Una coppia di fidanzati rimasti appiedati durante un viaggio in auto trova rifugio nel castello del bizzarro Dottor Frank-N-Furter.Una coppia di fidanzati rimasti appiedati durante un viaggio in auto trova rifugio nel castello del bizzarro Dottor Frank-N-Furter.Una coppia di fidanzati rimasti appiedati durante un viaggio in auto trova rifugio nel castello del bizzarro Dottor Frank-N-Furter.
- Premi
- 3 vittorie e 4 candidature totali
Nell Campbell
- Columbia - A Groupie
- (as Little Nell)
Meat Loaf
- Eddie - Ex Delivery Boy
- (as Meatloaf)
Hilary Farr
- Betty Munroe
- (as Hilary Labow)
Pierre Bedenes
- A Transylvanian
- (as Perry Bedden)
Riepilogo
Reviewers say 'The Rocky Horror Picture Show' is celebrated for its unique blend of horror, comedy, and musical elements, creating a cult classic. Key themes include sexual liberation, rebellion, and individuality. Tim Curry's Dr. Frank-N-Furter is iconic, and the film's campy humor and memorable songs contribute to its popularity. Audience participation enhances the experience, solidifying its midnight movie status. Despite criticisms of plot coherence and production quality, energetic performances and subversive spirit make it influential pop culture.
Recensioni in evidenza
Some movies are just meant to be felt.
The status of this film as a beacon for sexual identity and deviancy speaks for itself. I am glad this film exists and exudes charisma for the sexually repressed to feel seen.
Other than that I really like how much this film loves other films. It's countless references and homages to previous horror films and studios are neat.
As with many musicals that have roots to stage production, you get the feeling that a little bit of magic is lost by just watching this on a TV at home and not experiencing the production of it.
Really glad I got around to watching this cult classic. I now understand why this film is so iconic.
The status of this film as a beacon for sexual identity and deviancy speaks for itself. I am glad this film exists and exudes charisma for the sexually repressed to feel seen.
Other than that I really like how much this film loves other films. It's countless references and homages to previous horror films and studios are neat.
As with many musicals that have roots to stage production, you get the feeling that a little bit of magic is lost by just watching this on a TV at home and not experiencing the production of it.
Really glad I got around to watching this cult classic. I now understand why this film is so iconic.
... quintessential pre-pop outrageous pop art rock opera freak show comedic hall of weirdos with a pumped-up 70s fragrance and sexual innuendo slide-show of parodic impossible-to-predict sci-fi implausible kind of impossibly over the top horror-meets-fantasy in a grotesquely but quite voluntary way of ridiculous and out-of-worldly piece of contemporary art-hinting quasy-minimalist semi-theatrical interpretation of an intentionally petty pulp-like quite erotic and kaleidoscopic, surprisingly accurate in trend prediction movie.
Quite remarkable.
{Note to editors (this should be removed from the posted comment): I'm aware I'm risking my free account with this post, and I could've easily refrained from posting it at all; I do however feel the "review" above is appropriately styled for The Rocky Horror Picture Show. And yes, I also typically hate such "original" adjective lists. But this is no typical movie. Please just dump my review if you don't think it's a good idea after all. Regardless of your decision, thank you for reading this!}
Quite remarkable.
{Note to editors (this should be removed from the posted comment): I'm aware I'm risking my free account with this post, and I could've easily refrained from posting it at all; I do however feel the "review" above is appropriately styled for The Rocky Horror Picture Show. And yes, I also typically hate such "original" adjective lists. But this is no typical movie. Please just dump my review if you don't think it's a good idea after all. Regardless of your decision, thank you for reading this!}
A squeaky-clean young couple, Brad & Janet (Barry Bostwick & Susan Sarandon), get a flat tire on a late rainy night, and decide to stop off at a nearby castle to use the residents' phone and call for help. What they don't realise is that these are no ordinary residents: Dr. Frank N Furter (Tim Curry), with assistance from his servants Riff Raff (Richard O'Brien), Magenta (Patricia Quinn), and their ragtag bunch of fellow Transylvanians, has his own diabolical plans for the evening, set against a kick-butt rock 'n' roll music score....
Call me a twisted "Rocky Horror" fan, but I actually prefer to watch this cult classic movie-musical in the comfort of my own home, rather than going out to one of those midnight theatrical screenings that have made this 1975 film so popular. Oh, I'm sure there's great fun to be had at a midnight showing, but the fact is, you're not going to see or hear very much of the movie itself, what with the audience shouting & throwing stuff at the screen literally every two seconds (think of "Mystery Science Theater 3000" on speed), as well as the live cast performing in front of the movie screen! If you want to really *see and hear* "The Rocky Horror Picture Show" as you would any other film, watch it on video first. Then, when you've got the movie firmly etched in your head, head out to the theater. But NOT before!
Having said that, this movie version of the hit stage musical written by Richard O'Brien (Riff Raff himself), is a ton of great, naughty fun. It wonderfully sends up B-movie sci-fi/horror flicks, with a playful, healthy dose of blatant sexual innuendo thrown in for good measure. Classic, memorable rock 'n' roll tunes written by O'Brien throughout, including "The Time Warp," "Sweet Transvestite," "Hot Patootie"....the list goes on and on. And, of course, you have a spectacular cast, led by Tim Curry, who IS the larger-than-life Dr. Frank N Furter, and a young, attractive Susan Sarandon, who simply lights up the screen as Janet. But everyone else, including Barry Bostwick, Meatloaf, Little Nell, Patricia Quinn, and Charles Gray all make excellent contributons, too.
I love "The Rocky Horror Picture Show": it's very funny, sexy, and brilliantly performed, with great rock 'n' roll music t'boot. But I, personally, still prefer to watch it at home, where I can see the film in peace & quiet without being yelled in my ear, getting soaked, or having rice & toast tossed all around me!
Call me a twisted "Rocky Horror" fan, but I actually prefer to watch this cult classic movie-musical in the comfort of my own home, rather than going out to one of those midnight theatrical screenings that have made this 1975 film so popular. Oh, I'm sure there's great fun to be had at a midnight showing, but the fact is, you're not going to see or hear very much of the movie itself, what with the audience shouting & throwing stuff at the screen literally every two seconds (think of "Mystery Science Theater 3000" on speed), as well as the live cast performing in front of the movie screen! If you want to really *see and hear* "The Rocky Horror Picture Show" as you would any other film, watch it on video first. Then, when you've got the movie firmly etched in your head, head out to the theater. But NOT before!
Having said that, this movie version of the hit stage musical written by Richard O'Brien (Riff Raff himself), is a ton of great, naughty fun. It wonderfully sends up B-movie sci-fi/horror flicks, with a playful, healthy dose of blatant sexual innuendo thrown in for good measure. Classic, memorable rock 'n' roll tunes written by O'Brien throughout, including "The Time Warp," "Sweet Transvestite," "Hot Patootie"....the list goes on and on. And, of course, you have a spectacular cast, led by Tim Curry, who IS the larger-than-life Dr. Frank N Furter, and a young, attractive Susan Sarandon, who simply lights up the screen as Janet. But everyone else, including Barry Bostwick, Meatloaf, Little Nell, Patricia Quinn, and Charles Gray all make excellent contributons, too.
I love "The Rocky Horror Picture Show": it's very funny, sexy, and brilliantly performed, with great rock 'n' roll music t'boot. But I, personally, still prefer to watch it at home, where I can see the film in peace & quiet without being yelled in my ear, getting soaked, or having rice & toast tossed all around me!
Or I should say, the Sweet Transvestite of all cult films!
To those who haven't seen Rocky Horror, don't bother reading reviews about it. It won't mean anything. Don't rent it on DVD which it recently came out on. It also won't mean anything, because it's missing the thing that gave it and the stage play that preceded it life... the audience. By definition, a cult film is meant to be seen by a group. Preferably, a large one.
I saw Rocky Horror 20-something years ago, and wound up playing "Brad" with the players next to the stage. Something I would normally never do. Why? The show's energy sucked me in. More accurately, the audience's energy sucked me in.
The show, with a revved-up audience, is almost like a dialogue between the movie and the people watching it. It celebrates sex, hedonism, even while playing out the danger, violence, and tragedy it can result in. It allows the audience of mostly young kids to exude and rejoice in their sexuality, whatever it is. And without ever taking their clothes off. I think that is the real appeal of the show. There's a joyousness, and a strange innocence, in throwing raunchy comments at the screen, watching the live performers on-stage act out the scenes in racy costumes, and sharing the energy anonymously in the dark with strangers.
The live show with the original actors must have been electrifying. Plays always have more energy than films because of the immediacy of the live actors, and the energy must have been even more intense. I'll always regret not having the chance to have seen it.
The movie itself has been described too many times for me to give a synopsis. I will however say that it is really a collage of feelings, ranging from fear, trepidation, excitement, lust, joyous sexual fulfillment, more lust, tragedy, and a strange sadness at the end. Basically, all the emotions that make life worth living, in an hour and a half. However, the visceral enjoyment of this film, and the emotions it brings, will only be experienced with a large, highly energized audience. If you get a chance, and if you can get your reserved ego out of the way, go to a midnight showing in your area when you know there's going to be a big showing. Don't go expecting a logical, coherent storyline. Its about experience, not narrative. You'll get an experience that you've been missing your whole life. At the end, there is a message here, hidden under all the seemingly blissful hedonism. It takes a long time for it to become clear, however.
I wonder if O'Brian, its creator, was clever enough to have put it there all along?
By the way, there is no nudity or actual sex in the entire movie. For a movie with its reputation, that's pretty amazing. Compared to the slasher/gore fests passing themselves off as film these days, the movie is strangely quaint and innocent. But then, that's what true enjoyment of sensuality should be.
For a cult film, 10 out of 10 stars. It doesn't get any better than this as cult films go.
To those who haven't seen Rocky Horror, don't bother reading reviews about it. It won't mean anything. Don't rent it on DVD which it recently came out on. It also won't mean anything, because it's missing the thing that gave it and the stage play that preceded it life... the audience. By definition, a cult film is meant to be seen by a group. Preferably, a large one.
I saw Rocky Horror 20-something years ago, and wound up playing "Brad" with the players next to the stage. Something I would normally never do. Why? The show's energy sucked me in. More accurately, the audience's energy sucked me in.
The show, with a revved-up audience, is almost like a dialogue between the movie and the people watching it. It celebrates sex, hedonism, even while playing out the danger, violence, and tragedy it can result in. It allows the audience of mostly young kids to exude and rejoice in their sexuality, whatever it is. And without ever taking their clothes off. I think that is the real appeal of the show. There's a joyousness, and a strange innocence, in throwing raunchy comments at the screen, watching the live performers on-stage act out the scenes in racy costumes, and sharing the energy anonymously in the dark with strangers.
The live show with the original actors must have been electrifying. Plays always have more energy than films because of the immediacy of the live actors, and the energy must have been even more intense. I'll always regret not having the chance to have seen it.
The movie itself has been described too many times for me to give a synopsis. I will however say that it is really a collage of feelings, ranging from fear, trepidation, excitement, lust, joyous sexual fulfillment, more lust, tragedy, and a strange sadness at the end. Basically, all the emotions that make life worth living, in an hour and a half. However, the visceral enjoyment of this film, and the emotions it brings, will only be experienced with a large, highly energized audience. If you get a chance, and if you can get your reserved ego out of the way, go to a midnight showing in your area when you know there's going to be a big showing. Don't go expecting a logical, coherent storyline. Its about experience, not narrative. You'll get an experience that you've been missing your whole life. At the end, there is a message here, hidden under all the seemingly blissful hedonism. It takes a long time for it to become clear, however.
I wonder if O'Brian, its creator, was clever enough to have put it there all along?
By the way, there is no nudity or actual sex in the entire movie. For a movie with its reputation, that's pretty amazing. Compared to the slasher/gore fests passing themselves off as film these days, the movie is strangely quaint and innocent. But then, that's what true enjoyment of sensuality should be.
For a cult film, 10 out of 10 stars. It doesn't get any better than this as cult films go.
I have this on VHS, and it is one of my all time guilty pleasures. It has a great cast, a catchy music score and unforgettable satire on monster movies, like Frankenstein. If you haven't seen it already, give yourself a treat! I will warn you though, it is extremely silly at times, but that is all part of the fun. And I seriously don't care whether it's poorly made or not and I don't think so personally, all that matters is that it's entertaining, and that is what exactly RHPS is. The cast is wonderful. Susan Sarandon and Barry Bostwick do a great job as Brad and Janet, although I didn't know they could sing, which really surprised me. Richard O'Brien is solid as Riff Raff and he also wrote the songs. Also solid are Patricia Quinn and Peter Hinwood. The best performance, however, comes from Hollywood's most underrated actor, Tim Curry, who I must say looks hot in fishnets and heels. He has a great singing voice, that is always overlooked. FrankNFurter is a landmark performance, but Tim Curry has also done other great films such as Clue, Legend,Muppets Treasure Island, Blue Money and It. (which has his career-best performance by a mile.) Voiceovers include Captain Hook, Slagar, Hexxus, Drake, Forte, Von Talon and the Mouse King. The songs are so catchy, especially "Time Warp" and "Sweet transvestite" that I actually wanted to dance to the music, but I am a novice at dancing. The complaint about this movie, which is undoubtedly the best cult movie ever, no matter how many times it's been imitated, is the song "Science fiction" which is not in the same league as the more uplifting songs. Still I am happy, and lets do the time warp again! 9.5/10. Bethany Cox.
Lo sapevi?
- QuizAccording to interviews, Patricia Quinn only took a role in the play because she loved the opening song "Science Fiction - Double Feature". She was upset when she didn't get to sing the song in this movie, but agreed to lip-sync the words as the pair of red lips in the beginning, with vocals by Richard O'Brien.
- BlooperWhen Janet and Brad are scuttling off to the side of the stage at the end of 'Wild and Untamed Thing', she accidentally stabs his foot with her high heel, causing him to wince and stumble in pain.
- Citazioni
[last lines]
The Criminologist - An Expert: And crawling on the planet's face, some insects, called the human race... lost in time... and lost in space... and meaning.
- Curiosità sui creditiAt the very end of the film, The credits read: "The characters portrayed in this film are ENTIRELY FICTITIOUS and bear no resemblance to anyone living OR DEAD!"
- Versioni alternativeThe DVD contains a 'Conceptual Version' which has everything up to "The Time Warp" in black and white, included as an 'Easter Egg'.
- ConnessioniEdited into Meat Loaf: Hot Patootie Bless My Soul (1975)
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
- How long is The Rocky Horror Picture Show?Powered by Alexa
Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- El show de terror de Rocky
- Luoghi delle riprese
- Oakley Court, Windsor Road, Oakley Green, Windsor, Berkshire, Inghilterra, Regno Unito(castle exterior, criminologist's study, Brad's room, Janet's room, dining room, Columbia's room, entrance hall and stairs)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 1.200.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 112.892.319 USD
- Lordo in tutto il mondo
- 115.827.018 USD
- Tempo di esecuzione1 ora 40 minuti
- Colore
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti
Divario superiore
What is the streaming release date of The Rocky Horror Picture Show (1975) in Brazil?
Rispondi