Timewarp' and 'Sweet Transvestite', to the ethereal 'There's a Light' and 'I'm Going Home', by way of the rocky 'Whatever Happened To Saturday Night?' and the film-reference heavy 'Science Fiction Double Feature'.
Great, great fun and the floor show sequence in particular, showcasing Frank's obsession with Fay Wray and the RKO cheapies, is exceptional, with its statues in basques and its huge swimming pool. Trash, yes, but classy trash, and most enjoyable.
Some movies are just meant to be felt.
The status of this film as a beacon for sexual identity and deviancy speaks for itself. I am glad this film exists and exudes charisma for the sexually repressed to feel seen.
Other than that I really like how much this film loves other films. It's countless references and homages to previous horror films and studios are neat.
As with many musicals that have roots to stage production, you get the feeling that a little bit of magic is lost by just watching this on a TV at home and not experiencing the production of it.
Really glad I got around to watching this cult classic. I now understand why this film is so iconic.
The status of this film as a beacon for sexual identity and deviancy speaks for itself. I am glad this film exists and exudes charisma for the sexually repressed to feel seen.
Other than that I really like how much this film loves other films. It's countless references and homages to previous horror films and studios are neat.
As with many musicals that have roots to stage production, you get the feeling that a little bit of magic is lost by just watching this on a TV at home and not experiencing the production of it.
Really glad I got around to watching this cult classic. I now understand why this film is so iconic.
Or I should say, the Sweet Transvestite of all cult films!
To those who haven't seen Rocky Horror, don't bother reading reviews about it. It won't mean anything. Don't rent it on DVD which it recently came out on. It also won't mean anything, because it's missing the thing that gave it and the stage play that preceded it life... the audience. By definition, a cult film is meant to be seen by a group. Preferably, a large one.
I saw Rocky Horror 20-something years ago, and wound up playing "Brad" with the players next to the stage. Something I would normally never do. Why? The show's energy sucked me in. More accurately, the audience's energy sucked me in.
The show, with a revved-up audience, is almost like a dialogue between the movie and the people watching it. It celebrates sex, hedonism, even while playing out the danger, violence, and tragedy it can result in. It allows the audience of mostly young kids to exude and rejoice in their sexuality, whatever it is. And without ever taking their clothes off. I think that is the real appeal of the show. There's a joyousness, and a strange innocence, in throwing raunchy comments at the screen, watching the live performers on-stage act out the scenes in racy costumes, and sharing the energy anonymously in the dark with strangers.
The live show with the original actors must have been electrifying. Plays always have more energy than films because of the immediacy of the live actors, and the energy must have been even more intense. I'll always regret not having the chance to have seen it.
The movie itself has been described too many times for me to give a synopsis. I will however say that it is really a collage of feelings, ranging from fear, trepidation, excitement, lust, joyous sexual fulfillment, more lust, tragedy, and a strange sadness at the end. Basically, all the emotions that make life worth living, in an hour and a half. However, the visceral enjoyment of this film, and the emotions it brings, will only be experienced with a large, highly energized audience. If you get a chance, and if you can get your reserved ego out of the way, go to a midnight showing in your area when you know there's going to be a big showing. Don't go expecting a logical, coherent storyline. Its about experience, not narrative. You'll get an experience that you've been missing your whole life. At the end, there is a message here, hidden under all the seemingly blissful hedonism. It takes a long time for it to become clear, however.
I wonder if O'Brian, its creator, was clever enough to have put it there all along?
By the way, there is no nudity or actual sex in the entire movie. For a movie with its reputation, that's pretty amazing. Compared to the slasher/gore fests passing themselves off as film these days, the movie is strangely quaint and innocent. But then, that's what true enjoyment of sensuality should be.
For a cult film, 10 out of 10 stars. It doesn't get any better than this as cult films go.
To those who haven't seen Rocky Horror, don't bother reading reviews about it. It won't mean anything. Don't rent it on DVD which it recently came out on. It also won't mean anything, because it's missing the thing that gave it and the stage play that preceded it life... the audience. By definition, a cult film is meant to be seen by a group. Preferably, a large one.
I saw Rocky Horror 20-something years ago, and wound up playing "Brad" with the players next to the stage. Something I would normally never do. Why? The show's energy sucked me in. More accurately, the audience's energy sucked me in.
The show, with a revved-up audience, is almost like a dialogue between the movie and the people watching it. It celebrates sex, hedonism, even while playing out the danger, violence, and tragedy it can result in. It allows the audience of mostly young kids to exude and rejoice in their sexuality, whatever it is. And without ever taking their clothes off. I think that is the real appeal of the show. There's a joyousness, and a strange innocence, in throwing raunchy comments at the screen, watching the live performers on-stage act out the scenes in racy costumes, and sharing the energy anonymously in the dark with strangers.
The live show with the original actors must have been electrifying. Plays always have more energy than films because of the immediacy of the live actors, and the energy must have been even more intense. I'll always regret not having the chance to have seen it.
The movie itself has been described too many times for me to give a synopsis. I will however say that it is really a collage of feelings, ranging from fear, trepidation, excitement, lust, joyous sexual fulfillment, more lust, tragedy, and a strange sadness at the end. Basically, all the emotions that make life worth living, in an hour and a half. However, the visceral enjoyment of this film, and the emotions it brings, will only be experienced with a large, highly energized audience. If you get a chance, and if you can get your reserved ego out of the way, go to a midnight showing in your area when you know there's going to be a big showing. Don't go expecting a logical, coherent storyline. Its about experience, not narrative. You'll get an experience that you've been missing your whole life. At the end, there is a message here, hidden under all the seemingly blissful hedonism. It takes a long time for it to become clear, however.
I wonder if O'Brian, its creator, was clever enough to have put it there all along?
By the way, there is no nudity or actual sex in the entire movie. For a movie with its reputation, that's pretty amazing. Compared to the slasher/gore fests passing themselves off as film these days, the movie is strangely quaint and innocent. But then, that's what true enjoyment of sensuality should be.
For a cult film, 10 out of 10 stars. It doesn't get any better than this as cult films go.
Dissect, disassemble and reassemble to your hearts content, conjure any number of meanings and misinterpretations, then rewind, warp back in time, remove head from derriere and wallow in this absolute pleasure again and again and again.
A middle-class young couple, motoring in the country on their wedding night, have car trouble in front of a huge mansion
Wanting to use the phone, the two approach the house and go in just as its master, Dr. Frank N. Furter, is leading an experiment
His newly made creature, the body-beautiful Rocky, is ready to be unveiled, and the innocent couple is caught up in this strange household filled with the doctor's campy, exotically dressed admirers
Both the wife and the husband are seduced by this garter-belted "scientist."
The film's first half is fast and funny, with virtually every song a memorable one But the second half tries to do too much and the film loses much of its potency Nevertheless, the adorable characters make this a delightful entertainment
The film's first half is fast and funny, with virtually every song a memorable one But the second half tries to do too much and the film loses much of its potency Nevertheless, the adorable characters make this a delightful entertainment
Lo sapevi?
- QuizAccording to interviews, Patricia Quinn only took a role in the play because she loved the opening song "Science Fiction - Double Feature". She was upset when she didn't get to sing the song in this movie, but agreed to lip-sync the words as the pair of red lips in the beginning, with vocals by Richard O'Brien.
- BlooperWhen Janet and Brad are scuttling off to the side of the stage at the end of 'Wild and Untamed Thing', she accidentally stabs his foot with her high heel, causing him to wince and stumble in pain.
- Citazioni
[last lines]
The Criminologist - An Expert: And crawling on the planet's face, some insects, called the human race... lost in time... and lost in space... and meaning.
- Curiosità sui creditiAt the very end of the film, The credits read: "The characters portrayed in this film are ENTIRELY FICTITIOUS and bear no resemblance to anyone living OR DEAD!"
- Versioni alternativeThe DVD contains a 'Conceptual Version' which has everything up to "The Time Warp" in black and white, included as an 'Easter Egg'.
- ConnessioniEdited into Meat Loaf: Hot Patootie Bless My Soul (1975)
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- El show de terror de Rocky
- Luoghi delle riprese
- Oakley Court, Windsor Road, Oakley Green, Windsor, Berkshire, Inghilterra, Regno Unito(castle exterior, criminologist's study, Brad's room, Janet's room, dining room, Columbia's room, entrance hall and stairs)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 1.200.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 112.892.319 USD
- Lordo in tutto il mondo
- 115.827.018 USD
- Tempo di esecuzione1 ora 40 minuti
- Colore
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