I giustizieri del West

Not a bad western, but not a real winner either. Most of the acting was good, but some of the performers need to go back to drama class and bone up a bit. Douglas and Dern kept the show going with their give and take, although I don't think the real lawmen and desperados actually carried on in this fashion. I think Strawhorn was more of a realist than a truly bad person; he saw the reality of life and became practical because of his vision. Dealing with 2 faced con men like Nightingale merely solidified his outlook on life.

Bet you didn't know that Kirk Douglas took the director's chair a couple of times, POSSE being one of them. If you like westerns, like me, you'll probably find this decent. The movie does suffer from the middle third of the movie, where the story pretty much grinds to a halt. Though this part wasn't really boring, it will probably make you wish they would get on with it. Also, the actions taken by certain characters near the end, though having some justification, didn't seem to have enough justification.

On the positive side, POSSE is well shot, well acted, good production values, and an interesting ending. It's worth seeing.

P.S. - Leonard Maltin's description of this movie isn't exactly how the movie plays.

One thing about Kirk Douglas is that he's never been afraid to let the public see him as a bad guy. It's a great tribute to his ability as an actor to develop such a wide range of characters from the heroic Spartacus to the villainous George Brougham in The List of Adrian Messenger.

Posse falls somewhere in the middle of those two films in terms of the good versus evil scale for Kirk Douglas. Politicians running on "law and order" platforms were just coming into vogue at the time and this western is spot on about those kind of politicians and the motivations behind them.

Kirk Douglas is a U.S. Marshal with political ambitions to be a United States Senator. He's got his photographer with him to record his exploits and travels on a private railroad car provided by the railroad.

He's on the trail of outlaw Jack Strawhorn, played by Bruce Dern. Before capturing Strawhorn, Douglas and his posse burn alive Dern's gang in a barn fire and then butcher another group of misfits he's put together even as they want to surrender.

What I like most about Posse is that it doesn't try to make Dern out any kind of a hero. He's an outlaw the way some people are grocers, bakers, shoemakers, etc. This may very well have been Bruce Dern's best screen role.

It turns out that Dern is a far better judge of human nature than the fatuous Douglas is. The town of Tesota, Texas where most of the action takes place is very much sadder and wiser when the film concludes.

A lot of the same themes are covered in the more acclaimed The Unforgiven with Clint Eastwood who also starred and directed himself. But I think Kirk Douglas got there first.

This outlandish and politically incorrect Western concerns about an ambitious, pompous sheriff named Nightingale (Kirk Douglas) he's looking for a dangerous robber as platform for his US Senate political career, under the ironic title ¨To the polls, sons of freedom¨. When Jack Strawhorn (Bruce Dern)is double-crossed , he escapes and seek vengeance against Penstleman(David Canary). Later on , Strawhorn is captured and carried a town . After that, happens the getaway and Jack want to take over the loot that was taken him. Then Nightingale finds townspeople are siding with the bandit.

There's much historical revisionism in this offbeat and pleasantly subversive Western as well as reversals of the ordinary 'Good guy' against 'Bad guy' format, similarly as happens in Spaghetti Western sub-genre. ¨Posse¨ attempts at a new rendition the Old West but at its core it's throughly conventional. Excellent Kirk Douglas as cynical sheriff who tries to fulfill political aspirations by detaining a known gunfighter. Bruce Dern steals the show as intelligent and resourceful outlaw . Secondary cast is frankly well as Dick O'Neill as ubiquitous photographer recording everything for future , James Stacy as cripple journalist, the Mexican Alfonso Arau who recently turned into film-maker, and Luke Askew and Bo Hopkins as members of the marshal bunch. This over-directed and fine-written movie extends to style as well as content, though packs some bit flaws. Colorful cinematography by Fred Koenekamp (Patton) and atmospheric musical score by Maurice Jarre (Doctor Zivago, Laurence of Arabia). This solid motion picture is well produced and directed by Kirk Douglas . Kirk's direction and production was taken in various films as ¨The light at the edge of the world¨, ¨Brotherhood¨, ¨Grand Prix¨, ¨Paths of glory¨ but he only directed ¨ Scalawag¨ and ¨Posse¨, though he told that made some scenes of ¨Spartacus. Rating : 6,5, good and well worth watching.

Kirk Douglas had already directed the somewhat terrible Scalawag in 1973, but that previous flop did not deter him from having a second stab at the directing job a couple of years on. Fortunately, Posse is a much more accomplished film than Scalawag in every way: Douglas's own direction is more assured, the script by Christopher Knopf and William Roberts is very literate and clever, and Fred Koenekamp's cinematography has a good, professional look about it. By 1975, one would have thought that there would be little mileage left in the western genre. It seemed that nothing new could be done, but this one comes up with a fresh twist by having the "hero" gradually revealed as an unlikable and ambitious social climber.

Marshal Howard Nightingale (Douglas) publicly announces that he will bring in infamous railroad bandit Jack Strawhorn (Bruce Dern). Although Strawhorn is a criminal of considerable notoriety - and definitely a man who belongs behind bars - Nightingale has an ulterior motive for apprehending his man. For the good Marshal has decided to run for the Texan senate, and believes that if he can nail Strawhorn - painting himself as a hero into the bargain - he will win over plenty of voters. Gradually, more and more people begin to see through Nightingale's selfish and egotistical political plans. His own posse have their doubts about how they will figure in the Marshal's future schemes; a news editor named Hellman (James Stacy) expresses distrust over the Marshal's ludicrously self-important opinion of himself; even Strawhorn eventually realises what his sly adversary is up to. Ultimately, Nightingale loses his posse and his public favour, with a little clever intervention from Strawhorn, and sees his political dreams left in tatters.

The critical response to Posse was much more favourable than Douglas's previous directing attempt, and deservedly so. The western action in the film is good, solid stuff, not too violent (as was the trend in '75), but certainly tough enough to satisfy genre addicts. Douglas gives a strong performance as the absurdly self-obsessed marshal, and Dern is even better as the charismatic, even likable, bandit. The subversive nature of the plot (hero gradually turns out to be villain, villain gradually turns out to be hero) is intriguing and fairly fresh, and helps to add interest to the film. While Posse has occasional lulls, and a few noticeably amateurish performances lower down the cast list, it remains a fresh, interesting, and intriguing addition to a virtually exhausted genre.