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I don't think Peeper is a very good film, but I agree that it shouldn't have completely fallen off the map the way it did. It was given a belated if limited DVD release last year.

Timing was not on this film's side. Chinatown paid tribute to film noir in classic fashion only a year before it was released; Play It Again, Sam had spoofed it successfully only a year before that. Those two films, not to mention the films of the film noir era, leave Peeper looking very slight indeed.

Still, Caine has fun as an almost bumbling detective, and Natalie brings smarts and unparalleled sex appeal to her role as a shady lady. The supporting cast is pretty nigh flawless as well, and production values couldn't be better. The script, unfortunately, doesn't add add up to much.

Director Hyams, in a special feature interview, recalls telling Natalie to turn around at the end of a long tracking shot at the end of a long day. She asked what would motivate her to do that and he answered that the camera couldn't follow her if she didn't. She paused and said, "okay, I can feel that". It's too bad that at no point in her last decade did Natalie get to make a movie where character motivation was prioritized, but it's unsurprising to hear that she was a good sport about it.

"Peeper" is not a bad little film and it will fit the bill if you are looking for a time-passer. There are also parts of the film I really liked (such as the snappy dialog). But it's also a film that has problems. The plot seems derivative (very much like a reworking of "The Big Sleep"), the story is confusing and inconsistent and the actors seem to try their best with a plot that really seemed forced. Because of all this, I certainly will not heartily recommend it.

The film is set in the 1940s and is introduced by an actor pretending to be Humphrey Bogart. The story itself then begins. A nutty guy (Michael Constantine) gets a private eye (Michael Caine) to take a case. He wants Caine to locate his long-lost daughter, as he wants to make her his heir. The trail leads to the Prendergast family and one of their two daughters MIGHT be the heiress. To complicate things, two thugs are on his tail and seem ready to kill him--and yet, inexplicably, each time Caine captures them he gives them a chance to escape instead of either turning them into the cops or shooting them. This actually frustrated the heck out of me--and again and again, Caine's character seemed to make dumb decisions. I hate films where you must accept the stupidity of the lead in order to make the plot workable! It's a shame, as Natalie Wood is gorgeous and Caine tries his best. It's just the case of a film that needed a re-write before it was actually made.

This is one of those movies that is just immensely good fun. First of all, it has an excellent cast. Caine is wonderful as the world-weary London private eye adrift in Los Angeles. Michael Constantine, as the ex-con desperate to find his daughter, has never been better. Natalie is very good as the satin-clad femme fatale. And then there's the outstanding supporting cast. In a sense, this film is a tribute to character actors. Even the unappreciated Robert Ito shows up as the sinister Japanese butler.

But even given the cast, what really shines is the W. D. Richter's script. Especially our hero's brilliant analysis of the location of a house based on the angle of the sun and the shadows it casts, followed by his discovery that: "I wasn't even close. It was in Beverly Hills."

On the other hand, your favorite bit may be the Humphrey Bogart impersonator reciting the credits at the beginning of the film to the accompaniment of a lone trumpet (at least, that's how I remember it; actually, since the other reviewer and I seem to be the only people in the world who have actually seen this film, who's to argue?) It's a sad fact that Peeper has been dumped. It doesn't even appear on most filmographies of Michael Caine. It's not available on video in any form, and I have never seen it appear on television (maybe we can persuade The Mystery Channel to show it, if the tape hasn't disintegrated by now). So if there's a patron saint of forgotten films wandering around this site, why don't you see if you can nudge 20th Century Fox into releasing it. It deserves better.

I found this movie to be incredibly boring. The characters and dialogue were over the top in a bad way.

I did enjoy the character of Anglich. I watched, though, purely for Michael Caine, and as usual, found his acting and character to be entertaining and endearing.

He was way too good for this one.

I just saw this interesting little oddity. This isn't an especially good film, but it's more than good enough to while away an hour and a half. It's a fun little homage to film noir with it's tongue planted firmly in cheek. Great performances by Michael Cine and Natalie Wood as well as an excellent supporting cast plus a well crafted script but the film itself just doesn't quite gel. A big part of that might be due to Peter Hyams, a technically proficient and often overlooked director. Hyams is generally just a director for hire but he really puts a personal touch to every film he directs, although he rarely is given very good material to work with. Peeper was one of his earliest films, and the film's uneven pacing is probably a result of his limited experience. Still, Peeper is a pretty decent film and worth a look. It's a shame the film disappeared after it's initial limited theatrical release, but it is now available on DVD. The print is an excellent digital transfer and there's even about thirty minutes of special features on the making of the film, a nice bonus for a film which has been basically forgotten.