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I casi del detective anticonformista sotto copertura di New York, Tony Baretta.I casi del detective anticonformista sotto copertura di New York, Tony Baretta.I casi del detective anticonformista sotto copertura di New York, Tony Baretta.
- Vincitore di 2 Primetime Emmy
- 3 vittorie e 9 candidature totali
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Recensioni in evidenza
I agree with most of the other comments. That's a brilliant cop series, with a unusual character. But I must also say that the social worker cop side of this Baretta character annoyed me a lot, especially in the last episodes. It annoyed me at a scale you can't even imagine. I almost stopped seeing the show. If I want to see social line stories, I watch EAST SIDE WEST SIDE, which was an excellent, brilliant TV show. I have nothing against social stories, so close to reality, but a cop show must remain a cop show. It can speak of social background, settings, but it also must remain a cop, crime show. One of the highlight of the whole series is in the last season: STONE CONSPIRACY, where Baretta is falsely accused of bribery and has to face rogue cops, including his own friend. With a very unexpected ending. A story that leaves you a copper taste in the mouth. Excellent.
As with most police dramas that were on television during the 1970's,this was one of those shows they threw the overall police procedure out the window and the main character was a maverick detective who was working for the police department who went by his own set of rules. Most of the time he wore disguises on the job either by dressing up as a nun,an old lady or some lowlife who used unorthodox methods to capture the baddies and bring them to justice. "Baretta" was that show.
"Baretta" was the brainchild of producers Stephen J. Cannell and Roy Huggins,the same ones who were behind the critically acclaim short-lived police drama "Toma",which ran for one season when "Baretta" came in as the mid-season replacement in January of 1975. "Baretta" was the milder version of "Toma" with much of the violent content tone down for good measure. And just like "Toma",the reviews that "Baretta" got during its first season were minimum. But the public loved it and this is why the series ran for three seasons on ABC-TV,producing 82 episodes from January 17,1975 until May 18,1978,under Roy Huggins' production company Public Arts Productions in association with Universal Television. Say what you want about this upbeat crime drama/police story series with Robert Blake in the title role as Tony Baretta.
Baretta was an police detective/unorthodox plainclothes cop who lives with Fred,his pet cockatoo in a rundown apartment on the mean streets of New York. Like his model David Toma,Baretta wore many disguises on the job,but the way he used those methods to catch the lowlifes and scums of the city were impressive,and without the violent content. And just like Toma,Baretta had a gun he used for measure when necessary,but never fired it. Each episode followed the same formula,and it became quite the format that went with the standard basic cop show routine that dominated much of the 1970's.
With a great supporting cast that included Tom Ewell,along with Michael D. Roberts, Dana Elcar, Edward Glover, John Ward, Chino Williams, and Ron Thompson,"Baretta" became one of the most popular cop shows of its day. The episodes were interesting as well as creative and the plots interesting to watch to see what Robert Blake's character would come up with next. Not to mention one of the greatest cop theme song ever made sung by the great Sammy Davis,Jr. One of the best from that era.
"Baretta" was the brainchild of producers Stephen J. Cannell and Roy Huggins,the same ones who were behind the critically acclaim short-lived police drama "Toma",which ran for one season when "Baretta" came in as the mid-season replacement in January of 1975. "Baretta" was the milder version of "Toma" with much of the violent content tone down for good measure. And just like "Toma",the reviews that "Baretta" got during its first season were minimum. But the public loved it and this is why the series ran for three seasons on ABC-TV,producing 82 episodes from January 17,1975 until May 18,1978,under Roy Huggins' production company Public Arts Productions in association with Universal Television. Say what you want about this upbeat crime drama/police story series with Robert Blake in the title role as Tony Baretta.
Baretta was an police detective/unorthodox plainclothes cop who lives with Fred,his pet cockatoo in a rundown apartment on the mean streets of New York. Like his model David Toma,Baretta wore many disguises on the job,but the way he used those methods to catch the lowlifes and scums of the city were impressive,and without the violent content. And just like Toma,Baretta had a gun he used for measure when necessary,but never fired it. Each episode followed the same formula,and it became quite the format that went with the standard basic cop show routine that dominated much of the 1970's.
With a great supporting cast that included Tom Ewell,along with Michael D. Roberts, Dana Elcar, Edward Glover, John Ward, Chino Williams, and Ron Thompson,"Baretta" became one of the most popular cop shows of its day. The episodes were interesting as well as creative and the plots interesting to watch to see what Robert Blake's character would come up with next. Not to mention one of the greatest cop theme song ever made sung by the great Sammy Davis,Jr. One of the best from that era.
When I was a little kid I would watch Baretta starring Robert Blake (known as child actor who played in "Our Gang") who later domineered his career as an adult actor. This cop has something that most cop series don't have humor, good times and bad times. Robert Blake was an excellent choice for street police detective Tony Baretta.
Baretta has always been my favorite TV show. The character, Tony Baretta, created by Stephen J. Cannell and played so perfectly by Robert Blake, is one of the finest characters I've ever seen. The titles of the episodes are creative, the plots are very interesting, and the show provides a good balance of emotion. Baretta had a big influence on my early writing style. I still value the show today. >
I'm just now getting around to watching all of these episodes since I got them. They are hard hitting, tearful, funny, and amazing. Especially the episode, "The Coppelli Oath."
You owe it to yourself to check in to this detective series and add it to your library, not just for yourself, but for your friends to see as well.
Very nicely done for such an old show. A lot can be learned about humanity and handling difficult life situations in this. Especially if it involves crime.
You owe it to yourself to check in to this detective series and add it to your library, not just for yourself, but for your friends to see as well.
Very nicely done for such an old show. A lot can be learned about humanity and handling difficult life situations in this. Especially if it involves crime.
Lo sapevi?
- QuizThe theme song "Keep Your Eye On The Sparrow" was initially instrumental. In later seasons, lyrics were added that were sung by Sammy Davis, Jr.
- ConnessioniEdited into The Our Gang Story (1994)
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Баретта
- Luoghi delle riprese
- King Edward Hotel - 121 E. 5th St, Los Angeles, California, Stati Uniti(as Baretta's hotel room)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione
- 1h(60 min)
- Mix di suoni
- Proporzioni
- 4:3
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