Chupke Chupke

Today is 14th September, known as Hindi Day as per the Indian constitutional provisions. On this occasion, I am reviewing a classic comedy whose theme is the usage of the two languages - Hindi and English whose propagators are mostly seen at loggerheads in India. Yes, no prizes for guessing. It is Chupke Chupke (1975) which is unarguably one of the best Bollywood commedies of all times.

Chupke Chupke (quietly) is the story of Parimal Tripathi (Dharmendra), the professor of Botany who falls in love with a student of Botany - Surekha (Sharmila Tagore). After marriage, he comes to know of her fondness towards her brother-in-law or Jijaji (elder sister's husband) - Raghavendra (Om Prakash) who has not been able to attend their marriage. Just to prove himself before his wife, he masquerades as a driver speaking pure Hindi (without any use of English words) and enters Raghavendra's household. What follows is a two hours long laugh-riot for the audience in which, in addition to the mentioned ones, several characters get involved viz. Parimal's friend - Sukumar (Amitabh Bachchan), his another friend - Prashant (Asrani), Prashant's sister-in-law (wife's sister) - Vasudha (Jaya Bhaduri) and many more. Comic situations keep on coming before the spectators till the finale is reached with the truth being revealed before Raghavendra who acknowledges the wittiness of his brother-in-law, i.e., Parimal.

Legendary director - Hrishikesh Mukherjee has directed this movie whose script and dialogues have been written by another Bollywood legend - Gulzaar. It's not a slapstick comedy. It's a situational one whose brilliant script makes it a winner. Right from the very start to the very finish, there is no dearth of laughs for the audience. And the perfect comic timings of the lead characters, especially Dharmendra complement the script to serve its purpose to make the audience laugh again and again.

The inherent message is no less useful and worth remembering. No language is superior or inferior to any other one. Language is a medium of communication for the human-beings who have no business making fun of any language. The way Hindi is respectable, the same way English is. Each one of the two has its own positives (and negatives too) and it's in the interest of the Indians to appreciate the worth of both without mocking any of them.

Sachin Da (S.D. Burman) has composed pretty good music for the movie. The best song is - Abke Sajan Saawaan Mein sung by Lata. Other songs are also apt according to the mood of the movie. Anand Bakshi has penned appropriate lyrics for them.

Performance wise talking, this movie is definitely one of the best movies of Dharmendra. This versatile actor has proved quite emphatically that he is not only skilled in serious roles but he has no match in comedy also. Interestingly, Bollywood's most popular movie -Sholay which contains Dharmendra's another memorable comic performance was released in the same year. Dharmendra has left no stone unturned in making the audience laugh right from the beginning to the end. Om Prakash is the second best and Amitabh Bachchan is the third best in this work. Asrani, Sharmila Tagore, Jaya Bhaduri, David, Keshto Mukherjee etc. all have done their parts well and generated showers of laughter for the viewers.

The technical and production value aspects of the movie adhere to the simplicity doctrine of Hrishi Da. Editing is good. Length is also perfect. Summing up, Chupke Chupke is a flawless movie.

Surprisingly, Chupke Chupke was not a box office hit when released. However, now it is considered a classic comedy which has unlimited repeat value. The way, the admirers of Sholay can watch it umpteen number of times, the same way Chupke Chupke can also be watched countless number of times and every time the laughter is guaranteed for the viewer.

This film is evenly paced throughout, though it turns out to be a Dharmendra show! Prominent among the hilarious scenes are, when Dharmendra, as a chauffeur, seeks clarification from Om Prakash as to why 'go', 'so' are pronounced in the same way and why not 'to', and the other is that Amitabh Bachchan (English Professor) is shown memorising some aspects of Botany using a college botany textbook under dim-lit table-lamp, because he has to take 'botany tuitions' for his sweetheart (Jaya Bhaduri)! Gulzar's screenplay and dialogues take the cake in this film! A must-have among the VCD collection! 'Chupke-Chupke Chal Ree Purvaiya' is the pick of songs of this film, which too are melodious.

Chupke Chupke is masterpiece by Hrishikesh Mukherjee, I love his style of story telling be it Bawarchi, Rang Birangi, Naram Garam, Golmaal, Khubsoorat, Buddha Mil Gaya, all of which are great movies. All his stories have very simple storyline, powerful cast, lots of human emotion and patriotism towards Indian culture and languages.

Dharmendra is truly amazing, and so is Amitabh Bachchan and rest of the cast supports them well. Since most of the dialogs are in pure Hindi, some people may find it difficult to follow. Hrishikesh Mukherjee through his movies and characters always pointed to some aspect or the other of the lives of Indian people, and hence all his characters always feel very real and get deep inside your skin and you become a part of the act.

The practical joke played by a Botany professor on his brother-in-law is the focus of the movie, as pointed out by other commenter. Chupke Chupke is a film in which the dialogs combine with the situations to collectively impart the comic momentum to the movie which persist till the very last minute, very very entertaining film, highly recommended for the entire family. If you liked this movie, then do give the movies mentioned at the beginning a shot, you would thank me later. :) also highly recommended.

A newly married professor implements an amusing plan for getting introduced with the family of his elder brother-in-law under false pretense. It is approved by his wife and actively supported by a few friends. The couple doubly enjoys the secrecy. They continue the whole plan of joking tricks until it becomes enough. Otherwise, they enjoy the desperate love relation in a climate of adventurous hiding.

A prolonged play of secret humor--the broad connotative meaning of the title-- does not lose its relish due to the compact screenplay, the excellent performances of the casts, proper editing, wonderful music by Sachin Deb Barman and a few other supportive constituents of the film. Though the social composition of the characters, the social nature of turns and twists of the sequences focus on the educated urban Indian middle class, the lucid narrative seems to communicate a stable flow of comedian pleasure to all viewers. The final revelation of the true identities among the characters is accelerated because of the maturity of a new love relation. The narrative seems to challenge softly some insensible social norms. It also expresses its deep conviction about love and honesty of individuals and obviously its trust on the creative capacity of intelligent and humorous individual.

Any regular Indian film lover would enjoy the nice acting of at least four film stars--Dharmendra, Sharmila Tagore, Amitabh Bachchan and Jaya Bhaduri-- in simple social images and appreciate director Hrishikesh Mukherjee for another successful experiment. The film makes the spectator reminiscent of the genre, which rarely used the very close and the very long shots and rapid cuts. In spite of a theatrical design of the screenplay it could provide the actors and the actresses with the greater scope of establishing their performing talents. The use of bright light and sustained delight of the romantic characters in the family drama--initiated by an unconventionally sensitive, urban, academic personality--makes the film a bright entertainment.

Hrishikesh Mukherjee known for his simple and yet excellent movies gives us a comedy which is so delightful, it is remembered even today

The film has several hilarious moments, especially between Dharmendra-Om Prakash and will make you die laughing especially their Hindi vs English scenes

The film has all ingredients well balanced, comedy, romance and it makes for an entertaining film something we miss from today's comedies especially Rohit Shetty type of rubbish comedies

The first half has several hilarious moments which make you die laughing while even the second half have several hilarious moments and you'll keep waiting for more

Direction by Hrishikesh Mukherjee is classic Music by S.D.Burman is superb, Sare Gamapa sung by Kishore/Rafi is superb while Ab ke Sawan is superb and rest are superb

Dharmendra shows his range as a comedian and does a brilliant job, often known for his action roles, Dharmendra was superb in 70s in all genres sadly post 80's his comedy became terrible But here he excels Amitabh in a supporting role excels in his comic part perhaps his first comic role,his expressions and dialogue delivery are flawless Both appeared together in SHOLAY and their chemistry is fabulous Surprisingly both diverse films in the same year Amitabh and Hrishikesh made several classic films like ANAND(1971), ABHIMAAN(1973), MILI(1975), ALAAP and BEMISAAL(1982) Sharmila is a natural and does a brilliant job Jaya Bachchan too leaves a mark in a smaller role Om Prakash is hilarious in his role, his role is the important part in the film and he excels in his part Amongst rest Asrani in a small role does well and rest are okay