Let's Do It Again

What is surprising is Oscar-winning actor Sidney Poitier didn't have an even more extensive directing career (at least 9 films to his credit) because "Let's Do It Again" is deftly crafted and funny.

Believe it or not, that's quite impressive in an era (1970s so-called Blaxploitation films) hard pressed to find material suitable to African American actors and comedians. In fact by the mid 1970s a few "Let's Do It Again" cast members joined the NAACP in blasting Hollywood for the evident paucity of material and roles for talented blacks because much of what emerged was exploitive stereotypes and had the effect of mainstreaming distorted ethnic and racial images.

In this movie, however, a bearded Bill Cosby (Billy Foster), clean-shaven Poitier (Clyde Williams) team up as do-good Atlanta fraternal order brothers who play the odds to "con" threatening criminal punks so they could cheerfully give gambling winnings to a pet charity. Of course, they have to impossibly hypnotize Jimmy Walker's reluctant and unlikely bone thin boxer (Bootney Farnsworth) enabling him to successfully fight heavier and craftier opponents; convince their beautiful but reluctant wives to go in on the con and, after pulling off a preposterous megabucks "sucker bet" caper, escape the played mobsters by hoofing it through a series of apartment buildings. In one of the cinema's longest and funniest foot chases ever, the duo dashes through an unlocked apartment door running smack into a dining room not quite interrupting a family dinner. The folks seated around the dining table are incredulous for a quick moment and, well, maybe we should leave a few surprises.

The movie doesn't escape the "Mack" flamboyance of the decade, nor did it avoid the annoying 70s "wah-wah" disco soundtrack but it doesn't pander to the lowest common denominator evident in other movies whose stars were African American. On the other hand, performances by Denise Nicholas (Beth Foster), Calvin Lockhart, (Biggie Smalls) deliver a sense of dignity that would not have emerged under the hands of any lesser director in that era.

In the pre-Huxtable Cosby universe, a comic actor shines. Of course, Cosby had resisted such notions during his successful run of the NBC-TV series, playing down and turning away Emmy nominations for Best Actor. In the younger Cosby's personna, there is none of the self-mocking. He's not playing a cuddly version of himself. He's perhaps funnier than anything he presented to the generation who grew up with the Huxtables and "Ghost Dad" (also directed by Sidney Poitier), which makes it plausible for younger viewers to dust off this more than quarter-century old relic and get a kick out of what Poitier was able to do with Timothy March and Richard Wesley's story and script.

Aside from not descending into the group of movies that fall under the category of 70s "exploitation flicks", there is no social comment here. "Let's Do It Again" will give us a grittier maybe funnier Cosby than anything Generation Xers are likely to remember. If you want to escape, indulge in popcorn and have a laugh, this is a fun film.

I hadn't seen this movie since it came out. It was a pleasant and very funny surprise then and it still is. As others have said it's Bill Cosby's movie and he makes the most of it. Portier shows a somewhat more annoying side to his personality, doing more than his fair share of mugging but that and the cliché gangster/boxer motif aside or perhaps because of it this movie is very very funny. Jimmy J.J. Walker steals the movie as a very unlikely middleweight boxer. Denise Nicholas is beautiful and sexy and there's a score that could be sampled to death to make a new funky soundtrack for a party. I don't understand the low rating but then comedies generally get lower ratings for some reason.But don't let that discourage you. My general criteria for a comedy is if it makes me laugh out loud on at least three occasions then it gets an automatic 7. I give this one an 8.

This time Sidney Poitier and Bill Cosby play 2 friends who belong to a group and were supposed to be raising money. They end up trying to train a boxer to beat the current champ by hypnotizing him. They end up getting their wives involved and Denise Nicholas has the best line of all - "Will you tell that girl to get that thing out of my face before I make her eat it?" THey are so over the top that it makes it even better. The supporting cast is pretty much the same as the previous movie. If nothing else, Sidney Poitier is keeping a lot of black actors employed! Once you get into it, you will truly enjoy it. Jimmy Walker isn't even the best part of the movie.

I've seen this movie along with Uptown Saturday Night countless times and, this one being the better of the two, and I still crack up. Bill & Sidney are great together and it's a shame they haven't collaborated since the 70's.

Jimmy Walker is simply "down right NAYISTEE!! with laughs".

I'm waiting for the DVD.

Although not as good as its predecessor, "Uptown Saturday Night", this sequel always provides some good laughs, especially if you overlook the wide-eyed Amos & Andy style acting of the principals (the worst perpetrator, oddly enough, being the typically stoic Sidney Poitier). Minstrel-esque hamming for the camera aside, this one is just plain fun to watch. Calvin Lockhart and John Amos are great comedic villains, almost playing their roles straight amidst the tom-foolery surrounding them.

As an African-American who grew up in the 70's, this and all the other Blaxploitation films provides a nostalgic, although somewhat exaggerated, look at life in the Black community. Put "Let's Do It Again" on a triple-bill with "Car Wash" and "Cooley High" and you'll have an entertaining blast from the past.