Il poliziotto della brigata criminale

This movie was a replacement in France. It marks the entry of a new criminal type(Minos) in a scenery unprecedented(the cold tower).The introduction is very efficient,a woman alone in her apartment,harass by the voice of Minos. Commissaire Letellier will be change his méthods for catch Minos. The opposition between the old-fashion criminal(Marcucci) and the modern(minos) is the symbol of a new area. The stunts are incredible(belmondo=keaton and Jackie Chan)specially the chase on the subway.The Veber's dialogues are very punchy. 8/10

This French movie by crime and action movie director Henri Verneuil presents Jean-Paul Belmondo at his best! He plays a Clint-Eastwood-like hard boiled detective in Paris, chasing a mentally disturbed serial killer who's already killed several women. Belmondo is acting in his usual style, with less words than action and some witty remarks for every scene. Next to some scary murders and a disturbing one-eyed killer, the highlight of this movie is a 15-minute chase which starts on a house's roof and is continued by bike, cars and a thrilling subway stunt sequence, all filmed as good as well-known chase scenes like "Bullitt", "French Connection" or "Speed". If you like dark serial killer action, hard-boiled guys and breath-taking action sequences, watch this cool 1975 movie!

"Peur sur la ville" is one of the best films for both Jean-Paul Belmondo and director Henri Verneuil. At the time (1974-75) Belmondo is (with Alain Delon) the biggest French movie star -he's a versatile actor, but he is specialized in action movies where he can do his own stunts... His artistic and physical exploits allow him to be the Number 1 at the French box office between 1970 and 1987.

Henri Verneuil is too a versatile artist -in his long career he directs film of every genre, most of them are box office hits. He works with the Top French film stars (Fernandel, Belmondo, Delon, Ventura, Gabin, ...).

When the two men meet for this collaboration they are not novice artists and know exactly what they want. A solid thriller ("un polar") in the best French tradition with drama, fear and action. That's what they get and pack cinemas in many countries.

Paris is frightened by a psychopath, whose name is Minos. This assassin punishes people who are (in his opinion) sinners... Commissaire Letellier is an athletic cop who reaches to catch him, in putting his life in danger many times.

What else can I say? The merit of this movie is the simplicity. Because scenes are not exaggerated with special effects, they are not too violent as well. Efficacy of the movie depends on actors and their physical involvement.

Belmondo, who is a mask of the French cinema, is really great. He can be funny and dramatical -in this film he's a charming tough character. He has a lighter approach than Clint Eastood's "Dirty Harry" or than any of Charles Bronson executioners.

What we have here is a crime thriller that includes most of the clichés of the genre, but does it in such a way that it feels original due to the execution. Henri Verneuil's film is really not what I was expecting it to be at all; it's actually a lot more than just a film about cops hunting a vicious psychopath and while not everything about the film works, what does work works brilliantly and this is certainly among the best European crime thrillers of the 1970's. The film is a French and Italian co-production, and while it's clear that the film is much more French than Italian; we still get some trademarks of Italian cinema thrown in and the film has elements of both the Polizi and Giallo genres. The plot simply focuses on an unknown serial killer that targets loose women in Paris by way of phone calls and later murder. Commissioner Jean Letellier and Inspector Moissac are put on the case and have to go through the Parisian underworld before coming close to catching the killer and discovering his insane reason for murdering the women of Paris.

The thing that really makes this film stand out is the leading performances courtesy of Jean-Paul Belmondo and Charles Denner. The pair fit into their roles excellently individually and have a great chemistry also, which director Henri Verneuil is keen to exploit as much as possible as the two actors provide the film with most of its best moments and also deliver some comedy. The film is not overly gory and the focus is never on the murders; although there are a few featured and the way that the director focuses on the killer's black gloves is a nice nod towards Giallo. The film features many of the crime film staples such as car chases and shootouts; a sequence that sees the main protagonist chase the killer in the middle of the film is excellently staged and very thrilling. The film changes pace many times throughout but the director always manages to keep things interesting. Adalberto Maria Merli's portrayal of the villain is suitably demented and detestable and the way that the film boils down towards the conclusion is well done and completely unexpected. Overall, this is an excellent film that doesn't deserve to be forgotten about and therefore comes highly recommended!

A nice polar movie that makes us follow the murders committed by a serial killer and, first and foremost, of a "no-brain-all-muscles" cop, played by Belmondo. As this is a French movie, of course, the cop is not just plain (nor Eastwood style, nor Willis style) and comes with comedy and some parody. But we do have a good set of action scenes, with a memorable one on the roofs of Paris.

The score, chiseled as all other Ennio Morricone's work, is the finishing touch that involves us in the ride!