VALUTAZIONE IMDb
5,9/10
2263
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaFrederick sees a photograph of a ruined seaside castle, which triggers a strange childhood memory. He then goes on a strange quest to find the castle and the beautiful woman who lives there.Frederick sees a photograph of a ruined seaside castle, which triggers a strange childhood memory. He then goes on a strange quest to find the castle and the beautiful woman who lives there.Frederick sees a photograph of a ruined seaside castle, which triggers a strange childhood memory. He then goes on a strange quest to find the castle and the beautiful woman who lives there.
- Regia
- Sceneggiatura
- Star
Annie Belle
- Jennifer
- (as Annie Brilland)
Jean Rollin
- Le gardien du cimetière
- (non citato nei titoli originali)
Recensioni in evidenza
LIPS OF BLOOD is the second Jean Rollin film I've seen and I have to say that I enjoyed it more than LIVING DEAD GIRL. The acting, script and sets are very unspectacular, sometimes goofy and somewhat unconvincing, but the arch of the story is a bit more interesting than the one in LIVING DEAD GIRL, which I thought was too slow for its own good.
Some scenes were contrived and the script is filled with holes, but I thought the overall film was okay. Nothing earth shattering but it's an enjoyable change of pace and attitude from other (mostly US) horror films out there. LIPS OF BLOOD hasn't turned me off from wanting to see more Jean Rollin films.
Some scenes were contrived and the script is filled with holes, but I thought the overall film was okay. Nothing earth shattering but it's an enjoyable change of pace and attitude from other (mostly US) horror films out there. LIPS OF BLOOD hasn't turned me off from wanting to see more Jean Rollin films.
If your one who enjoys the recent surge in European horror films, by all means watch this delirious, non-sensical, erotic gem courtesy of director Jean Rollin.
From nude vampire women roaming the streets of Paris, to spooky castles and graveyards. LIPS OF BLOOD is sure to please
Be forewarned, as this film is for acquired tastes only. A must for sleazy, soft core horror buffs who enjoy their movies with an art house touch.
From nude vampire women roaming the streets of Paris, to spooky castles and graveyards. LIPS OF BLOOD is sure to please
Be forewarned, as this film is for acquired tastes only. A must for sleazy, soft core horror buffs who enjoy their movies with an art house touch.
Lips of Blood has a languid quality that could've registered as decadence had it been made with any wit whatsoever, but instead of wit the movie offers us this vapid literal-mindedness. The movie is played with such soft-core-porn straightness that it's impossible not to snicker at it. Director Jean Rollin is sometimes described as a fantasist, but his fantasies are strictly pedestrian. Who but a teenage Goth-nit-wit could find anything to savor in this somnambulistic tale of a pale guy with bad hair being menaced by some half-naked chicks with dime-store vampire fangs? The movie requires more than suspension-of-disbelief, it requires suspension-of-intellect.
It's striking how amateurish and bereft of energy this movie is. Cult directors like Rollin are usually at least capable of some halfway decent staging, but there aren't even any images that stick with you, any trashy-iconographic moments. The problem is that Rollin himself doesn't seem all that charged up about his fantasies. Directors who deal in this kind of fetishistic material are usually at least somewhat interested in the subject-matter, but judging by this film Rollin could care less about vampires. The scenes all seem to plod on for hours with nothing happening, the cutting so flaccid that it's like we're being encouraged subliminally to nod off. Not a bad idea considering the display of cinematic indifference being carried out before us.
It's striking how amateurish and bereft of energy this movie is. Cult directors like Rollin are usually at least capable of some halfway decent staging, but there aren't even any images that stick with you, any trashy-iconographic moments. The problem is that Rollin himself doesn't seem all that charged up about his fantasies. Directors who deal in this kind of fetishistic material are usually at least somewhat interested in the subject-matter, but judging by this film Rollin could care less about vampires. The scenes all seem to plod on for hours with nothing happening, the cutting so flaccid that it's like we're being encouraged subliminally to nod off. Not a bad idea considering the display of cinematic indifference being carried out before us.
This is my first Rollin film - and I loved it. Gloriously silly and surreal, I detect many sly references to Bunuel (the boring cocktail party) and Fellini (the cold empty beach like the apocalyptic end to 'La Dolce Vita' - did Spielberg get his floating coffins in 'Empire of the Sun' from this???). The nubile vampires are so unscary and unerotic - they look more like hungry fashion models with a penchant for nasal fairy dust. Who did the hero's hair - Leonard of London? - let's bring back the male bouffant! I think he got that knitted top with the zipper up front after seeing Pink Floyd 'Live at Pompeii'. There are so many great moments - like where the photographer turns at the sound of the doorbell - before it actually rings. What did this mean? Precognition? Bad acting? Who cares. I actually saw this on SBS TV (free to air - unedited). Thankyou SBS - a gem.
The renowned French filmmaker Jean Rollin visits themes of childhood, nostalgia, undying love, and the vampire mythos in this typically enigmatic, striking work. Jean-Loup Philippe, who also wrote the script with the director, stars as Frederic, a maternally dominated young man. One day he chances to see a photo of some old ruins that stir in him a long buried childhood memory, when he got lost, came to those ruins, and was protected through the night by a mysterious but alluring stranger (Annie Belle). He becomes determined to solve the mysteries of his life, like for example why people such as his mother (Natalie Perrey) don't want him to know the truth. He's aided in his quest by four sexy female vampires.
Rollin films are most assuredly not for every horror fan. He keeps horror elements fairly limited, with not very much gore or scare set pieces. He does, however, include enough nudity, both female and male, to keep faithful viewers and the curious enticed. He also creates an intoxicating atmosphere here, and a genuinely compelling enigma over which our hero can obsess. One of his most affecting touches here is to develop a sense of desolation. There are never any big crowd scenes, nor are there many in the daytime. A lot of the time, there are precious few characters on screen. Almost from start to finish, Rollin gives "Lips of Blood" a true surreal nature, and the dialogue is often appealingly literate.
Our leading man isn't the most charismatic one will ever see, but he's not unlikable. His various female co-stars fare extremely well, though, especially the radiant young Belle, whom one might recognize from the far more trashy "House on the Edge of the Park".
"Lips of Blood" is wonderfully shot, and definitely romantic in its own way. It's both artful and exploitative in equal measure, making it well worth seeing.
Eight out of 10.
Rollin films are most assuredly not for every horror fan. He keeps horror elements fairly limited, with not very much gore or scare set pieces. He does, however, include enough nudity, both female and male, to keep faithful viewers and the curious enticed. He also creates an intoxicating atmosphere here, and a genuinely compelling enigma over which our hero can obsess. One of his most affecting touches here is to develop a sense of desolation. There are never any big crowd scenes, nor are there many in the daytime. A lot of the time, there are precious few characters on screen. Almost from start to finish, Rollin gives "Lips of Blood" a true surreal nature, and the dialogue is often appealingly literate.
Our leading man isn't the most charismatic one will ever see, but he's not unlikable. His various female co-stars fare extremely well, though, especially the radiant young Belle, whom one might recognize from the far more trashy "House on the Edge of the Park".
"Lips of Blood" is wonderfully shot, and definitely romantic in its own way. It's both artful and exploitative in equal measure, making it well worth seeing.
Eight out of 10.
Lo sapevi?
- QuizJean Rollin based the main male character Frederic on himself.
- BlooperTwo men carry a corpse down a narrow staircase, followed by a woman with a lantern. As they emerge at the bottom of the stair, they have switched places: the woman is in the lead, followed by the two men and the corpse, despite there being only enough room for one person at a time.
- Versioni alternativeX-rated version with explicit sex scenes: Suce-moi vampire (France, by 'Michel Gand') or Suck Me Vampire (USA, by 'Mike Gentle').
- ConnessioniFeatured in Eurotika!: Vampires and Virgins (1999)
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Lips of Blood
- Luoghi delle riprese
- Cimetière de Montmartre, 20 avenue Rachel, Paris 18, Parigi, Francia(Jennifer at cemetery gate)
- Aziende produttrici
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