Katherine

"Inspired by true events, 'Katherine' documents the conversion (in flashback style) of a sensitive '60s activist to radical extremist. Played with great sensitivity, and foreshadowing the great roles that would come to characterize her career, Sissy Spacek delivers a nuanced and ultimately tragic performance as the title's lead. Spacek is ably supported in this drama by legendary actors Art Carney and Jane Wyatt as her parents, and Henry Winkler as a fellow activist and supportive boyfriend," according to the DVD sleeve.

Writer/director Jeremy Kagan's "ABC Sunday Night Movie" seems to have been loosely based on "Weather Underground" member Diana Oughton's life, and also followed the big media story involving "Symbionese Liberation Army" recruit Patty Hearst. At the time, the American TV viewing public would have been familiar with the stories involving young women who gave up affluent socialite status to join revolutionary militia groups. With everyone wondering "Why?", "Katherine" provides an answer.

Ms. Spacek's glasses and wigs look like props sitting on her head, even when meant to look real. Still, Spacek is a fine actress, and worth watching. Taking a "Happy Days" break, Mr. Winkler always shines in these 1970s roles; he is so unlike his "Fonzie" character. Mr. Carney, experiencing a career resurgence, was predictably Emmy-nominated for an "Outstanding Single Performance by a Supporting Actor in a Comedy or Drama Special". Television veterans Ms. Wyatt (once the mother on "Father Knows Best") and Julie Kavner (then little sister to "Rhoda") also appear. The song hits are not the original recordings.

***** Katherine (10/5/75) Jeremy Kagan ~ Sissy Spacek, Henry Winkler, Art Carney, Jane Wyatt

Though a low budget TV movie of the 1970's, Katherine hits a nerve today because it sends a message to a complacent society that has gotten caught up in pop culture and comfort food that injustices are committed everyday by our government with most of us barely noticing. It's a good film for young people who are beginning to grapple with the world around them to learn that things aren't as good as they always seemed in their cocoon of upbringing and schooling. And it is a wake-up call, like a lot of today's new indie films (Syriana, Goodnight and Good Luck and The Constant Gardner) for the rest of us who live for the next episode of The Sopranos or Desperate Housewives between days at work. Despite some drawbacks of the production, Sissy Spacek's impassioned performance effectively sends the movie's message home.

...even though this film is talking about events from roughly 1964-1970. So at the time this aired, nothing being shown here was more than ten years in the past. However, American culture had changed so fast that it really seemed like you were looking at an era that was just a blip on a very old radar, yet that brief era brought lasting change. Some people think this film was based on the story of Patty Hearst, but it was actually a very loose account of someone of similar age and life experience to Diana Oughton , who was one of the Weathermen, a domestic terrorist group.

The production boasts a top notch cast, including two veterans - Art Carney and Jane Wyatt as Katherine's upper class parents, an up and coming Sissy Spacek as Katherine, the sassy prep school student turned schoolteacher turned protester and ultimately turned violent revolutionary. Riding the crest of a wave of popularity at that time, Henry Winkler stars as Katherine's long time boyfriend, Bob, who in the end acts like most boyfriends in any era of time, except Bob uses revolutionary excuses to explain why he decides eventually to ghost on Katherine, not just that he is getting bored with her - that would be so bourgeoisie! You know, even though Henry Winker was as famous in the 70s as Bogey was in the 40s, that bushy haircut and mustache they planted on him made him completely unrecognizable to me at the time.

This is really well done as Katherine in present day - about 1970 - is talking about the evolution of her viewpoints. And you think from her very plain clothing and the stool she is sitting on she is probably in prison - I'll let you watch and find out what is really going on. At the same time you see her life unfold. After college she goes to South America to teach children and adults. The local landlord - rather like a feudal lord - objects to Katherine teaching the adults to read and has her kicked out of the country. He is afraid the peasants will become educated and revolt. Back in the states she teaches underprivileged African American kids at an alternative school. That's where she meets Bob. The white power structure strikes back by claiming the school is breaking zoning laws, but the black power movement also weighs in, telling Bob and Katherine that white people should never teach black kids, because it will take the hate out of them and "hate is the strongest weapon we have". So slowly Katherine reaches the conclusion that neither education nor peaceful protest will ever fix anything and takes up arms against "institutions of power". She seems to have forgotten that average Joes who have nothing to do with the power structure she wishes to destroy could get hurt in her revolution.

And then there are mom and dad. They are well off, the film never talks about exactly what Katherine's dad does for a living, and even Katherine has to admit her parents are good people, even though she often describes them as living off of other people's oppression. You can tell they want to help and understand their daughter, but she is just on a different wavelength from them. Tea and cookies are not going to fix this. Likewise Katherine's sister and best college friend take on the traditional 60's role of wife and mother and don't get her either.

I'll let you see how this all turns out, but I thought it was quite powerful, and I was only seventeen at the time it aired. I was somewhat disappointed when I discussed this film with my friends the next day and the only thing they got out of it was how pretty Katherine was at the beginning of the film and how used up she looked at the end. But it was the 70s, the Vietnam war was over, nobody's boyfriend was going to get drafted, and this just seemed like a story from a place long ago and far away to a bunch of teens in 1975.

I'm glad we don't have American young people blowing up buildings and robbing banks or kidnapping heiresses anymore, but it would be nice if they cared about more than the next Marvel comic movie and reality TV, if they weren't all just so passively resigned to their fates and hypnotized by their phones. There must be a happy medium.

I saw this only once--when it was on TV in 1975. I was 20 years old. It left a powerful impact on me. I hadn't yet heard of Sissy Spacek or Henry Winkler. I deeply "identified" with Katherine as the movie began. I kept thinking "Yes, she's doing the right thing!" Then in the end... I felt the way a balloon must feel when it's popped. I realized the error of her ways--and mine. I realized I too could've been sucked right into all that. I've never, ever forgotten this story. Someday I'll try to get my granddaughters to watch it with me.

although not a very full featured one. I got it at a bargain shop for $1.00. I bet that you would be hard pressed to find it at a higher price. It is not a particularly good transfer, but still better than most VHS. It is published by Digiview Productions (www.digiviewus.com).

I liked this film. It was thoughtful, unpretentious and well acted. I must admit that I had forgotten what a great beauty Sissy Spacek was in her youth and what a terrific actress she was from almost the very beginning.

I guess this was right around the time Henry Winkler was playing Fonzie and some of those mannerisms come out in his performance.