Un criminale fonda la sua difesa sull'infermità mentale dopo essersi cacciato nuovamente nei guai e, una volta entrato nell'istituto di sanità mentale, si ribella contro un'infermiera dispot... Leggi tuttoUn criminale fonda la sua difesa sull'infermità mentale dopo essersi cacciato nuovamente nei guai e, una volta entrato nell'istituto di sanità mentale, si ribella contro un'infermiera dispotica e organizza una rivolta con i pazienti spaventati.Un criminale fonda la sua difesa sull'infermità mentale dopo essersi cacciato nuovamente nei guai e, una volta entrato nell'istituto di sanità mentale, si ribella contro un'infermiera dispotica e organizza una rivolta con i pazienti spaventati.
- Regia
- Sceneggiatura
- Star
- Vincitore di 5 Oscar
- 38 vittorie e 15 candidature totali
Riepilogo
Recensioni in evidenza
Based on the novel by Ken Kesey, the story follows Randle Patrick McMurphy (Jack Nicholson), who, in an attempt to get out of spending more time in prison, pleads insanity for his crime, and is therefore sentenced to time in a mental institution. This was McMurphy's intention, as he believes the conditions in a "crazy house" will be significantly easier to contend with than another harsh stay in prison. However, he quickly finds out that surviving the institution with it's desolate patients (including Christopher Lloyd, Danny DeVito, Vincent Schiavelli and an absolutely brilliant Brad Dourif as the stuttering Billy Bibbit) and the monstrously repressive Nurse Ratchet (Louise Fletcher, in a career defining role) is considerably harder than he imagined. McMurphy plays pranks, horseplay, and is generally defiant to the rules of the institution in an attempt to raise spirits. His constant optimism and reckless defiance to the out of date rules in the institution can be very uplifting, and often quite funny as well, but much of the movie can be very depressing - the generally decrepit state of the institution is a consistently (and intentionally) bleak background to a superb story with a truly bittersweet ending.
Jack Nicholson is at his best here, head and shoulders above other excellent performances such as in 'Chinatown' or 'As Good as it Gets'. McMurphy is an apparently unquenchable optimist, refusing to succumb to the defeated spirit of all the other patients. His livewire antics, inspiring the patients are generally uplifting, and when his indomitable spirit is finally broken, we really feel for him and his fellow patients. Nicholson conveys the essence of McMurphy to perfection, demonstrating his excellent understanding and interpretation of the character. When McMurphy announces that he is going to lift a huge stone fountain and hurl it through the window to escape, the other patients are so caught up in his intoxicating spirit of freedom that they honestly believe he can do it, despite the fact it would be impossible for a man much stronger than him. When McMurphy finally discovers that despite his best efforts, he cannot lift the fountain, he is so openly crushed that we can't help but feel for him. Beneath the frequent profanities and livewire antics, there are real human emotions, which come across as truly touching.
What can be said about One Flew over the Cuckoo's Nest which hasn't already been said? It has an excellent storyline, top notch acting, painfully bleak visuals, perfectly setting the tone for the movie, and alternates between being truly uplifting to devastatingly depressing. It features perhaps the most memorable film ending ever, next to a man on his horse riding off into the sunset, and leaves the viewer beaten down by the conflicting emotions, unaware what to think of the picture next to reveling in it's glorious entirety. It's hard to produce a final outcome any better than this.
-10/10
The movie is perhaps more comedy and entertainment than heavy drama. Still that doesn't mean that the movie isn't filled with some powerful emotional sequences. The tension between the patients and the staff gets more and more notable and grows throughout the movie, which eventually leads to a 'wonderful' ending which I'm not going to spoil.
Yes, Jack Nicholson is truly splendid in his role and it seemed like he was improvising all his lines and actions during the entire movie. It was a really Oscar worthy performances, which he also received. Another Oscar winner for her performance was Louise Fletcher, which in my opinion is a bit too much credit. She plays her role well but nothing more than that. She did not deeply impressed me or anything. This movie also marks the debut for some today well known actors such as Danny DeVito (he looked so young and different!), Christopher Lloyd and Brad Dourif, who also received an Oscar nomination.
Really one of those movies that you must have seen at least once in your life.
9/10
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The movie exists to show not only how corrupt and poorly-constructed society's approach to the "mentally unstable" is, but it creates characters that we have all met in life and shows how the McMurphy-like figure that we all wish we had fights for freedom of choice and basic human rights. In addition to the movie's great spirit, the acting is fantastic. Jack Nicholson is at his best and Danny DeVito can be seen in his very first acting role ( which he absolutely triumphs in ). And of course, there's the unforgettable Chief Bromden. The directing by Milos Forman is very well-done, as the camera-work is excellent and follows the pace of the movie perfectly in how it is used. What really impressed me was the editing, especially as far as the use of audio goes: some parts just made me go "...wow."
My only complaint is that I believe the movie could've been slightly more effective if it were based more closely on the novel at certain points, but the modified point of view of the film does make a great point; anyone who has ever hated their job, been accused of something, had some person so self-righteous and convinced of their own authority and dependency on order get in your way, or attended the American public school system at any point in their life should be able to identify with this movie.
Let's be honest, this film is phenomenal, and should be regarded as one of the greatest films ever made.
I read the description here, and I'm not a hundred percent sure I fully agree with it, for me it's more of a power struggle between Murphy and Nurse Ratched. Murphy challengers Ratched for sure, but it feels as though her battle is to get him to conform, he fights against it, and wants to give some life back to the patients.
For such a serious and bleak setting, there's actually a lot of humour, it drops to some real lows, but the laughs and lighter moments are so uplifting.
Jack Nicholson, what can you say, is this one of the greatest performances of all time? I'd say you could make a strong case for it. The supporting cast are awesome, nobody puts a single foot wrong, acting perfection, Louise Fletcher, Christopher Lloyd, Danny DeVito etc, sublime.
The direction is phenomenal, this is a startling looking movie, and one thing this film has is originality, sheer originality, there is nothing quite like it.
At least I now understand the Netflix Ratched series, and the link that has to this movie.
You could watch this film 1000 times, and it would still be as good.
10/10.
Oscars Best Picture Winners, Ranked
Oscars Best Picture Winners, Ranked
Lo sapevi?
- QuizMany extras were authentic mental patients.
- BlooperThe Monopoly game has plastic houses and hotels. In 1963, they would have been made of wood.
- Citazioni
McMurphy: Jesus, I mean, you guys do nothing but complain about how you can't stand it in this place here and you don't have the guts just to walk out? What do you think you are, for Chrissake, crazy or somethin'? Well you're not! You're not! You're no crazier than the average asshole out walkin' around on the streets and that's it.
- Curiosità sui creditiThe cast is credited in alphabetical order in the end credits, except for Brad Dourif, who is listed last as follows: "and introducing / Brad Dourif as Billy Bibbit".
- ConnessioniEdited into Tell Me Love Is Real (2016)
- Colonne sonoreCharmaine
(1926) (uncredited)
Music by Lew Pollack and Erno Rapee
Played on a record
Reprised in the score near the end
I più visti
Dettagli
Botteghino
- Budget
- 3.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 108.981.275 USD
- Lordo in tutto il mondo
- 109.115.366 USD