Bug insetto di fuoco

I saw this movie once about 20 years ago. If you read other's comments you'll find that just about everyone hates the second half of the movie. For me it was the reverse. The first half wasn't particularly interesting. Bugs starting fires, BIG DEAL. Then the movie apparently ends and you're wondering what else could happen. That's where it gets interesting. I liked the doctor's slow descent into madness. It was highly original and refreshing twist. The bugs on the wall just rocked! If you want to make more sense of the doctor's actions read the book, The Hephaestus Plague. The book actually continues on beyond where the movie ends. I'd really recommend this movie unless of course you want stupid CGI instead of plot and character development.

Loosely based on the novel "The Hephaestus Plague" about a strain of self igniting cockroach that is unleashed on a rural town following an earthquake. Local professor (Bradford Dillman) must learn more about the bugs in an attempt to stop the path of destruction, but finds himself aiding their evolution into unassailable marauders.

Interestingly handled thriller, produced by horror royalty in William Castle focuses on the mental disintegration of the lead character, following the death of his spouse. His obsessive determination to destroy the bugs leads him to the brink of insanity, while the bugs conversely enhance their intelligence through the reinforcement gained in his experiments. Where most of the cast (Gilliland, Vint, Jackson, Miles) fade out after the first half, Fudge and McCormack come into focus in the second half, as they attempt to coax Dillman out of his self imposed isolation.

The concept that mankind is the subject of the experiment and ultimately the more vulnerable of the two species, is canvassed abundantly in the second half of the film and while engaging, slows the pace considerably. Overall, I found "Bug" an entertaining tale that improved with each subsequent viewing and an ideal swansong for horror maestro Castle.

So in this movie, there are some scenes that take place in the Brady Bunch house. It is true. But it's really only obvious in the kitchen, especially the scene where the scientist's wife's head goes up in flames. The other parts of the set were modified to make it somewhat inconspicuous... but if you have a keen eye, you'll notice it. This was filmed sometime in 1974, which was the year the final episodes of The Brady Bunch aired. So it appears that the bugs chased the Bradys out. Cousin Oliver probably brought the fiery critters into the house in his luggage. That kid ruined everything. He was said to be a "jinx." This proves it!

This movie has some fun moments but it does start to get a bit boring as it drags on. The Brady house stuff wraps up somewhere around the middle and the last half doesn't include it any longer. We get trapped in some tiny shack with the mad scientist who is doing weird breeding experiments with the fire bugs and regular cockroaches. I won't spoil how it turns out but you can probably guess. Cousin Oliver's jinx is a strong one.

I saw this movie when I was about 8 years old in a very old, ornate theater. At that time, it absolutely scared the hell out of me. This movie has been burned in my memory as being incredibly terrifying. I would love to see it now because in retrospect, it was probably one of the cheesiest movies I have ever seen. Great for B movie fans.

Viewers who may be having some insect problems in their own abode may feel a bit better about their domestic situation when they see what the residents of a small California desert town have to contend with, in 1975's "Bug." After a seismic event releases the titular nasties from deep underground, the ugly, beetlelike creatures start making trouble, setting fires wherever they go by rubbing their chitinous rear antennae together. And then things get even more problematic, when a balmy biology teacher (excellently portrayed by Bradford Dillman) decides to cross the "Firebug" with the ordinary domestic roach! OK, first let me say what "bugged" me about this film. It is occasionally slow moving and, other than Dillman's character, there is no other character of any depth or interest to speak of. And since even Dillman's character goes bonkers halfway through, there's really nobody for the viewer to root for or identify with. There is, however, plenty of good news. The film IS creepy as can be (roachaphobes, be forewarned!) and features an eerie electronic score by Charles Fox and interesting directorial touches from Jeannot Szwarc. And those bugs really are something! I could not tell half the time if I was looking at a genuine insect or the result of some special FX wizardry; probably a cunning mixture of the two. And the four bug attack sequences, three of them on women, are gruesomely effective and well done. A tip of the hat to producer and co-writer William Castle, who, in this, his last film, demonstrated that he still knew how to deliver a gripping entertainment. (Come to think of it, the Firebug almost looks like a pint-size Tingler!) My buddy Rob has astutely pointed out to me the picture's skillful use of establishing shots, prolonged silences, "disturbing imagery" and "unnerving stillness," and I must admit that a repeat viewing revealed the film to be not so much slow as deliberately paced. Ending on as bleak a note as can be, the picture will most likely send viewers off to the hardware store to pick up a preventive pack of Combat!