Morte sospetta di una minorenne

As many of my fellow Italian Horror fans probably do, I consider Sergio Martino one of my favorite directors. The man has delivered great films in a variety of genres, but he is doubtlessly (and rightly) most famous for his Gialli. Before seeing this film, I had already seen his five other contributions to the Giallo-genre, "The Strange Vice Of Mrs Wardh" (1971), "The Scorpion's Tail" (1971), "Your Vice Is A Locked Room And Only I Have The Key" (1972), "All Colors Of The Dark" (1972), and "Torso" (1973), all of which are nothing short of brilliance. I've seen all these films multiple times, and while they all had the typical great Martino-style, each one of these films has something very particular. Especially the ingenious Poe-inspired "Your Vice Is A Locked Room And Only I Have The Key" is a personal favorite of mine that easily ranks among the greatest Gialli ever brought to screen. This "La Morte Sospetta Di Una Minorenne" (aka. "Suspected Death Of A Minor") of 1975 is doubtlessly also a very memorable film, and while I did not quite like it as much as Martino's other five Gialli, one cannot deny that it has its very particular qualities. This is doubtlessly Martino's oddest Giallo, as it is not a typical specimen of the genre, but a weird and highly unconventional mixture of Giallo, Crime flick, and, in many parts, Comedy that even includes Slapstick-elements.

I do not want to give away too much of the plot, since it is, in many ways, unpredictable, and bears many unexpected twists. The mid 70s were already the end of the most successful heyday of the Italian Giallo, whilst the heyday of Italian Crime flicks was beginning around the time. Several Gialli from the time, therefore used elements that are mainly attributed to the Poliziottesco, such as drugs, underage prostitution, corruption etc. The most famous example for that may be Massimo Dallamano's "La Polizia Chiede Ajuto" (aka. "What Have They Done To Your Daughters?" of 1974, and it is also the case with this film. The overload of slapstick elements here is quite unique, though, which is not necessarily a good thing. True, even the most famous Giallo of all-time (and also one of the greatest), Dario Argento's masterpiece "Profondo Rosso" from the same year, has several comical moments. Not to the same extent, though, as these moments are just occasionally in "Profondo Rosso", where they actually greatly create more closeness to the characters. In "Suspected Death Of A Minor" these elements are not quite as funny, but therefore including more slapstick, omnipresent and used to a sometimes annoying extent. Even so, the idea of a Giallo with slapstick-elements is original, to say at least, and the film does not loose its compelling Mystery/Thriller parts. Leading man Claudio Casellini starred in a variety of Italian Exploitation and Horror productions, including "Flavia The Heretic", "Murder At The Etruscan Cemetery" and director Martino's very own "Mountain Of The Cannibal God". The role which Casellini is probably best known for is that of the investigating detective in "What Have They Done To Your Daughters", a film that bears many resemblances to this one (even though "What Have They Done To Your Daughters" is more serious, and a lot better). The film is superbly shot, and the score by Luciano Michelini is brilliant and contributes a lot to the atmosphere and suspense. Overall. "Suspected Death Of A Minor" is a highly recommendable film for all my fellow Giallo-enthusiasts and Sergio Martino fans. I would nonetheless recommend to see Martino's brilliant other Gialli first. Especially "Your Vice Is A Locked Room And Only I Have The Key" (which, by the way, is funnily referenced to in this film) comes with my highest possible recommendations, and films like "Torso" and "The Strange Vice Of Mrs. Wardh" are also essential for genre-fans. My opinion on "Suspected Death Of A Minor": 7/10

This one is slightly odd tonally - there is a bit of poliziotteschi, some giallo and some broad and slapstick humour. If I had to pick a genre to pigeon-hole it in it would be a poliziotteschi. It owes more to that genre than giallo for me. Giallo purists will likely be disappointed. Some giallos have a little humour so that isn't necessarily a problem. This has more humour than I've seen in a giallo before but I think the giallo label goes by the wayside for me for a few reasons. The main one - it can't really be a giallo if you see the face of the killer during the first scenes of the film. After seeing the killer it is not a whodunnit, more of a who-hired-them-to-do-it and why? It also leaves you dangling as far as exactly what the main character's role or job is until about 40 minutes in. A few other fairly crucial giallo conventions or tropes are flouted here but I won't say which as they would be potential spoilers. There are some heavy nods to (or maybe little borrowings from) Profondo Rosso, which precedes this by only a few months - evidence of how quickly these films were made. The first track on the soundtrack is certainly Goblin-esque and the trashy, falling-apart car I assume was "inspired" by Argento's film. The tone wobbles around and this may make or break the film for you. It feels deliberate and mischievous rather than clumsy. Once you get that it will break with convention, and play with tone and genre I think it is a lot of fun. The price you pay is less tension, although some is achieved especially in the latter half. It is reasonably paced and a few bits of the humour work. The main two characters interact quite nicely together. There is no glaring deadwood in terms of the actors. The last hour of the film is more conventional and rattles along well. Glasses (spectacles) are a running theme - the main character spends the whole film repeatedly breaking his prescription glasses and the killer wears mirrored sunglasses (which enable a few nice little camera shots). I can't resist mentioning two other things. (I guess this technically counts as a spoiler but it is not related to any plot or anything crucial). Firstly, during a car chase they hit the front of a bicycle and when the bicycle loses its front wheel it magically turns into a unicycle leading to a wobbly ride and fall. Secondly, again in a car chase, there is an unfortunate pedestrian who is narrowly missed (twice) and manages to contort himself into an almost-breakdance-move headspin both times before dizzyingly walking into a lamppost to knock himself out. (Was this breakdancing move around in 1975? - I don't know). The subject matter should be dark. Abuse/prostitution of underage girls (a la What Have You Done To Solange and What Have They Done To Your Daughters), a network of corruption, cover-ups, murder etc.....). This film feels less dark, depressing and gritty and has less exploitation-type sequences. In fact, for this type of film it is quite light on nudity. If that disappoints you it does have a topless Barbara Magnolfi in what seems to be her first credited role - if you are a fan of 70s Italian genre films you will possibly know her from Suspiria (as Olga) and Sister of Ursula (in the lead role). With the subject matter it seems wrong to say but this film is quite fun. Have a look. I definitely like it. Just don't come in to it with a fixed idea of what genre it is and what that genre should constrain it to.

Technically, The Suspicious Death of a Minor is a giallo. It has a mystery, and all of the exploitation elements of prostitution, crime, and violence. Too bad this film wanted to be trashy American tv.

As an American watching Italian films, part of what I appreciate about giallos is that they are very Italian (though some are also Spanish) and differ from American mysteries and horror from the 1970s in significant ways - with the exception of Alfred Sole's Alice Sweet Alice and the British film Don't Look Now. These last two films are excellent English-language tributes to the giallo. But The Suspicious Death of a Minor is decidedly NOT an excellent tribute to American cinema.

Essentially, it's a buddy comedy featuring an adult man in his 30s befriending a younger petty thief of about 20, who showers his mother and siblings with gifts he steals by snatching purses from street walkers and other tacky ventures. They team up to solve a murder, and from there it's all downhill.

This mediocre giallo is filled to the brim with fist fights, numerous car accidents, and slapstick comedy better suited to an episode of The Dukes of Hazard and features mystery elements reminiscent of the cop soap Hart to Hart rather than of giallo-inspiration Agatha Christie. I mean, I can see why some people would like this sort of thing, but I just don't. There was some physical comedy which appeared to be an intentional homage to 1920s silent film which I appreciated, but it just wasn't enough to carry the flick. I cannot believe Sergio Martino was even involved with this.

If you are expecting a 'giallo' to unfold, and with the title, box art and opening of the film, you have every right to do so, you will be a little disappointed.

For instead this is a right hotchpotch of styles and levels of seriousness. Once aware that this is going to go all over the place and include social comment and slapstick comedy whilst retaining a sleazy back story of under age prostitution one can relax and enjoy, at face value, a most likable film.

Made after most of his 'giallo' greats this is always watchable with fine moments. It's just that it's not what you would expect.

A young prostitute is found brutally killed and is up to detective Germi (Claudio Cassinelli) the investigation of the case, as the search progress he uncovers a girls trafficking ring with connections to powerful people.

The script comes from Ernesto Gastaldi, possibly the most prolific writer in the Italian film industry. He wrote scripts for Bava, Fulci, Leone and more. If he has not written an autobiography, he really should... few scribes can claim to have put so many trashy masterpieces on the screen. Director Sergio Martino claims he added to the script and "changed it radically", though it is evident that the vast majority is Gastaldi's work.

Martino was responsible for possibly the best-named giallo film out here, "Your Vice Is a Locked Room and Only I Have the Key" (1972). This one is also usually called a giallo, though it may blur the line with a police procedural. Typically, a giallo protagonist is a common person, or at most a journalist, but rarely a police officer -- someone who should actually be involved in a mystery.

Sergio and his brother, producer Luciano Martino, were the grandsons of director Gennaro Righelli, who directed the first Italian sound film, "The Song of Love" (1930). While the Martino brothers worked heavily in cult and genre films, there is no denying they had a deep family history in cinema.

This may be Claudio Cassinelli's best-known film. He did go on to appear in "The Mountain of the Cannibal God" (1978) and "Hands of Steel" (1986), both directed by Martino. In fact, he tragically died in a helicopter crash while making the latter film, an event that Martino talks about in length on the Blu-ray.

The 2017 Arrow Blu-ray has a brand new 2K restoration of the film from the original camera negative, with the sound either mono Italian or English (your choice). We get a new audio commentary by Troy Howarth, author of "So Deadly, So Perverse: 50 Years of Italian Giallo Films". And, last but certainly not least, a new 42-minute interview with co-writer/director Sergio Martino. Oddly, Barbara Magnolfi was not interviewed, despite her being generally accessible.