Killer Commando - Per un pugno di diamanti

Many titles that are on my must-see list are there because I blindly added them for names in the cast, without necessarily knowing what the plot is about. "The Diamond Mercenaries", aka "Killer Force" is a prime example of this habit, since it unites cult icons Telly Savalas, Christopher Lee and Peter Fonda! What more do you need to know in order to see a film? And it's gets better, since it's also co-starring Bond-beauty Maud Adams and it was co-written and directed by one of Hammer's greatest talents; - Val Guest ("The Quatermass Experiment", "The Abominable Snowman").

In fact, "Killer Force" is a gift that keeps on giving, because it's a fantastic mid 70s action/thriller with a terrific heist-plot, an original setting, a fascinating cast of characters and plenty of bloody awesome execution sequences! The mighty Telly Savalas (and his uniquely flamboyant wardrobe) plays one of the coolest roles of his career as the obsessive head of security at a diamond mine in the godforsaken middle of the African desert. A supportive character asks him: "Where were you when they handed out feelings?". Savalas' answer: "Probably out somewhere chasing a diamond thief". He feels that someone is planning a major diamond heist, and he's right. Five former Vietnam mercenaries, with the help from someone on the inside, have a master plan ready, but it's not without risks. The first half of "Killer Force" is unnecessarily convoluted, as Fonda's role is quite ambiguous, but it's always compelling and especially the second half is non-stop exhilarating. All male characters are arrogant machos with ginormous egos, but notably Christopher Lee and Telly Savalas seem to be battling for the "who's the most sadist" character of the film. "Killer Force" simply embodies why I worship vile and nasty exploitation cinema of the 70s; - it's great sardonic fun and comes highly recommended!

Hasn't turned up too often on television but was good. Nice casting, with Peter Fonda the lead but not actually leading the robbery. That was left to Hugh O'Brien, Christopher Lee and O.J.Simpson. Maud Adams always good to look at on the screen and Telly Savalas as a security officer who had a dark side to him. Nice soundtrak, might still be available if you look hard enough.

The only thing more pathetic than Peter Fonda's fake beard is that director Val Guest had almost no career after making some of Hammer Films' best work, from horror to science-fiction to (like this) crime thrillers...

And while KILLER FORCE is no Hammer there's Dracula himself, Christopher Lee, within a group of DIAMOND MERCENARIES in a South African desert where the beautiful-vastness of LAWRENCE OF ARABIA meets the jeep-leaping potential of THE RAT PATROL, and, either indoors or out, Lee's the most cold-blooded villain (killing perfectly good hooker Marina Christelis for no apparent reason) in a movie all about villains...

Meanwhile, buried lead Peter Fonda works for Telly Savalas, an uncompromising, office-set security chief (whose scenes were probably shot in a few days between KOJAK episodes) for an impenetrable diamond-mine outpost...

And soon the morally ambiguous Fonda's hired to go undercover into Christopher Lee's gang actually led by square-jawed Hugh O'Brian alongside Lee's 007 moll Maud Adams (as Fonda's girl) and O. J. Simpson, turning in his most natural non-performance since some genuine athletic abilities are used during the busy second and third acts...

That's when the rudimentary semi-complicated heist premise becomes more popcorn mainstream and thus, outright entertaining, and even suspenseful... the latter most likely thanks to director Val Guest...

The underrated British auteur (from QUATERMASS to HELL IS A CITY) does a nifty job with a standard script and meager budget that could have been forgettable without the professional veteran behind everyone, and everything.

KILLER FORCE is one of the many action movies of the 70s on a "bad guy" perspective and a low budget, with a sand dune setting and lots of funky disco which made these great. It stands out best for its intrigue. Don't expect much from top-billed Telly Savalas (who rips the dress off of Maud Adams!), but do follow Peter Fonda's point of view as he joins an army of force attempting to rob the valuables from a diamond mine. This is a chance to see O.J. Simpson in his glory days as one of the heist members going out to seize an electric fuse, a plot that leads the men into the facility. The action sequences look mild but they remain exciting to this day as with other Italian-made productions. Try not to think but understand that KILLER FORCE was made on European soil with an American cast (other than Christopher Lee) driving auto vehicles on the passenger side. Definitely worth a find if you crave for late-night intrigue. Nice color.

The plot outline sounded much better than the execution of it, but this largely forgotten on-the-cheap drive-in 70s adventure heist joint is worthwhile just for the cast alone and that it was directed by Val Guest. The setting is unique, a South African diamond mine located deep in the desert is targeted for a daring hit (Hugh O'Brian, Christopher Lee and a smirking O.J Simpson) and Telly Savalas in menacingly oozing form plays the company's security chief trying to prevent it. A cynically scruffy Peter Fonda is a field security officer who gets caught up in it all, when he agrees to go undercover; stealing a diamond and escaping capture to get the attention of an insider who they believe is smuggling diamonds/and who is also helping prepare a heist. However no-one else knows about this job, including his girlfriend (the radiant Maud Adams) and the security chief.

The knotty, if absurd plot offers a neat array of dangerous twists and unrelenting turns, which keeps the rhythmic story moving and constantly interesting. It really does pick up things in the back-end, as the plans are set in motion and the rough nature breaks out. The character interactions remain dynamic, especially the scenes when Fonda's character meets the heist group. Mechanically directed, but it consists of fun biting dialogues, all-out no-bull violence, well-shot locations and many big egos trying to mug every shot they're in. Backing this up is a titillatingly groovy soundtrack which simply makes you want to boogie. It does.