[go: up one dir, main page]

    Calendario delle usciteI migliori 250 filmI film più popolariEsplora film per genereCampione d’incassiOrari e bigliettiNotizie sui filmFilm indiani in evidenza
    Cosa c’è in TV e in streamingLe migliori 250 serieLe serie più popolariEsplora serie per genereNotizie TV
    Cosa guardareTrailer più recentiOriginali IMDbPreferiti IMDbIn evidenza su IMDbGuida all'intrattenimento per la famigliaPodcast IMDb
    EmmysSuperheroes GuideSan Diego Comic-ConSummer Watch GuideBest Of 2025 So FarDisability Pride MonthSTARmeter AwardsAwards CentralFestival CentralTutti gli eventi
    Nato oggiCelebrità più popolariNotizie sulle celebrità
    Centro assistenzaZona contributoriSondaggi
Per i professionisti del settore
  • Lingua
  • Completamente supportata
  • English (United States)
    Parzialmente supportata
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Lista Video
Accedi
  • Completamente supportata
  • English (United States)
    Parzialmente supportata
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Usa l'app
  • Il Cast e la Troupe
  • Recensioni degli utenti
  • Domande frequenti
IMDbPro

La tomba dell'onore

Titolo originale: Jingi no hakaba
  • 1975
  • Not Rated
  • 1h 34min
VALUTAZIONE IMDb
7,1/10
2100
LA TUA VALUTAZIONE
La tomba dell'onore (1975)
ActionCrime

Aggiungi una trama nella tua linguaA self-destructive man becomes a powerful member of the Japanese mafia but quickly loses his self control. Based on the true story of Rikio Ishikawa.A self-destructive man becomes a powerful member of the Japanese mafia but quickly loses his self control. Based on the true story of Rikio Ishikawa.A self-destructive man becomes a powerful member of the Japanese mafia but quickly loses his self control. Based on the true story of Rikio Ishikawa.

  • Regia
    • Kinji Fukasaku
  • Sceneggiatura
    • Tatsuhiko Kamoi
    • Hirô Matsuda
    • Fumio Kônami
  • Star
    • Tetsuya Watari
    • Tatsuo Umemiya
    • Yumi Takigawa
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,1/10
    2100
    LA TUA VALUTAZIONE
    • Regia
      • Kinji Fukasaku
    • Sceneggiatura
      • Tatsuhiko Kamoi
      • Hirô Matsuda
      • Fumio Kônami
    • Star
      • Tetsuya Watari
      • Tatsuo Umemiya
      • Yumi Takigawa
    • 13Recensioni degli utenti
    • 26Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 1 vittoria in totale

    Foto8

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    + 2
    Visualizza poster

    Interpreti principali70

    Modifica
    Tetsuya Watari
    Tetsuya Watari
    • Rikio Ishikawa
    Tatsuo Umemiya
    Tatsuo Umemiya
    • Kozaburo Imai
    Yumi Takigawa
    • Chieko Ishikawa
    Eiji Gô
    Eiji Gô
    • Makoto Sugiura
    Noboru Andô
    • Ryunosuke Nozu
    Hajime Hana
    • Shuzo Kawada
    Mikio Narita
    Mikio Narita
    • Noboru Kajiki
    Kunie Tanaka
    Kunie Tanaka
    • Katsuji Ozaki
    Shingo Yamashiro
    • Hiroshi Tamura
    Reiko Ike
    Reiko Ike
    • Teruko Imai
    Hideo Murota
    • Yasuo Matsuoka
    Meika Seri
    • Woman in the slums
    Takuji Aoki
    Kenjirô Asano
    Hidehiro Aya
    Kenta Dan
    Saburô Date
    Saburô Date
    Ryôko Ema
    • Regia
      • Kinji Fukasaku
    • Sceneggiatura
      • Tatsuhiko Kamoi
      • Hirô Matsuda
      • Fumio Kônami
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti13

    7,12.1K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Recensioni in evidenza

    7Jeremy_Urquhart

    A good Japanese crime film

    Definitely has similarities to Fukasaku's Yakuza Papers series (not that there's anything wrong with that!) in terms of pacing and visuals. It is, however, a little easier to follow, thanks to honing in on one main protagonist all the way through, and not having as many important supporting characters.

    Most challenging here is that the protagonist does some really terrible things, even by the standards of crime film protagonists. He's not supposed to be likeable of course, but the film arguably does go a little further than it needs to when it comes to how he treats some female characters.

    Other complaints might be some occasional weird, jarring edits, and the colour filters - while keeping things varied - didn't always seem to be purposeful? But that might just be me.

    So there are problems, but the acting is good, as is everything that works in the Yakuza Papers series, so Graveyard of Honor is easy to recommend to any fans of that series, or Yakuza movies like them.

    Am looking forward to watching Miike's remake, too. I hope there's a good reason for it being 40 minutes longer than this one, too.
    8elo-equipamentos

    Kenji Fukasaku exposes sympathize for a mad dog character!!!

    It's an unusual Yakusa picture, according some Fukasaku's most closest work friends interviewed on bonus material explained that Rikio Schikawa a wild persona portrayed by Tetsuya Watari is meaning the compassion whereby Fukasaku felt by those losers in the society, thus the story spans since his tender years just narrated by someone until post WWII when the acting really starts properly, exposing a kind of mad dog criminal character entering in a Yakusa gang making great damages whatever he goes, thus has been punished by banishment for ten years in agreement of Yakusa's law, however he dares go back in few years.

    Another interesting point is about the fully chaos carried out there by lost the war, followed by American military intervention which wasn't any novelty, although countless people from nearby countries raided the Japanese ground as reprisals over the fierce and ruthless deployed by Japanese Army on previous years on the continent, also inserting those drugs displayed on story, brought massively aftermaths the war and all black market over an economy in ramshackle.

    Aside some overacted implied by Kenji Fukasaku on the narrative, the picture in fully interesting by a character study, also understanding how Japan overcame those chaotic environment post WWII, where the Yakusa's mobsters took the political power in many territory thru "good looking civilians" a true achievement by the underrated master Kenji Fikasaku.

    Thanks for reading.

    Resume:

    First watch: 2025 / How many: 1 / Source: DVD / Rating: 8.
    8elclown

    Yakuzas "The Fukusaku-style"

    Kinji Fukasaku is worldwide known for his Yakuza movies, different from the typical overall view the cinema had from Yakuzas. This movie is a good example of how far some yakuzas are from honor or pride.

    Fukasaku films Jingi no hakaba (Graveyard of Honor) as a mockumentary (fake documentary) which gives more emphasis to the actual yakuza situation. This movie follows the story of Ishikawa, the archetypical post-war gangster (as it's defined in the film). The character development is great, and very surprising. However, you may loose the plot in some points if you don't have an overall knowledge of the Yakuza organization.

    In conclusion, a very entertaining gangster movie the Japanese way. I hugely recommend for anyone looking for the roots of most of the Japanese and Hong Kongese gangsters movies nowadays (Takashi Miike, Takeshi Kitano, John Woo, etc.), you won't get disappointed.
    10fmfdg114

    Brilliant Cinematic Study of a Violent Maniac

    Graveyard of Honor is a fantastic entry into the yakuza genre or, for that matter, the gangster genre in general. However, more so than many of its counterparts, it is an excellent Brechtian character study. Filmed in a "mockumentary" style, Graveyard of Honor breaks up its action and storytelling relatively often with bits of narration, setting the events of the film in their period context and transitioning over long gaps in time.

    A reviewer once equated this film to the "blacksploitation" films of the same period: this betrayed the reviewer's ignorance to the genre. The Japanese gangster film is far more presentational than its western counterparts. From the bright, red, paint-like blood to the strict characterizations and operatic emotions, Graveyard of Honor and other films like it are a sort of midway point between Kabuki theater and French nihilism. It is an intriguing genre, and one that internationally acclaimed director Kinji Fukasaku uses brilliantly to pose intriguing questions and point out crucial problems in the Japanese mindset of the time.

    To truly appreciate his 1970s yakuza films, it helps to have knowledge of the history leading up o that time from the end of World War II. Watching Graveyard of Honor on its own will certainly be an entertaining experience, but anyone perplexed or intrigued by the film should do research on other films of the period, their cultural context, and their societal implications. Fukasaku was a groundbreaking director, and it's a shame that his brilliance could be lost in the cultural gap.
    9I_Ailurophile

    An unexpectedly rich, fascinating crime flick

    As filmmaker Fukasaku Kinji was coming fresh off the success of the 'Battles without honor or humanity' series of the previous few years, it's easy to see the kinship this shares with those works. It's practically a sister film with its chaotic violence, handheld cameras, and considerable use of identifying text and narration, and of course the major focus on yakuza. I dare say 'Graveyard of honor' is even more upfront about the nastiness of the subject matter, though, as foremost figure Ishikawa Rikio is depicted as an especially vicious brute. Even amidst the turmoil of the post-war years in Japan this seems particularly ugly with its misogyny, sexual assault, xenophobia, and significant violence, and Ishikawa's ambitions are fraught with hot-headed impulsiveness. Yet Fukasaku had a very definite sense of style, and in working alongside screenwriter Kamoi Tatsuhiko he fashioned a compelling, undeniably flavorful story of gangland activity and the journey of one specific yakuza. I don't know if "enjoyable" is quite the right word, but it's an engrossing and satisfying viewing experience.

    One doesn't need to read of the production history to understand the demands Fukasaku placed on his cast and crew with his direction, and the result is an overarching sense of severe aggressiveness. It's seen not just in the hard-boiled, physically intensive acting, or the stunts, effects, and choreography, but even in Nakazawa Hanjiro's dynamic, vivacious, and often somewhat free-wheeling cinematography. Where a softer tone is occasionally employed the proceedings feel like more of a measured crime drama (e.g. 'The godfather,' for an obvious frame of reference), but this is not the dominant vibe as the violence of the seedy underworld endures, if not expands around intemperate Ishikawa. All along the way the picture unquestionably benefits from the grainy production values of the mid-70s, and the production design and art direction are rich and vibrant even as they commonly portend both the relative refinement to which yakuza aspire, and the grit and filth of the streets. Say what one will otherwise, the costume design, hair, and makeup are also consistently sharp.

    Even as it treads a familiar, inevitable path, Ishikawa's trajectory is low-key fascinating, and every beat, scene, surrounding character, and piece of dialogue is built to accentuate the stark vitality of the tawdry saga. Among the actors, star Watari Tetsuya and Takigawa Yumi notably stand out with their ranged performances as troubled Ishikawa and beleaguered Chieko. I'm also a big fan of Tsushima Toshiaki's original music, a score of themes that are alternately pensive and heavily dramatic as handily befits the progression of the protagonist's life and criminal career, from fierce and bold to dour and tragic. All told I wonder if this feature doesn't actually count among Fukasaku's best, and certainly ranking highly in the very least, including in comparison to the noted franchise of the prior few years. The man's oeuvre covered a wide spectrum, and while not all his works are equal, at his best he absolutely carved out some fabulously absorbing classics that walk a line between bewitching narrative fiction, sheer exploitation, and cinematic artistry. I'm incredibly pleased with how good 'Graveyard of honor' is, and in all honesty it quite exceeded my expectations.

    From Ishikawa's early aspirations and the accompanying wanton bloodshed, to his sullen decline and downfall, the mood herein varies more than I anticipated, and the finished product is all the better for the fact of it. By the nature of the material it won't appeal to all comers, yet those who are receptive to the genre will surely find much to love herein, and the filmmaker can almost always be relied upon for a quality movie. I'd stop short of saying this wholly demands viewership, but through every turn 'Graveyard of honor' is terrific and rather captivating, and I'm glad to give it my high recommendation.

    Altri elementi simili

    Graveyard of Honor
    6,9
    Graveyard of Honor
    Kenkei tai soshiki boryoku
    7,2
    Kenkei tai soshiki boryoku
    Jingi naki tatakai: Chôjô sakusen
    7,3
    Jingi naki tatakai: Chôjô sakusen
    Jingi naki tatakai: Kanketsu-hen
    7,3
    Jingi naki tatakai: Kanketsu-hen
    Jingi naki tatakai: Dairi sensô
    7,3
    Jingi naki tatakai: Dairi sensô
    Street Mobster
    7,1
    Street Mobster
    Bakuto gaijin butai
    7,3
    Bakuto gaijin butai
    Jinginaki Tatakai: Hiroshima Shito-hen
    7,4
    Jinginaki Tatakai: Hiroshima Shito-hen
    Yakuza no hakaba: Kuchinashi no hana
    7,0
    Yakuza no hakaba: Kuchinashi no hana
    Lotta senza codice d'onore
    7,4
    Lotta senza codice d'onore
    Nihon boryoku-dan: Kumicho
    7,0
    Nihon boryoku-dan: Kumicho
    Bôsô panikku: Daigekitotsu
    7,0
    Bôsô panikku: Daigekitotsu

    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Connessioni
      Featured in IFC Grindhouse: Graveyard of Honor (2007)

    I più visti

    Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
    Accedi

    Domande frequenti13

    • How long is Graveyard of Honor?Powered by Alexa

    Dettagli

    Modifica
    • Data di uscita
      • 15 febbraio 1975 (Giappone)
    • Paese di origine
      • Giappone
    • Sito ufficiale
      • Home Vision Entertainment (DVD Distributor)
    • Lingue
      • Inglese
      • Giapponese
    • Celebre anche come
      • Graveyard of Honor
    • Luoghi delle riprese
      • Ikebukuro, Tokyo, Giappone
    • Azienda produttrice
      • Toei Company
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 34 minuti
    • Colore
      • Color
    • Mix di suoni
      • Mono
    • Proporzioni
      • 2.35 : 1

    Contribuisci a questa pagina

    Suggerisci una modifica o aggiungi i contenuti mancanti
    La tomba dell'onore (1975)
    Divario superiore
    By what name was La tomba dell'onore (1975) officially released in India in English?
    Rispondi
    • Visualizza altre lacune di informazioni
    • Ottieni maggiori informazioni sulla partecipazione
    Modifica pagina

    Altre pagine da esplorare

    Visti di recente

    Abilita i cookie del browser per utilizzare questa funzione. Maggiori informazioni.
    Scarica l'app IMDb
    Accedi per avere maggiore accessoAccedi per avere maggiore accesso
    Segui IMDb sui social
    Scarica l'app IMDb
    Per Android e iOS
    Scarica l'app IMDb
    • Aiuto
    • Indice del sito
    • IMDbPro
    • Box Office Mojo
    • Prendi in licenza i dati di IMDb
    • Sala stampa
    • Pubblicità
    • Lavoro
    • Condizioni d'uso
    • Informativa sulla privacy
    • Your Ads Privacy Choices
    IMDb, una società Amazon

    © 1990-2025 by IMDb.com, Inc.