10 secondi per fuggire

Robert Duvall must have felt like the Count Of Monte Cristo in Breakout. Not sharing in his wealthy grandfather's right-wing business type politics, Duvall is framed for a murder in Mexico while he's in Chile flown back and sentenced to a Mexican prison for 28 years. Only the fact that he's grandfather John Huston's blood saves him from execution. Or more than likely he would have been executed forthwith with all the problems he's causing.

The thought that his own family could be responsible does not even factor into Duvall's wife Jill Ireland trying to free him. For that she goes to commercial pilot Charles Bronsonto get the job done. Bronson's good for a dishonest dollar if you have enough of them. He and assistant Randy Quaid will do what they have to and in Quaid's case it involves one attempt with Quaid in drag.

Bronson proves to have a droll sense of humor in this film. The drag business with Randy Quaid is one example, another is his use of Sheree North who is married to deputy sheriff Roy Jenson and the girl needs some spending loot. Sheree has some of the best scenes in Breakout.

Charles Bronson fans should be very happy with Breakout at how he beats some considerable odds stacked against him.

Tom Gries("Will Penny") directs this thin drama that casts Charles Bronson as independent pilot Nick Colton, enlisted by a desperate wife(Jill Ireland) who wants him to fly into a Mexican prison to rescue her husband(Robert Duvall) who she insists was framed by the mafia. Colton agrees for $50,000, though of course the plan doesn't go as smoothly as they had hoped...

Though this has a good cast, there is little else about this film that is memorable, and credibility isn't that high either. Some goofy comedy involving costar Randy Quaid dressed as a woman doesn't help! Tom Gries did far better with "Will Penny"; perhaps his heart just wasn't in this?

"Breakout" is a lightweight action film but worth a peek, especially if you're a Charles Bronson fan. It's not one of his best movies but manages to be entertaining, albeit corny, most of the time. If you want to see a great movie with Bronson in it, check out "The Magnificent Seven;" if you want to see a great Charles Bronson movie, watch "The Mechanic."

Charles Bronson gets the rare chance to exercise his comic chops in this relatively lighthearted role (I've never seen him smile and joke so much before). Apart from that, "Breakout" is nothing special, there is very little action, and after all the anticipation the actual ecsape sequence is totally unbelievable. The only other notable part of the movie is the eye-popping (no pun intended) finish to the plane field fight. **1/2 out of 4.

"Breakout" is easily one of Charles Bronson's best starring vehicles. For the most part his early 70's films fell into two categories: either junky (Violent City) or pretentious (The Mechanic). The first Death Wish film was thought-provoking, but marred by sickeningly graphic and misogynist violence; the sequels had the violence with none of the art. His late-70s films were quickie garbage (Death Hunt, Love and Bullets). His 80's films featured a sickly prurient violence level and a sleepwalking star.

But Bronson did have quite a string of quality films in the mid-70s: "Breakheart Pass (1974)," "Hard Times" (1975), "Mr. Majestic" (1974), "From Noon Til Three" (1976), and "Telefon" (1977)were all quality films in which Bronson's star quality, charisma, and acting ability was able to shine through.

The best of Bronson's mid-70s output in my opinion, however, is Tom Gries' "Breakout." The story has drama, humor, and tremendous forward momentum, the cast is superior (Robert Duvall, Randy Quaid, John Huston, and the always-underrated Jill Ireland). Most importantly, Charles Bronson breaks out of his silent-and-stony persona and creates a character that has depth, humour, and humanity as well as toughness.

Those who complain that this film has little action have obviously not seen many of Bronson's films. Very few of them are actually what could be called "action movies". For the most part they were melodramas with some gunplay, the occasional fight, and a maybe car chase near the end. "Breakout" is actually as much or more of an action film than most of Bronson's others. I think that most folks who mistakenly lament the lack of "action" in this film compared to his others are confusing "action" with sick, perverse violence. Look at "Death Wish" for instance: Bronson shoots some guys. That's the extent of the action, if you exclude the graphic rape scene near the beginning. He points a gun and shoots. He rarely runs. There's never a car chase. It's a melodrama, not an action film. `Breakout' has a helicopter escape, a fistfight on a dark runway as a twin-prop plane approaches at breakneck speed, and an attitude that make it more of an action film.

So "Breakout" doesn't have graphic torture, or rape, or someone getting sodomized with a nightstick. I'll settle for a great story, fine acting, cool action, and interesting characters.