In corsa con il diavolo

I'm very pleased with this little occult road-movie classic from the 70's. It's fun and moves at a decent pace. Of course you have to wait for more than an hour before the racing starts, but the climactic last 20 minutes make up for it. Two couples on a holiday with their mobile home are witness to a satanic ritual killing during one night. Naturally, the local authorities have some difficulties believing all this, and soon the two couples find themselves being harassed and eventually chased by several cult-members. I liked the sense of paranoia this film has. Just about everyone in this movie could be a satanic cult-member. I liked the ending too. And Peter Fonda was cool as always. This time he used the word "terrific" a lot as an expletive, instead of "groovy".

Never mind the nasty dismissal in the annual paperback guide to movies by critic Leonard Maltin and cronies. This is classic, exhilarating *and* suspenseful drive-in entertainment, man!

Real-life good friends Peter Fonda and Warren Oates play buddies Roger and Frank, who embark on a vacation with wives Kelly (Lara Parker) and Alice (Loretta Swit) that includes, or will include, activities such as camping, motorcycle racing, and, hopefully, skiing. Frank has even procured a state-of-the-art RV for the occasion. Unfortunately for this quartet, Roger and Frank end up witnessing a Satanic ritual & sacrifice taking place across a river. The Satanists (supposedly played by actual Satanists) realize they've been witnessed and thereafter relentlessly pursue the heroes.

Actor / director Jack Starrett ("Slaughter", "Cleopatra Jones") stepped in on short notice to replace original director Lee Frost (Frost and co-writer / producer / actor Wes Bishop being familiar names to exploitation aficionados) as 20th Century Fox was dissatisfied with what Frost was turning out. And the results make for a fine viewing experience. The tension just builds and builds throughout the whole thing. Just get a load of the sequence where the nervous Kelly sees, or seems to see, menace in every strange face around her. This will have the audience thinking, "Just how many people are in on, or could be in on, this whole damn thing?" You'll wonder, too, if there's *anybody* trustworthy in the cast of characters.

Particularly exciting scenes are those where Roger and Frank have to rush to get their vehicle going again before the villains can catch up, and where they and their wives must deal with an attack by a pair of rattlers. But best of all is the invigorating, breathless climactic action featuring some extremely impressive human and vehicle stunts. Leonard Rosenman's music score is ominous through and through, and there's one Hell of a distinctive looking tree to serve as an enduring image. Fonda, Oates, Swit, and Parker are immensely likable, and the supporting cast includes old pro R.G. Armstrong as the sheriff, Bishop as Deputy Dave, Phil Hoover as the creepy looking mechanic, and Paul A. Partain (Franklin in the original "The Texas Chain Saw Massacre") in a bit part. The movie features one of the most priceless of the downbeat endings common to 1970's cinema, ending this on a perfect note.

"Race with the Devil" is must viewing for anybody looking to discover the drive-in favourites of decades past.

Nine out of 10.

"Race With the Devil" is an excellent blend of spine-tingling horror, riveting suspense, and slambang action. I had heard good things about this one, and I definitely got what I was looking for. In fact, I got too much because this is one spooky movie and is the type of film that I love because it's a great movie, but hate because it sends my paranoia levels spiralling through the roof. In it, four vacationers are traveling in their badass RV and end up getting drunk out in the middle of an isolated countryside. The two guys see something that piques their interest across the river at night and spy on it, thinking they're watching hippies have an orgy. What they don't expect is the Satanic ritual sacrifice that takes place right in the middle of it all, and they don't make a very clean getaway. Before you know it, devil-worshippers are coming out of the woodwork everywhere they end up at, chasing them all over the state. It is a very creepy and believeable film, and I've got to commend a movie that makes car chases exciting when I can't remember the last time I ever gave a crap about a single one. An exhilarating, fast-paced movie that is an edge-of-the-seat thrill ride! I highly recommend it!

I have not read through all the reviews, so I'm hoping no one spoils the ending. Read the ones marked spoiler after watching the movie.

Considering how long ago this was made, it was a very cool movie. Starts off a little slow, but once you see the bonfire start, things pick up.

Roger (Peter Fonda) and his buddy, Frank (Warren Oates) take their wives, Alice (Loretta Swit) and Kelly (Laura Parker) on a nice vacation in a large motor-home. There are some comical scenes, some sad scenes, some motorcycle action and, of course, some suspense and action. I have to agree with one reviewer about the women being in it to provide screaming and in fear of almost everyone else in the movie. The car chase scenes were very good. You won't see any gross scenes in this. I would recommend seeing the movie. Enjoy!

As low budget horror movies go, "Race With The Devil" has aged well. The plot is simple--two couples en route to Aspen for a long overdue skiing vacation, end up in the wrong place at the wrong time, and witness a human sacrifice. The rest of the film deals with their attempts to escape their pursuers, who happen to be modern day witches! Peter Fonda, Warren Oates, Loretta Swit (M*A*S*H) and Lara Parker (Dark Shadows) are the couples in question, and R.G. Armstrong is the local sheriff they enlist to help them. All the performances are fine, especially the vastly underrated Oates, who is only now receiving the acclaim long due him, (he has since passed away) and his acting is as compelling as ever. The just-released DVD includes a commentary from producer Paul Maslansky and Lara Parker, a retrospective documentary with Peter Fonda, trailer, still and poster galleries and radio spots. Enhanced for widescreen TVs the film looks great, and is a great one to watch late at night (if not alone) when you feel the need for a few genuine scares.