Assassinio sull'Eiger

Sort of an Americanized James Bond where government assassin Clint Eastwood travels to different locales fighting killing and boinking (not always in that order). It's got colorful characters, beautiful women, and a cartoon villain that would be right at home in a Roger Moore Bond flick. Gorgeous Vonetta McGee is reason alone to see this. Lots of pretty ladies in this film but she's on a whole other level.

Like most of Eastwood's 70s movies it's got plenty of grit and machismo. Certainly not one for the pearl clutchers. This is also one of those movies where you are reminded of what's missing in so many of today's movies. No I'm not talking about the politically incorrect stuff. That's another conversation. I'm talking about things like pacing and stuntwork and filming on location even if it might be slightly dangerous. Everything is faster and faker and more sanitized now. But I'll get off my soapbox before I start printing pamphlets. In closing, The Eiger Sanction is far from Eastwood's best but it is a good watch. Also I really love that jeep.

Shot on location in the Alps and Zion National Park, the cinematography is first class. This is great large-screen fare.

While not without their hokey apects, the many climbing scenes and story are much more realistic than those of "K2", "Clifhanger", or God-help-us "Vertical Limit".

The spy part of the story certainly has some plot holes, and I purchased a copy of "The Eiger Sanction" by Trevanian just to get some of them straightened out, and got quite a surprise. The movie is much, much more faithful to the original book than the vast majority of Hollywood adaptations. Those holes in the story - well, they're right there in the book, too. Practically the only significant differences between the two are the relationship between Johathon and Wormwood, the final status of Johnathon and Jemima's relationship, and the fact that C2 is - in the novel - so totally inept as an intelligence organization as to be completely unbeliveable, this is somewhat glossed over in the movie. Frankly the differences in all three situations are argueably done better in the movie.

This movie is highly unusual and possibly even unique in Clint Eastwood's career, either as actor or director.

In "The Eiger Sanction" he plays Dr. Jonathan Hemlock, a character completely unlike any other he has played. Dr. Hemlock is, in fact, the very antithesis of the typical Eastwood character.

Although he hides a secret past, Hemlock displays a highly cultured knowledge of fine art and jazz in both his professional and personal life. He possesses as highly refined a taste for beautiful women as he does for the most beautiful works of art.

Eastwood is both a philosopher and a lover in this film. He is also a humorist. But there are no glib one-liners here. In fact, this one film probably contains more dialogue for Eastwood than he has done for any other character he has played in his career.

Eastwood is the quintessential strong, silent type. As anyone knows who has seen him as a gunfighter hero, whether in the Old West or in the big city. In "The Eiger Sanction," he is a different kind of gun- fighter. His character is not drawn on the swift, total retribution exacted by the Man with No Name. Instead, it is drawn on the suave, debonair charm of James Bond. Jonathan Hemlock possesses the same cultural refinement and cosmopolitanism that the Bond character does. In fact, Hemlock and Bond are at work and at home in the same element: international espionage.

I suspect this is why the casual fan of Clint Eastwood typically detests this movie. Clint Eastwood appears to be miscast. But I'd say he pulls it off admirably, showing the viewer a side of himself which is rarely seen and exhibiting his versatility as an actor.

The story itself is better than average and the movie rates two and one half stars.

Critics didn't get this film back in the day. The critics didn't understand that this was a send-up of spy movies, Clint-style. Vonneta McGee steals the film as Jemima Brown. Jack Cassidy is marvelous as a flagrantly gay agent. Thayer David is absolutely inspired as Eastwood's macabre boss, and all the minor characters play like James Bond supervillains on Bizarro-world. And, stoic Clint plays off all of them magnificently at every opportunity. Meanwhile, George Kennedy is perfect, playing straight man for all the bizarre characters all around him. This is as hysterical a spy farce as I have ever seen. This was a good movie. It was a little far-fetched, but despite that the climbing scenes were very good and Eastwood was his typical self. The plot is also not bad. Overall this was a good Eastwood movie and for those who fans of Eastwood and climbing movies.

As a die-hard Clint Eastwood fan you've probably seen this spy/action/thriller already, but for those who only now discover the work of this great director/actor, check it out - it's well worth it.

This film was made in the mid-seventies and it shows in every frame. The decidedly non-political correctness in the scenes with the obviously gay guy, portrayed by Jack Cassidy (whose lapdog is appropriately named "faggot" and has a hilarious scene humping Eastwood's leg); with the Indian girl (Eastwoods laconic snarl "Screw Marlon Brando" is unforgettable); with the "black chick" (says Eastwood to the Afro-American actress Vonetta McGee) might turn off some of today's viewers or bring the film on the map for viewers who have grown up with Rap Music and consider the occasional four-letter word in "8 Mile" already daring.

The story itself is not really important (a classic spy/action thriller with a twist) but the camera direction is superb and Eastwood's well-known love for Jazz music seaps through occasionally. Today's movies are called movies for a reason - they are no longer "films" (like this one), where time is taken to tell a story and explore it in its own leisure fashion.