Il poliziotto della brigata criminale

"Fear Over The City" is one of those films that invented what later became known as the clichés of the "serial-killer thriller" subgenre. It's all here: the mad killer who fancies himself a moral avenger, the "Freudian" explanations of his behavior, the threatening phone calls to the potential victims and the taunting ones to the police, the hostage situation at the end, etc. The structure of the film is almost experimental, with a chase sequence in the middle that goes on for about 30 minutes, and an entire subplot (about a bank robber who killed Belmondo's previous partner) that is little more than a mere distraction. Belmondo is good as the cynical, hard-as-nails cop, and yes, he does perform some stunts in this movie that are worthy of Jackie Chan at his finest. He has some great moments of black humor, too ("his heart really IS bleeding!") (**1/2)

This French movie by crime and action movie director Henri Verneuil presents Jean-Paul Belmondo at his best! He plays a Clint-Eastwood-like hard boiled detective in Paris, chasing a mentally disturbed serial killer who's already killed several women. Belmondo is acting in his usual style, with less words than action and some witty remarks for every scene. Next to some scary murders and a disturbing one-eyed killer, the highlight of this movie is a 15-minute chase which starts on a house's roof and is continued by bike, cars and a thrilling subway stunt sequence, all filmed as good as well-known chase scenes like "Bullitt", "French Connection" or "Speed". If you like dark serial killer action, hard-boiled guys and breath-taking action sequences, watch this cool 1975 movie!

Jean Paul Belmondo and his associate, Charles Denner, play tough cops after two killers in "Fear Over the City." Although not listed in the credits, the city of Paris plays a major supporting role. One killer, Marcucci, is a bank robber Belmondo's character is after for killing a fellow cop during an auto chase. At one point later in the picture, Belmondo is on the roof of a Paris Metro car above ground as it goes though Paris, with the cop killer inside the train. The viewer gets a chance to see the city sights as the train zips along.

The second killer, who uses the name "Minos," wants to rid the world of sexual immorality by targeting women he finds objectionable. Belmondo gets into a gunfight with Minos while on the sloping roof of a store, apparently the Galleries Lafayette. Director Verneuil does a great job of adding thrills as Belmondo slips on the sloping roof several times, almost falling off, all the while shooting it out with Minos. The pursuit of Minos after the roof fight leads to a chase through Paris, past the Eiffel Tower and through downtown streets, Belmondo's police car after Minos, on a motorcycle.

In this movie Belmondo gets a chance to play a real tough cop, one who shoots back at a suspect, hitting him, and then ignores him as he asks for an ambulance. Instead, Belmondo takes a break, reading a magazine in the wounded man's apartment until the guy talks. There is that scene in the basement of a bar, where 38 illegal aliens from Mali rent space from the bar owner. 1975 and this movie shows illegals forced to live in double or triple bunk beds in a storage basement. Belmondo's bell bottom pants have dated, but not that basement scene nor the professionalism the cast and crew bring to this movie.

This movie was a replacement in France. It marks the entry of a new criminal type(Minos) in a scenery unprecedented(the cold tower).The introduction is very efficient,a woman alone in her apartment,harass by the voice of Minos. Commissaire Letellier will be change his méthods for catch Minos. The opposition between the old-fashion criminal(Marcucci) and the modern(minos) is the symbol of a new area. The stunts are incredible(belmondo=keaton and Jackie Chan)specially the chase on the subway.The Veber's dialogues are very punchy. 8/10

A nice polar movie that makes us follow the murders committed by a serial killer and, first and foremost, of a "no-brain-all-muscles" cop, played by Belmondo. As this is a French movie, of course, the cop is not just plain (nor Eastwood style, nor Willis style) and comes with comedy and some parody. But we do have a good set of action scenes, with a memorable one on the roofs of Paris.

The score, chiseled as all other Ennio Morricone's work, is the finishing touch that involves us in the ride!