Qualcuno volò sul nido del cuculo

It's tough to really judge this movie. Is it Milos Forman's greatest directorial masterpiece or Jack Nicholson's best performance. Tough to say, but the marriage between both director and actor are quite phenomenal. From the first time we see Jack Nicholson to the sad, yet uplifting ending, one cannot escape the sheer power of the film. When a film is parodied as many times as this one has been, typically, greatness can be associated. Well, greatness was achieved, and let's hope this one never falls through the cracks.

Based on the amazing novel by Ken Kesey, Randall Patrick McMurphy is an antisocial and dangerous man no different than a petty criminal, placed in a mental ward to have his behavior studied. He makes friends with lunatics and starts his own circle of admiration within the hospital, much to the dismay of Nurse Ratched, the central authority figure in the story and one of the greatest movie villains ever.

The movie exists to show not only how corrupt and poorly-constructed society's approach to the "mentally unstable" is, but it creates characters that we have all met in life and shows how the McMurphy-like figure that we all wish we had fights for freedom of choice and basic human rights. In addition to the movie's great spirit, the acting is fantastic. Jack Nicholson is at his best and Danny DeVito can be seen in his very first acting role ( which he absolutely triumphs in ). And of course, there's the unforgettable Chief Bromden. The directing by Milos Forman is very well-done, as the camera-work is excellent and follows the pace of the movie perfectly in how it is used. What really impressed me was the editing, especially as far as the use of audio goes: some parts just made me go "...wow."

My only complaint is that I believe the movie could've been slightly more effective if it were based more closely on the novel at certain points, but the modified point of view of the film does make a great point; anyone who has ever hated their job, been accused of something, had some person so self-righteous and convinced of their own authority and dependency on order get in your way, or attended the American public school system at any point in their life should be able to identify with this movie.

Milos Forman's One Flew Over the Cuckoo's Nest is a landmark (one of the few I might add) in cinema. Pretty much everything in this film is at or close to perfection. And rightfully so, it became only the 2nd (1 in 3 films in history along with It Happened One Night and Silence of the Lambs) film to win the top five Oscars- Best Picture, Actor (Jack Nicholson), Actress (Louise Fletcher), Director (Forman), and Screenplay (Bo Goldman).

The story (based on Ken Kessey's astounding, though not too similar, novel) focuses on a rowdy misfit named Randle Patrick McMurphy (Nicholson) who is put in a mental hospital with other people (some voluntarily in) who are not all there. Some of these guys include Danny DeVito (in his first role), Christopher Lloyd, Brad Dourif (in his Oscar nominated role) and the never forgettable Will Sampson who played the Chief. The film, It's actors and scenes will always be terrific achievements in cinema and is one of my favorites.

The seventies produced some of the most interesting and worthy Hollywood movies. Before the era of blockbusters, and ever increasing dumbing down of the cinema art by the Hollywood power-brokers and greedy moneymakers, there was this short but truly amazing window of time that produced many of the timeless gems. A great portrayal of oppression, this gem should not be overlooked by anyone. Truly recommended.

The opening shot of ONE FLEW OVER THE CUCKOO'S NEST is a bleak glance at an Oregon morning. Stirring, haunting music plays gracefully on the soundtrack and a car approaches. Inside the car is one of film history's most remarkable characters. "Randle McMurphy" is about to bring hope, humor, and a glimmer of reality to some disturbed people in a mental hospital. Jack Nicholson as "McMurphy", is something of a paradox. Is this guy crazy or is he really the lazy, conniving criminal most believe him to be? That is the magical mystery and start to a journey into mental illness and the effect this man will have on some truly messed up men.

Milos Forman directs this all-time classic, which swept the Oscars deservedly, and holds up so well 25 years later. It is a simplistic film about small people living in their own small worlds. Manic moments are mixed with poignant acting all leading to an astounding climax. Not before or since CUCKOO'S NEST has a collection of different characters had such an impact on me. You could write a book report about each of the patients in the ward. The two most important people here are, of course, Jack Nicholson and Louise Fletcher.

Nicholson has his greatest moments in this picture. One brilliant scene has him doing an imaginary play-by-play commentary of the 1963 World Series to the group, who are not allowed to watch the game on TV. It is a poetic sequence and Nicholson goes crazy with his delivery, describing baseball with colorful anecdotes and profanity. "McMurphy" immediately makes an impression on the crazies and shows them how they don't have to stick to the "normal routine". He knows their names right away, he sprays them with water, he makes impossible bets with them, he introduces them to fishing, and he even gets a suffering young kid (played well by Brad Dourif) a "date".

Louise Fletcher plays one of the more reprehensible human beings in film as "Nurse Mildred Ratched". She is a hardened woman, one who makes the daily meetings with the group a contest to see who will win. Her stubbornness and lack of compassion for the poor guys is rather one dimensional. That's perfect because that is exactly who she is. Her strong will to keep things monotonous leads to a final showdown with the free spirited "McMurphy" in what is easily one of the most shocking and disturbing climaxes in recent memory.

ONE FLEW OVER THE CUCKOO'S NEST does not try to make a statement about mental illness or how the unstable should be treated. Rather, it is a very simple portrait of the long days and hilarious scenarios that can come about when a mixed bag of suffering people are thrown together. Mental illness is nothing to laugh about, but the fact that Nicholson is not really crazy (at least in my opinion) allows us to be amused. He seems to love his compadres in the hospital. He is mislead, however, into thinking he can do as he pleases.

There is no denying the power of CUCKOO'S NEST. The two main powerhouse performances are golden, the cinematography is morbid and gritty like it should be, the "Chief" is great as Nicholson's right hand, ah, protagonist, and you care a lot about what will happen as the film moves on. The famous, final shot ironically happens to be an exit of a major character into that bleak, Oregon morning.

NOTE: I have never read the book and I find it hard to believe author Ken Kesey has never watched the filmed version. Comparing a book to a movie is impossible. They are 2 distinctly different artistic methods of story-telling.