Durante la Seconda guerra mondiale, un giovane ragazzo è chiamato alle armi e si prepara nell'addestramento militare in preparazione dello sbarco in Normandia, mentre un crescente presentime... Leggi tuttoDurante la Seconda guerra mondiale, un giovane ragazzo è chiamato alle armi e si prepara nell'addestramento militare in preparazione dello sbarco in Normandia, mentre un crescente presentimento sale.Durante la Seconda guerra mondiale, un giovane ragazzo è chiamato alle armi e si prepara nell'addestramento militare in preparazione dello sbarco in Normandia, mentre un crescente presentimento sale.
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- Sceneggiatura
- Star
- Premi
- 2 vittorie e 1 candidatura in totale
Recensioni in evidenza
Mind you, what's actually been shot for the film isn't too great either, as our too-polite-by-half main character gets enrolled in the army during training scenes that are about 1% as interesting as those in Full Metal Jacket. We then follow his career until D-Day itself, falling in love with a girl at a bar and voicing his disquiet at the conflict in the letters he sends. Problem is, this bloke is as dull as ditchwater, and his fellow soldiers, on the rare occasions they open their mouths, are just a bunch of one-dimensional stereotypes. The most interesting participant here is Tina, the cocker spaniel our young recruit says goodbye to at the start. Someone get that dog a contract.
I can appreciate the use of a bit of celluloid material from back then, to set the scene and give us an idea of what life was like during the period. But here, it monopolises half the length, which is far too much for a product marketed as a movie. And why did they have to choose to follow someone so vanilla in the title role? I was reminded of the film Titanic, where despite the hundreds more enthralling prospects on board, the director opted to show us the lives of the two most tedious passengers. WHY?? By the time his eventual fate is revealed, and has done or said nothing to endear us to him... so, who cares?
War can be many things... but surely it should not send you to sleep? 4/10
Beautifully photographed in black and white, the film weaves archive footage seamlessly into the fabric of the story and captures, not only the look, but the very essence of the period.
Until the closing moments, the protagonist is not involved in any fighting. What we see are the minutiae of life for a young soldier being trained and waiting to go into battle the marching and military exercises; a trip to the cinema and the local village dance, where he meets his first girlfriend; the eve of battle, when he writes his last letter home, fills in the standard army issue will form, and burns all the private papers which he is not permitted to take into battle lest they fall into enemy hands and give away some information of use to the enemy. These small personal details give the film an emotional depth and a feeling for the times, which most war films made in the post war period fail to do.
The film ends with D-Day, where our hero is among the first to storm the beach, the point where fact and fiction finally meet. Strange, and bizarre military weapons you have never seen before(the rocket wheel???), the barbed wire removing vehicle, appear throughout as well as amazing Arel footage.
The most unique and effective "war" film ever seen. Like Ambrose Bierce's "An Occurrence At Owel Creek", for the WW2 generation. It really puts you in the place, not of a soldier, per say, but of a human being, undergoing the process of becoming a soldier, facing the dread, anxiousness, and absurdity, with a solemn dignity, "Im not frightened", he writes to his parents, admitting he is almost certain he is not coming back.
Overlord cannot easily be place as either a pro or anti-war film. The situation of a gentle, very boyish, nice guy being sent off to the worlds most violent and dangerous conflict in all it's history (he takes a copy of "David Copperfield" with him, so he will have something to read.), is absurd, but it's not handled for irony. There is a scene, where two soldiers are off for R&R and they stumble across a theater, where a young girl is being forced to sing, by her mother in practice for some kind of competition. When the soldiers enter, the mother demands she sing again, though the daughter is even more shaken by the unexpected audience. She sings, and about halfway through the soldiers walk off, in disgust or discomfort, the mother still begging them to stay and listen.
Do the soldiers want to fight? No more than this girl, wants to sing,but for mother and mother country, they both do their share. The reason to watch this film, is because it contains none of the usual images and ideas we come to expect from war and anti-war films. Englad took tremendous beating during World War 2, for years sending their sons to stem,the rising tide of Nazism, inching ever further across the sea between them. Overlord, is thus not the story of heroic victory, or the horrors of war, it's the story of the guy who got sent out, the day-after he made a date(from his level of excitement, maybe his first),and who will probably not be making it back...
The film follows a typical sort of soldier, Tom Beddows, from his induction to his landing at the beaches of Normandy. Throughout his story, clips of the preparations for the landing as well as other war footage is inserted...often in the clumsiest and seemingly random manner. Despite this, the story of Tom IS compelling and sucks you in to his life. Worth seeing...especially if you would love to see a decent micro-budgeted picture.
Lo sapevi?
- QuizThe film uses archive footage of landing exercises carried out in 1943 and 1944. The giant two-wheeled device that is powered by rockets was called a Panjandrum. It was ten feet tall and the central hub was filled with explosives to be used against obstacles and defenses on the landing beaches. As can be seen here it never quite went in a straight line as there was no way to control or steer it after the rockets were fired. This experimental weapon was a spectacular failure and was never used in combat.
- Citazioni
Arthur: Who have you got waiting for you, Tommy?
Tom: Who have I got?
[pauses]
Tom: Well, there's Mum and Dad, I suppose... and Tina.
Arthur: [smiling] Good for you, mate. Let me guess. She got brown hair, brown eyes, pale skin, nice tits, right?
Tom: [grinning] Tina is a cocker spaniel.
[pauses]
Tom: She's a lovely dog.
Arthur: A bitch?
Tom: Yeah, a bitch.
- ConnessioniFeatured in Z Channel: A Magnificent Obsession (2004)
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Dettagli
Botteghino
- Budget
- 89.951 £ (previsto)
- Lordo in tutto il mondo
- 3333 USD
- Tempo di esecuzione
- 1h 23min(83 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.75 : 1