VALUTAZIONE IMDb
6,3/10
2666
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA young, once-great Hollywood film director refuses to accept changing times during the early 1930s, and confines himself to his decaying mansion to make silent porn flicks.A young, once-great Hollywood film director refuses to accept changing times during the early 1930s, and confines himself to his decaying mansion to make silent porn flicks.A young, once-great Hollywood film director refuses to accept changing times during the early 1930s, and confines himself to his decaying mansion to make silent porn flicks.
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Recensioni in evidenza
This unusual and imaginative tale is well-acted, funny, and a credit to Dreyfuss, Harper (Phantom of the Paradise), and Hoskins (The Long Good Friday). The comments of others will give you a sense of the plot line; the sad thing is that you may never see this small gem, which richly deserves to be released on tape. I certainly regret not being able to see it again.
I first saw this film alone. The following night I took my friends, and that weekend I named my band after it. In Cambridge in 1977, this film became a small cult. The allusions to silent days were intriguing to a burgeoning film buff, with Clark Gable, that kid from Pathe, forever trying to get through the door, junkie reminiscences of Wally Reid, and many more nods and in-jokes that I would undoubtedly smile at now from knowledge, not ignorance.
The performances were, as I recall, uniformly good, with Dreyfus - whom I had only seen previously in American Graffiti - a revelation. This was also the first big screen role I can remember from Bob Hoskins, and after her small but memorable role in Love and Death, Jessica Harper brought just the right degree of irritating sexiness to Cathy Cake.
Annoyingly, despite the limitations of scale, and the occasional staginess, I don't think John Byrum has ever made a better film!
The performances were, as I recall, uniformly good, with Dreyfus - whom I had only seen previously in American Graffiti - a revelation. This was also the first big screen role I can remember from Bob Hoskins, and after her small but memorable role in Love and Death, Jessica Harper brought just the right degree of irritating sexiness to Cathy Cake.
Annoyingly, despite the limitations of scale, and the occasional staginess, I don't think John Byrum has ever made a better film!
This films plot centers around the making of, probably one of the first, porn movies, Sadly when it was released it was pre-arthouse cinemas and pre-video, so it was lumped in with second rate soft porn flic houses around soho London. Consequently it died a lonely death. Around this time Art house cinemas were starting to emerge in University towns which is how I caught it late night in Edinburgh. I was just knocked out by it's sharp drama wrapped in a comedy that launched incredibly incisive comment. Bob Hoskins character as the wannabee hood getting irate when he discovers that Richard Dreyfuss's character, the has-been director, has removed the camera from the tripod, in shear enthusiasm, as he filmed the sexual act. 'How is that going to look!' 'It's not going to look, it's going to be looked at!' retorts Richard Dreyfuss character. The economy of the lines are brilliant! Yes this is a one room drama, which is a tall order for cinema and few have conquered it but this film does brilliantly.
I knew absolutely nothing about this film before viewing it recently. Richard Dreyfuss, is, of course a very famous actor, although this movie was near the beginning of his career. It is sexy, but the furor over X ratings back in the day was much overblown. (No pun intended) The MPAA made a big mistake using X as a rating, because the porn industry immediately invented XXX. NC-17 is a better idea, but it should maybe be used for things other than sex, such as graphic violence. It is weird you can't show much frontal nudity, even without graphic sex, but you can show dismemberment and disemboweling to teenagers all day long. Anyway, this was a nice, and quite odd character study, mainly in Dreyfuss' and Jessica Harper's roles. And the young Veronica Cartwright was interesting, too. A decent, and different film.
I am please others have found this little unknown film, to be the treasure it is....I thought I was the only one who likes this film.
True story I hear. So there I am at the salad bar at the Hollywood Sizzler, and who is next to me, but Richard Dreyfuss, hiding under a baseball cap.
I had to write him a note, before this rare opportunity slipped away. "Dear Mr. Dreyfuss, your performance in "Inserts" was worth an Oscar. You were brilliant. The whole cast was perfect. I loved the "Cuban Gothic" house. Thank you for taking such a professional risk. Bravo." Signed: An Admirer Paid a waitress $5 to take it over to him. He was with his wife and kids, with his back to the room. I then slipped out after he opened the folded note and read my words. Read what others who love film have written about this underground classic yet to be discovered? The whole cast went on to become big movie stars after making this little masterpiece. Bravo to the writer, cast and crew.
True story I hear. So there I am at the salad bar at the Hollywood Sizzler, and who is next to me, but Richard Dreyfuss, hiding under a baseball cap.
I had to write him a note, before this rare opportunity slipped away. "Dear Mr. Dreyfuss, your performance in "Inserts" was worth an Oscar. You were brilliant. The whole cast was perfect. I loved the "Cuban Gothic" house. Thank you for taking such a professional risk. Bravo." Signed: An Admirer Paid a waitress $5 to take it over to him. He was with his wife and kids, with his back to the room. I then slipped out after he opened the folded note and read my words. Read what others who love film have written about this underground classic yet to be discovered? The whole cast went on to become big movie stars after making this little masterpiece. Bravo to the writer, cast and crew.
Lo sapevi?
- QuizVeronica Cartwright said in interviews and convention appearances that she considers her role of Harlene among her best acting work. She has quoted: "It was such a liberating experience to do that movie and it kicked off a lot of stuff for me. I was a waitress at that time and one day this guy says 'Excuse me, can I ask you a question? Aren't you in that movie Inserts?' and I go, 'yeah' and he says 'what the fuck are you doing here?!' I was earning a living! But I went home that night and thought, what was I doing there? So I quit my job the next day."
- BlooperSitting at piano, Boy Wonder plays song Moonglow, written in 1934. The movie takes place at least three or four years earlier (characters repeatedly talk about a then-unknown actor named Clark Gable, already a big star by time song was written).
NOTE: "Moonglow" is not explicitly referenced as such, and is virtually identical to 1929's "Sweeter Than Sweet", so this may not be a goof.
- Citazioni
Rex, the Wonder Dog: [referring to breasts] Stick the Hershey kisses back in the wrapper, will ya, sweetheart.
- Curiosità sui creditiThe end credits are shown in black-and-white, against a backdrop of a silk cloth. It is also grainier and scratched in spots compared to the rest of the film. It is very reminiscent of the credits of vintage 30's melodramas.
- Versioni alternativeAlthough the print submitted was the longer version, the original UK cinema release was cut by the BBFC to edit the pre-credits sequence and some footage from the sex scene between Harlene and Rex. The 1987 Warner video was uncut.
- ConnessioniFeatured in Playboy: The Story of X (1998)
- Colonne sonoreMoonglow
Written by Will Hudson, Edgar De Lange and Irving Mills
Played by Joe Venuti and his orchestra
recording courtesy of RCA records
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Inserts
- Luoghi delle riprese
- Lee International Studios, Kensal Road, Kensal Town, Londra, Inghilterra, Regno Unito(Interior of Boy Wonder's home)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 350.000 USD (previsto)
- Tempo di esecuzione1 ora 57 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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By what name was Il pornografo (1975) officially released in India in English?
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