L'uomo che volle farsi re

It's interesting to look through the negative reviews of The Man Who Would Be King. Those submitted twenty years ago reflect the range of subjective response you might expect from any film. Move forward to those submitted in the last few years and a common theme arises. The film is "unwatchable" because it portrays people in a colonial era with a colonial perspective. Somehow it's assumed that the writer casting forth this judgement somehow from birth knew all that is right and just and can, without a shred of arrogance or hypocrisy, see clearly the sins of the past and guide the rest of us as to what is correct and incorrect for us to allow our weak eyes and ears to take in or avoid so that we can also live a similarly enlightened life.

Someday I hope those who so arrogantly seek to cancel or at least condemn any film from an earlier era that did not by some miracle anticipate what would be politically correct in 2022 will gain some humility. Hopefully they will then finally come to recognize that they too suffer from the flawed human condition and are blind to what the next generation will someday condemn them for.

If you want to see how great filmmaking was done before digital technology made it easy to create any setting, this is a great film to watch. If you want to see how people viewed the world in the colonial era - and - of you want to understand how those who lived through the Great Depression and WWII sought to portray the colonial era, this is a great film to watch. It's also a well told story if you have the ability to follow a story that unfolds slowly and doesn't flash from one action scene to another.

However, if you are like those who led the cultural revolution in China and believe that history must be eradicated or revised, I guess this is one of the cultural artifacts that must be destroyed. If that's you, I'll save you the time. You can add this to your censor list.

Based on a short story by Rudyard Kipling, The Man Who Would Be King tells the story of two friends; Peachy Carnehan (Michael Caine) and Daniel Dravot (Sean Connery) that go to Kafiristan in order to rule the country as kings and become rich in the process. The tale itself if relatively simple, but through great storytelling, the film is lifted into the realms of the masterpiece. The Man Who Would Be King tells a story on two levels; on the one hand, it's an epic masterpiece, spanning across Asia and embracing the Eastern culture, but on the other hand; it's a simple tale of two friends that are out for all they can get. The film switches between the two sides of it's story with great ease, and the smaller, more intimate side of the story is actually complimented by the epic battle sequences that run alongside it.

This movie is headed by two of the very finest actors of all time - Sean Connery and Michael Caine (both British too, I might add). The two have a great chemistry, and seeing them on screen together is an absolute treat. Both actors have a very defined style as to how they act and how their lines are delivered; in fact, they're perhaps two of the most defined styles ever, and they play off each brilliantly to give fantastic performances in this movie. Michael Caine always seems to be more willing to give a better performance when he is on screen with another fine actor, and they don't come much finer than Sean Connery. The great John Huston directs the movie, and this is easily one of his best movies. In fact, I rate it as his number one colour film. He's got a good story to work with, and he makes the best of it, not to mention that he gets the best from his cast. Many of the locations are fabulous and the battle sequences, although not on the same scale as some other films of the same nature, are well choreographed and an epic sense is captured through the utilisation of many extras.

This film is a masterpiece. All the players have come together to create a film that is both intimate, intelligent, interesting and on a massive scale all at the same time. A must see.

The greatest "buddy film" of all time. What makes this so? First off, casting two real life friends, Sean Connery and Michael Caine. Second, all other "buddy films" are simply comedies. And while the Man Who Would Be King has some laughs in it, and Connery and Caine bounce off of each other almost as good as Abbott and Costello, the story itself is a drama. And what a drama it is. Two English soldiers set out to be the rulers of a country, but can anyone who was a grunt one day, and a king the next, become a King without getting an inflated ego? The answer is no and that becomes the ultimate test for these two friends. Terrific performances by Caine, Connery and even Christopher Plummer, who gives a brief, but good performance as Rudyard Kipling, the man who wrote the short story this film was based on. This film features perhaps the greatest ending to a movie ever made. You will never forget it, and you will wish that you had a friendship as strong as these two individuals.

My friend threw this DVD at my head one night while we were arguing about film. I said all adventure movies left me feeling a little hollow - adventure movies tended to abandon story, really, in favor of plot (important distinction: stories are interesting, plots boring; consequently a film with a story to tell is better than a movie with a plot to move forward). I think he hurled the disc at me out of pure frustration with my point of view. In doing so, he also won the argument.

The Man Who Would Be King is the single greatest adventure film I've ever seen. It's a story - It's a tale - It's not a series of plot developments (to me, to go further with this plot/story dichotomy, a plot is mechanical (and sometimes that machine is well-oiled) while a story is organic and feels less contrived (though the story, as organic matter sometimes is, can be rotten)). It's a very good story at that. The Man Who Would Be King (I believe as a result of its derivation from Kipling) has a depth and development of character that is foreign to most adventure tales. Few films are as rousing as this and few films that are this rousing have nearly as much to say about mankind.

John Huston, of course, is a master of instilling greatness into traditionally tedious genres. He transformed the mystery, the western, the swashbuckler. Why not the adventure story too? As evidenced in The Maltese Falcon and Treasure of the Sierra Madre, Huston can take what might wind up a plot and transform it into a story. He understands that characters - human, conflicted, devious characters - are essential to creating genre pictures that transcend their genre. Without Huston, this film would have undoubtedly faltered; his steady and determined hand guides this film from the hazards of superficiality without sacrificing entertainment and adventure.

He does not create a great film single-handedly though, as Connery and Caine, who both give tremendous performances, bestow upon Peachy and Daniel immense likability despite their scoundrel airs. Caine proves again why he may be the greatest living British actor and Connery reminds us that there's more to him than 007.

As I said, this is one of the greatest adventure tales brought to the screen. Though some may disagree, in particular my friend who threw the DVD at my head, it's better than any of the late 30s swashbucklers and better than most shoot-em-ups made since.

What most viewers do not realize about The Man Who Would Be King (1975) is that it is not about a legendary place, although Rudyard Kipling may have thought so when he wrote the story, because no white man had ever been there and returned to tell about it.

The place was then known as Kafiristan and is now known as Nuristan. It is in Eastern Afghanistan next to Chitral, which is in Northwest Pakistan.

Place names in the movie, such as Kamdesh and Bashgal, are real places in Nuristan. The explorer Robertson, whom Billy Fish reports has having died, did not die in real life but was rescued by a British military force in 1895, after Kipling wrote his story.

The people of Nuristan are believed to be descendants of Alexander the Great, who came there in 328 BC, just as the movie states. They had a pagan religion as the movie describes until they were forcibly converted to Islam in 1892. There are still some believers of the old religion in the Kalash Valleys of Pakistan.

For more about these people see http://www.samsloan.com/damik.htm

I know about all this because I have been there and I married a woman named Honzagool there. She did not bite me as did the wife of Sean Connery in the movie, however.

Sam Sloan